| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:181910761:3610 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:181910761:3610?format=raw |
LEADER: 03610cam a2200625 i 4500
001 15108770
005 20210607111939.0
006 m o d
007 cr |n|||||||||
008 151115t20162016enka obq 001 0 eng c
035 $a(OCoLC)ocn932262066
035 $a(NNC)15108770
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019 $a928999213$a930335484$a932001037$a932338171$a935676832$a957679631$a958108302$a1018223685
020 $a9781317382157$q(electronic bk.)
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020 $a9781317382164
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020 $a9781317382140
020 $a1317382145
020 $z1138938807$q(hardback)
020 $z9781138938809$q(hardback)
035 $a(OCoLC)932262066$z(OCoLC)928999213$z(OCoLC)930335484$z(OCoLC)932001037$z(OCoLC)932338171$z(OCoLC)935676832$z(OCoLC)957679631$z(OCoLC)958108302$z(OCoLC)1018223685
037 $a9781317382157$bIngram Content Group
042 $apcc
043 $aa-cc---
050 4 $aNC1766.C6$bM33 2016
072 7 $aPER$x009000$2bisacsh
082 04 $a791.43/340951$223
049 $aZCUA
100 1 $aMacdonald, Sean,$d1963-$eauthor.
245 10 $aAnimation in China :$bhistory, aesthetics, media /$cSean Macdonald.
264 1 $aLondon ;$aNew York :$bRoutledge, Taylor & Francis Group,$c2016.
264 4 $c©2016
300 $a1 online resource (xix, 252 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge contemporary China series ;$v133
504 $aFilmography: pages 226-229.
504 $aIncludes bibliographical references (pages 230-246) and index.
520 1 $a"This book is a historical and theoretical study of animation in the PRC. Although the Wan Brothers produced the first feature-length animated film in 1941, the industry as we know it today truly began in the 1950s at the Shanghai Animation Film Studio (SAFS), which remained the sole animation studio until the 1980s. Considering animation in China as a convergence of the institutions of education, fine arts, literature, popular culture, and film the book takes comparative approaches that link SAFS animation to contemporary cultural production, including American and Japanese animation, pop art, and mass media theory."
505 0 $aCover; Title; Copyright; Dedication; Contents; List of figures; Acknowledgments; Introduction: It all started with a studio; 1 It all started with a monkey; 2 Cartoons and Chinese studies; 3 Meishu pian as national style; 4 A discussion and a princess; 5 Nezha naohai (Nezha Conquers the Dragon King): Scar animation and an ending; 6 Industry and animation; Glossary; Filmography; Bibliography; Index.
650 0 $aAnimated films$zChina$xHistory.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aAnimated films.$2fast$0(OCoLC)fst00809611
651 7 $aChina.$2fast$0(OCoLC)fst01206073
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aMacdonald, Sean, 1963-$tAnimation in China.$dLondon ; New York : Routledge, Taylor & Francis Group, 2016$z1138938807$w(DLC) 2015019635$w(OCoLC)911199986
830 0 $aRoutledge contemporary China series ;$v133.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15108770$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS