MARC Record from marc_columbia

LEADER: 04367cam a2200649 i 4500
001 15098790
005 20221105231132.0
006 m o d
007 cr cnu---unuuu
008 140422t20142014enk ob 001 0 eng d
035 $a(OCoLC)ocn877868334
035 $a(NNC)15098790
040 $aN$T$beng$erda$epn$cN$T$dOCLCO$dIDEBK$dE7B$dCDX$dYDXCP$dOCLCO$dTYFRS$dOSU$dOCLCF$dYDX$dZ5A$dMOR$dOCLCQ$dINT$dOCLCQ$dLEAUB$dUKAHL$dOCLCQ$dBWN$dOCLCQ$dUEJ$dLVT$dOCLCO$dVT2$dK6U$dN$T$dOCLCQ$dOCLCO$dOCLCQ
019 $a980574802$a980618510$a988499980$a1229614004$a1229620900$a1235836711
020 $a9781136169489$q(electronic bk.)
020 $a1136169482$q(electronic bk.)
020 $a9780203080771$q(ebook)
020 $a9781136169496
020 $a1136169490
020 $a0203080777
020 $a9780203080771
020 $a9781136169427
020 $a1136169423
020 $z9780415642651$q(hardcover)
020 $z0415642655$q(hardcover)
020 $z9780415642675$q(paperback)
020 $z0415642671$q(paperback)
024 8 $a40023903346
035 $a(OCoLC)877868334$z(OCoLC)980574802$z(OCoLC)980618510$z(OCoLC)988499980$z(OCoLC)1229614004$z(OCoLC)1229620900$z(OCoLC)1235836711
050 4 $aPN1996$b.C775 2014eb
072 7 $aPER$x009000$2bisacsh
082 04 $a791.4302/3$223
084 $aSOC052000$2bisacsh
049 $aZCUA
100 1 $aConor, Bridget,$d1980-$eauthor.
245 10 $aScreenwriting :$bcreative labour and professional practice /$cBridget Conor.
264 1 $aMilton Park, Abingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2014.
264 4 $c©2014
300 $a1 online resource (vii, 155 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Screenwriting work demands particular and complex forms of subjectivity in order to distinguish it from other forms of filmmaking and writing, to make the work knowable and do-able. This book analyzes the ways in which screenwriters navigate and make sense of the labor markets in which they are immersed. Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as empirical data drawn from interviews, labour market and textual analysis, this book presents an original and multi-faceted case study of screenwriting as creative labor and professional practice. Using a range of theoretical approaches and an interdisciplinary methodological framework, it examines both the structural and subjective features of screenwriting work and it analyzes not only who has access to the work, but also who is excluded from this profession"--$cProvided by publisher
588 0 $aPrint version record.
505 0 $aIntroduction: Setting the scene -- Screenwriting histories and myths of the profession -- Screenwriting as creative labor -- Screenwriters' working lives -- Screenwriting work and the how-to-genre -- Screenwriting work: Who's in and who's out? -- Conclusion: Screenwriting as good work.
506 0 $aOpen Access$5EbpS
650 0 $aMotion picture authorship$vVocational guidance.
650 0 $aMotion pictures$xProduction and direction$xVocational guidance.
650 6 $aCinéma$xProduction et réalisation$xOrientation professionnelle.
650 7 $aSOCIAL SCIENCE$xMedia Studies.$2bisacsh
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aMotion picture authorship.$2fast$0(OCoLC)fst01027122
650 7 $aMotion pictures$xProduction and direction$xVocational guidance.$2fast$0(OCoLC)fst01027363
776 08 $iPrint version:$aConor, Bridget, 1980-$tScreenwriting$z9780415642651$w(DLC) 2013038497$w(OCoLC)853244893
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15098790$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS