| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:154916808:3825 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:154916808:3825?format=raw |
LEADER: 03825cam a2200529 i 4500
001 15101337
005 20221119232209.0
006 m o d
007 cr |n|||||||||
008 140307s2014 enk ob 001 0 eng d
035 $a(OCoLC)ocn889639926
035 $a(NNC)15101337
040 $aYDXCP$beng$erda$epn$cYDXCP$dCDX$dTYFRS$dE7B$dLUN$dOCLCQ$dIDEBK$dNLE$dOCLCF$dMOR$dOCLCQ$dOCL$dLEAUB$dOCLCQ$dK6U$dOCLCO$dOCLCQ
019 $a862362171$a875867364$a908072438$a988476954
020 $a9780203405444$q(electronic bk.)
020 $a0203405447$q(electronic bk.)
020 $a1306051258
020 $a9781306051255
020 $z9780415632881$q(hardback)
020 $z0415632889$q(hardback)
035 $a(OCoLC)889639926$z(OCoLC)862362171$z(OCoLC)875867364$z(OCoLC)908072438$z(OCoLC)988476954
037 $a536376$bMIL
050 4 $aPN1992.75$b.L335 2014
082 04 $a791.45/6556$223
049 $aZCUA
100 1 $aLam, Anita.
245 10 $aMaking crime television :$bproducing entertaining representations of crime for television broadcasts /$cAnita Lam.
264 1 $aMilton Park, Abingdon, Oxon ;$aNew York :$bRoutledge,$c2014.
300 $a1 online resource (212 pages .)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
520 $a"Making Crime Television employs actor-network theory in order to examine how representations of crime are produced for contemporary prime-time television dramas. The first study to examine the production of contemporary crime television dramas, particularly their writing process, this book examines not only the semiotic relations between ideas about crime, but the material conditions under which those meanings are formulated. Using ethnographic and interview data, it considers how textual representations of crime are assembled by various people (e.g., writers, directors, producers, researchers, technical consultants, and network executives), technologies (e.g. screenwriting software and whiteboards), and texts (e.g. newspaper articles, rival crime dramas, etc.). The emerging analysis does not project, but concretely examines, what television writers and producers know about crime, law and policing. An adequate understanding of the representation of crime, it is maintained, cannot be limited to an analysis of 'content'. Rather, it must be seen as the result of a particular assemblage of logics, people, creative ideas, commercial interests, legal requirements, and broadcasting networks."--$cProvided by publisher
588 0 $aPrint version record.
504 $aIncludes bibliographical references and index.
505 0 $a1. Setting the stage : a literature review and analysis -- 2. On method : trail-sniffing ants and breadcrumbs of reflexivity -- 3. Breaking the bridge : documenting the heterogeneous knowledge inputs into the laboratory of the writers' room -- 4. The case of the missing 'bad apples' : transforming 'injured cop' into the 'unguarded moment' -- 5. Showcasing Hamilton : how place becomes relevant in the making of Canadian crime dramas.
650 0 $aTelevision$xProduction and direction.
650 0 $aCrime on television$xSocial aspects.
650 0 $aActor-network theory.
650 6 $aTélévision$xProduction et réalisation.
650 6 $aCriminalité à la télévision$xAspect social.
650 6 $aThéorie de l'acteur-réseau.
650 7 $aActor-network theory.$2fast$0(OCoLC)fst01736774
650 7 $aTelevision$xProduction and direction.$2fast$0(OCoLC)fst01146585
776 08 $iPrint version:$aLam, Anita.$tMaking crime television.$z9780415632881$z0415632889$w(DLC) 2013011296
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15101337$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS