MARC Record from marc_columbia

LEADER: 07299cam a2200745 i 4500
001 15100703
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006 m o d
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008 140719t20142014enka ob 001 0 eng d
035 $a(OCoLC)ocn884017626
035 $a(NNC)15100703
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016 7 $a016802908$2Uk
019 $a884550970$a889315553$a960999545$a965394766$a1086434552
020 $a9781317911722$q(electronic book)
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020 $a9781306969840$q(electronic book)
020 $a1306969840$q(electronic book)
020 $a9781315850115$q(electronic book)
020 $a1315850117$q(electronic book)
020 $z9780415705400$q(hardback)
020 $z0415705401$q(hardback)
020 $z1317911717
020 $z9781317911715
020 $z9781138913837
020 $z1138913839
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035 $a(OCoLC)884017626$z(OCoLC)884550970$z(OCoLC)889315553$z(OCoLC)960999545$z(OCoLC)965394766$z(OCoLC)1086434552
037 $a628235$bMIL
050 4 $aPN1972$b.R68 2014
072 7 $aPER$x009000$2bisacsh
082 04 $a791.5$223
084 $aPER000000$aPER007000$2bisacsh
049 $aZCUA
245 04 $aThe Routledge companion to puppetry and material performance /$cedited by Dassia N. Posner, Claudia Orenstein, and John Bell.
246 30 $aCompanion to puppetry and material performance
246 30 $aPuppetry and material performance
264 1 $aLondon ;$aNew York :$bRoutledge/Taylor & Francis Group,$c2014.
264 4 $c©2014
300 $a1 online resource (xxiv, 351 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
520 $a"The Routledge Companion to Puppetry and Material Performance offers a wide ranging perspective on how scholars and artists are currently reevaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its twenty-eight essays aim to advance the study of the puppet not only as a theatrical object, but also as a vibrant artistic and scholarly discipline ... The book features newly commissioned essays by leading scholars such as Matthew Isaac Cohen, Kathy Foley, Jane Marie Law, Eleanor Margolies, Cody Poulton, and Jane Taylor. It also celebrates the vital link between puppetry as a discipline and as a creative practice with chapters by active practitioners, including Handspring Puppet Company's Basil Jones, Redmoon's Jim Lasko, and Bread and Puppet's Peter Schumann. Fully illustrated with more than 60 images, this volume comprises the most expansive English-language collection of international puppetry scholarship to date"--Provided by publisher
504 $aIncludes bibliographical references and index.
505 00 $gIntroduction /$rDassia N. Posner, Claudia Orenstein, and John Bell --$gPart I:$tTheory and practice /$redited and introduced by John Bell --$gSection I:$tTheoretical approaches to the puppet.$tThe death of "the puppet"? /$rMargaret Williams --$tThe co-presence and ontological ambiguity of the puppet /$rPaul Piris --$tPlaying with the eternal uncanny: the persistent life of lifeless objects /$rJohn Bell --$gSection II:$tPerspectives from practitioners.$tVisual dramaturgy: some thoughts for puppet theatre-makers /$rEric Bass --$tPuppetry, authorship, and the Ur-narrative /$rBasil Jones --$tPetrushka's voice /$rAlexander Gref and Elena Slonimskaya --$t"Clouds are made of white!": the intersection of live art and puppetry as an approach to postdramatic children's theatre /$rRike Reiniger --$tMovement is consciousness /$rKate Brehm --$tThe eye of light: the tension of image and object in shadow theatre and beyond /$rStephen Kaplin --$tThe third thing /$rJim Lasko --$tPost-decivilization efforts in the nonsense suburb of art /$rPeter Schumann.
505 80 $gPart II:$tNew dialogues with history and tradition /$redited and introduced by Claudia Orenstein --$gSection III:$tRevisiting history.$tMaking a troublemaker: Charlotte Charke's proto-feminist Punch /$rAmber West --$tLife-death and disobedient obedience: Russian modernist redefinitions of the puppet /$rDassia N. Posner --$tThe Saracen of Opera dei Pupi: a study of race, representation, and identity /$rLisa Morse --$tPuppet think: the implication of Japanese ritual puppetry for thinking through puppetry performances /$rJane Marie Law --$tRelating to the cross: a puppet perspective on the Holy Week ceremonies of the Regularis Concordia /$rDebra Hilborn --$gSection IV:$tNegotiating tradition.$tTraditional and post-traditional wayang kulit in Java today /$rMatthew Isaac Cohen --$tKorean puppetry and heritage: Hyundai Puppet Theatre and Creative Group NONI translating tradition /$rKathy Foley --$tForging new paths for Kerala's tolpavakoothu leather shadow puppetry tradition / Claudia Orenstein --$tIntegration of puppetry tradition into contemporary theatre: the reinvigoration of the vertep puppet nativity play after communism in Eastern Europe /$rIda Hledíková
505 80 $gPart III:$tContemporary investigations and hybridizations /$redited and introduced by Dassia N. Posner --$gSection V:$tMaterial performances in contemporary theatre.$tFrom props to prosopopeia: making After Cardenio /$rJane Taylor --$t"A total spectacle but a divided one": redefining character in Handspring Puppet Company's Or you could kiss me /$rDawn Tracey Brandes --$tReading a puppet show: understanding the three-dimensional narrative /$rRobert Smythe --$tNotes on new model theatres /$rMark J. Sussman --$gSection VI:$tNew directions and hybrid forms.$tFrom puppet to robot: technology and the human in Japanese theatre /$rCody Poulton --$tUnholy alliances and harmonious hybrids: new fusions in puppetry and animation /$rColette Searls --$tProgramming play: puppets, robots, and engineering /$rElizabeth Ann Jochum and Todd Murphey --$tReturn to the mound: animating infinite potentia in clay, food, and compost /$rEleanor Margolies.
588 0 $aPrint version record.
650 0 $aPuppet theater.
650 0 $aPuppet theater$xHistory.
650 6 $aThéâtre de marionnettes.
650 6 $aThéâtre de marionnettes$xHistoire.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aPuppet theater.$2fast$0(OCoLC)fst01084220
650 7 $aFigurentheater$2gnd
650 7 $aMarionettenspiel$2gnd
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aPosner, Dassia N.,$eeditor.
700 1 $aOrenstein, Claudia,$eeditor.
700 1 $aBell, John,$d1951-$eeditor.
776 08 $iPrint version:$tRoutledge companion to puppetry and material performance.$dLondon ; New York, NY : Routledge, 2014$z9780415705400$w(DLC) 2013049987$w(OCoLC)868199756
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15100703$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS