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035 $a(NNC)15098410
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019 $a962047914$a1086513146
020 $a9780203796160$q(electronic bk.)
020 $a0203796160$q(electronic bk.)
020 $a9781134449217$q(electronic bk.)
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020 $z9781138000759$q(hbk.)
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035 $a(OCoLC)875098766$z(OCoLC)962047914$z(OCoLC)1086513146
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084 $aLIT015000$aSCI000000$aLIT000000$2bisacsh
049 $aZCUA
245 00 $aEmbodied cognition and Shakespeare's theatre :$bthe early modern body-mind /$cedited by Laurie Johnson, John Sutton and Evelyn Tribble.
264 1 $aNew York :$bRoutledge,$c[2014]
264 4 $c©2014
300 $a1 online resource (viii, 281 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge studies in Shakespeare ;$v10
588 0 $aPrint version record.
505 0 $aCover; Half Title; Title Page; Copyright Page; Table of Contents; List of Figures; Acknowledgments; Introduction: Re-cognising the Body-Mind in Shakespeare's Theatre; 1 Proteus Agonistes: Shakespeare, Bacon, and the ""Torture"" of Nature; 2 Plays, Playing, and Make-Believe: Thinking and Feeling in Shakespearean Drama; 3 Warmth and Affection in 1 Henry IV: Why No One Likes Prince Hal; [... First Link ...] Subjectivity and the Mind-Body: Extending the Self on the Renaissance Stage; 4 ""Some Fury Pricks Me On"": Satanic Thinking in Thomas Heywood's A Woman Killed with Kindness.
505 8 $a5 Mental Bodies in Much Ado About Nothing[... Second Link ...] The Unbearable Permeability of Bodies and Minds; 6 ""Make Me Not Sighted Like the Basilisk"": Vision and Contagion in The Winter's Tale; 7 Singularity in The Winter's Tale; [... Third Link ...] Seeing the Spider: Cognitive Ecologies in The Winter's Tale; 8 ""There's Magic in The Web of It"": Skin, Mind, and Webs of Touch in Othello; 9 Coriolanus's Blush; [... Fourth Link ...] The Play of Time in Cognition; 10 Altered States: Hamlet and Early Modern Head Trauma.
505 8 $a11 Cogito Ergo Theatrum: Redistributing Cognition on the Early Modern Stage12 The Belly-Mind Relationship in Early Modern Culture: Digestion, Ventriloquism, and the Second Brain; Afterword; Contributors; Index.
520 $a"This collection considers issues that have emerged in Early Modern Studies in the past fifteen years relating to understandings of mind and body in Shakespeare's world. Informed by The Body in Parts, the essays in this book respond also to the notion of an early modern 'body-mind' in which Shakespeare and his contemporaries are understood in terms of bodily parts and cognitive processes. What might the impact of such understandings be on our picture of Shakespeare's theatre or on our histories of the early modern period, broadly speaking? This book provides a wide range of approaches to this challenge, covering histories of cognition, studies of early modern stage practices, textual studies, and historical phenomenology, as well as new cultural histories by some of the key proponents of this approach at the present time. Because of the breadth of material covered, full weight is given to issues that are hotly debated at the present time within Shakespeare Studies: presentist scholarship is presented alongside more historically-focused studies, for example, and phenomenological studies of material culture are included along with close readings of texts. What the contributors have in common is a refusal to read the work of Shakespeare and his contemporaries either psychologically or materially; instead, these essays address a willingness to study early modern phenomena (like the Elizabethan stage) as manifesting an early modern belief in the embodiment of cognition"--$cProvided by publisher
504 $aIncludes bibliographical references and index.
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism.
650 0 $aMind and body in literature.
650 0 $aCognition and culture$zEngland$xHistory$y16th century.
650 6 $aThéâtre anglais$y16e siècle$xHistoire et critique.
650 6 $aEsprit et corps dans la littérature.
650 6 $aCognition et culture$zAngleterre$xHistoire$y16e siècle.
650 7 $aLITERARY CRITICISM$xShakespeare.$2bisacsh
650 7 $aSCIENCE$xGeneral.$2bisacsh
650 7 $aLITERARY CRITICISM$xGeneral.$2bisacsh
650 7 $aDRAMA$xEnglish, Irish, Scottish, Welsh.$2bisacsh
650 7 $aCognition and culture.$2fast$0(OCoLC)fst00866482
650 7 $aEnglish drama$xEarly modern and Elizabethan.$2fast$0(OCoLC)fst01710950
650 7 $aMind and body in literature.$2fast$0(OCoLC)fst01022006
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
648 7 $a1500-1600$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aJohnson, Lawrence,$d1967-$eeditor.
700 1 $aSutton, John,$d1965-$eeditor.
700 1 $aTribble, Evelyn B.,$eeditor.
776 08 $iPrint version:$aJohnson, Laurie.$tEmbodied Cognition and Shakespeare's Theatre : The Early Modern Body-Mind.$dHoboken : Taylor and Francis, ©2014$z9781138000759
830 0 $aRoutledge studies in Shakespeare.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15098410$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS