MARC Record from marc_columbia

LEADER: 05694cam a2200877 i 4500
001 15102634
005 20221119232632.0
006 m o d
007 cr |n|||||||||
008 141031s2014 nyu ob 001 0 eng d
035 $a(OCoLC)ocn894139577
035 $a(NNC)15102634
040 $aYDXCP$beng$erda$epn$cYDXCP$dOCLCO$dN$T$dOCLCQ$dOCLCF$dOCL$dOCLCQ$dE7B$dTYFRS$dYDX$dINT$dOCLCQ$dOCL$dUKAHL$dK6U$dOCLCO$dOCLCQ
019 $a896832614$a1004592504
020 $a1317655699$q(electronic bk.)
020 $a9781317655695$q(electronic bk.)
020 $a9781315764900
020 $a1315764903
020 $z9781138783034$q(hardback)
020 $z113878303X$q(hardback)
020 $z1317655680
020 $z9781317655688
020 $z1317655672
020 $z9781317655671
035 $a(OCoLC)894139577$z(OCoLC)896832614$z(OCoLC)1004592504
043 $ae-uk-en
050 4 $aPR2399.W7$bZ75 2014
055 8 $aPR2399.W7$bZ755 2015
072 7 $aLIT$x004120$2bisacsh
082 04 $a828/.309$223
084 $aLIT015000$aLIT004290$aLIT019000$2bisacsh
049 $aZCUA
245 00 $aMary Wroth and Shakespeare /$cedited by Paul Salzman, Marion Wynne-Davies.
250 $aFirst edition.
264 1 $aNew York :$bRoutledge,$c2014.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge Studies in Shakespeare ;$v11
520 $a"Over the last twenty five years, scholarship on Early Modern women writers has produced editions and criticisms, both on various groups and individual authors. The work on Mary Wroth has been particularly impressive at integrating her poetry, prose and drama into the canon. This in turn has led to comparative studies that link Wroth to a number of male and female writers, including of course, William Shakespeare. At the same time no single volume has attempted a comprehensive comparative analysis. This book sets out to explore the ways in which Wroth negotiated the discourses that are embedded in the Shakespearean canon in order to develop an understanding of her oeuvre based, not on influence and imitation, but on difference, originality and innovation"--$cProvided by publisher
504 $aIncludes bibliographical references and index.
505 0 $aPart One: Poetry, Circulation, Influence. 1. Sugared Sonnets among their Private Friends: Mary Wroth and William Shakespeare / Ilona Bell -- 2. Escaping the Void: Isolation, Mutuality and Community in the Sonnets of Wroth and Shakespeare / Clare R. Kinney -- 3. Autumn 1604 -- documentation and literary coincidence / Penny McCarthy -- 4. Mary Wroth and William Shakespeare: A Conversation in Sonnets / Gayle Gaskill. Part Two: Genre and Gender. 5. Absent Fathers: Mary Wroth's Love's Victory and William Shakespeare's King Lear / Marion Wynne-Davies -- 6. Wroth's Love's Victory as a Response to Shakespeare's Representation of Gender Distinctions: with Special Reference to Romeo and Juliet / Akiko Kusunoki -- 7. Four Weddings, Two Funerals and Tragicomic Resurrection: Love's Victory and Much Ado About Nothing / Alison Findlay -- 8. Civility and Extravagance in Timon of Athens and Urania / Amelia Zurcher. Part Three: Querying Identity. 9. Rosalind and Wroth: Tyranny and Domination / Paul J. Hecht -- 10. Love's Victory, Pastoral, Gender, and As You Like It / Paul Salzman -- 11. As She Likes It: Same-Sex Friendship and Romantic Love in Wroth and Shakespeare / Naomi J Miller -- Afterword Mary Ellen Lamb.
588 0 $aPrint version record.
600 10 $aWroth, Mary,$cLady,$dapproximately 1586-approximately 1640$xCriticism and interpretation.
600 10 $aWroth, Mary,$cLady,$dapproximately 1586-approximately 1640$xKnowledge$xLiterature.
600 10 $aShakespeare, William,$d1564-1616$xInfluence.
600 17 $aShakespeare, William,$d1564-1616.$2fast$0(OCoLC)fst00029048
600 17 $aWroth, Mary,$cLady,$dapproximately 1586-approximately 1640.$2fast$0(OCoLC)fst01858944
650 0 $aOriginality in literature.
650 0 $aDifference (Philosophy) in literature.
650 0 $aGender identity in literature.
650 0 $aWomen and literature$zEngland$xHistory$y17th century.
650 6 $aOriginalité dans la littérature.
650 6 $aIdentité sexuelle dans la littérature.
650 6 $aFemmes et littérature$zAngleterre$xHistoire$y17e siècle.
650 7 $aLITERARY CRITICISM$xShakespeare.$2bisacsh
650 7 $aLITERARY CRITICISM$xWomen Authors.$2bisacsh
650 7 $aLITERARY CRITICISM$xRenaissance.$2bisacsh
650 7 $aLITERARY CRITICISM$xEuropean$xEnglish, Irish, Scottish, Welsh.$2bisacsh
650 7 $aLiterature.$2fast$0(OCoLC)fst00999953
650 7 $aDifference (Philosophy) in literature.$2fast$0(OCoLC)fst00893409
650 7 $aGender identity in literature.$2fast$0(OCoLC)fst00939607
650 7 $aInfluence (Literary, artistic, etc.)$2fast$0(OCoLC)fst00972484
650 7 $aOriginality in literature.$2fast$0(OCoLC)fst01048193
650 7 $aWomen and literature.$2fast$0(OCoLC)fst01177093
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
648 7 $a1600-1699$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aSalzman, Paul,$eeditor.
700 1 $aWynne-Davies, Marion,$eeditor.
776 08 $iPrint version:$z9781138783034$z113878303X$w(DLC) 2014021135
830 0 $aRoutledge studies in Shakespeare ;$v11.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15102634$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS