MARC Record from marc_columbia

LEADER: 04333cam a2200877 a 4500
001 15100157
005 20221112232238.0
006 m o d
007 cr cnu---unuuu
008 140627r20141985enk ob 001 0 eng d
035 $a(OCoLC)ocn881840563
035 $a(NNC)15100157
040 $aIDEBK$beng$epn$cIDEBK$dN$T$dE7B$dOCLCF$dTYFRS$dYDXCP$dOCLCQ$dOCLCO$dOCL$dOCLCQ$dOCLCA$dMOR$dOCLCQ$dAU@$dUKAHL$dOCLCQ$dLEAUB$dOCL$dUKMGB$dK6U$dOCLCO$dAUD$dOCLCO$dOCLCQ
015 $aGBC103137$2bnb
016 7 $a017481439$2Uk
019 $a1086567705
020 $a1306882869$q(electronic bk.)
020 $a9781306882866$q(electronic bk.)
020 $a9781317744443$q(electronic bk.)
020 $a1317744446$q(electronic bk.)
020 $a9781315794419$q(e-book ;$qPDF)
020 $a1315794411
020 $a9781317744436$q(EPUB)
020 $a1317744438$q(EPUB)
020 $z9781138015340
035 $a(OCoLC)881840563$z(OCoLC)1086567705
037 $a9781317744436$bIngram Content Group
043 $ae-uk-en
050 4 $aPR658.S42$bB45 1985eb
072 7 $aDRA$x003000$2bisacsh
082 04 $a822/.009/355$221
049 $aZCUA
100 1 $aBelsey, Catherine.
245 14 $aThe subject of tragedy :$bidentity and difference in Renaissance drama /$cCatherine Belsey.
260 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2014, ©1985.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge revivals
500 $aOriginally published: 1985 by Methuen & Co. Ltd.
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 0 $apt. 1. Man -- pt. 2. Woman.
520 $aFirst published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism - self-determining, free origin of language, choice and action - is highlighted as the product of a specific period in which man was the subject to which woman was related.
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism.
650 0 $aSex role in literature.
650 0 $aEnglish drama$y17th century$xHistory and criticism.
650 0 $aEnglish drama (Tragedy)$xHistory and criticism.
650 0 $aDifference (Psychology) in literature.
650 0 $aIdentity (Psychology) in literature.
650 0 $aDrama$xPsychological aspects.
650 0 $aRenaissance$zEngland.
650 6 $aThéâtre anglais$y16e siècle$xHistoire et critique.
650 6 $aRôle selon le sexe dans la littérature.
650 6 $aThéâtre anglais$y17e siècle$xHistoire et critique.
650 6 $aTragédie anglaise$xHistoire et critique.
650 6 $aIdentité (Psychologie) dans la littérature.
650 6 $aThéâtre (Genre littéraire)$xAspect psychologique.
650 6 $aRenaissance$zAngleterre.
650 7 $aDRAMA$xEnglish, Irish, Scottish, Welsh.$2bisacsh
650 7 $aDifference (Psychology) in literature.$2fast$0(OCoLC)fst00893417
650 7 $aDrama$xPsychological aspects.$2fast$0(OCoLC)fst00897494
650 7 $aEnglish drama.$2fast$0(OCoLC)fst00910737
650 7 $aEnglish drama$xEarly modern and Elizabethan.$2fast$0(OCoLC)fst01710950
650 7 $aEnglish drama (Tragedy)$2fast$0(OCoLC)fst00910801
650 7 $aIdentity (Psychology) in literature.$2fast$0(OCoLC)fst00966910
650 7 $aRenaissance.$2fast$0(OCoLC)fst01094518
650 7 $aSex role in literature.$2fast$0(OCoLC)fst01114649
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
648 7 $a1500-1699$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aBelsey, Catherine.$tSubject of tragedy.$dAbingdon, Oxon ; New York : Routledge, 2014, ©1985$z9781138015340
830 0 $aRoutledge revivals.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15100157$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS