MARC Record from marc_columbia

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001 15109847
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008 160229s2016 enka ob 001 0 eng d
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050 4 $aPN1993.4$b.F477 2016
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049 $aZCUA
245 00 $aFilm festivals :$bhistory, theory, method, practice /$cedited by Marijke de Valck, Brendan Kredell and Skadi Loist.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2016.
264 4 $c©2016
300 $a1 online resource :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed March 8, 2016).
504 $aIncludes bibliographical references and index.
505 0 $aCover; Half Title; Title Page; Copyright Page; Table of Contents; List of illustrations; List of contributors; Foreword: the film festival and film culture's transnational essence; Acknowledgments; Introduction: what is a film festival? How to study festivals and why you should; PART I History; Introduction; 1 Making film history at the Cannes film festival; 2 Film festivals in Asia: notes on history, geography, and power from a distance; 3 The film festival circuit: networks, hierarchies, and circulation; PART II Theory; Introduction.
505 8 $a4 Contingency, time, and event: an archaeological approach to the film festival5 Publics and counterpublics: rethinking film festivals as public spheres; 6 Fostering art, adding value, cultivating taste: film festivals as sites of cultural legitimization; PART III Method; Introduction; 7 Being there, taking place: ethnography at the film festival; 8 On studying film festival ephemera: the case of queer film festivals and archives of feelings; 9 Positionality and film festival research: a conversation; PART IV Practice; Introduction.
505 8 $a10 Seeing differently: the curatorial potential of film festival programming11 Affective labor and the work of film festival programming; 12 The "festival film": film festival funds as cultural intermediaries; Index.
520 $aThe last decade has witnessed an explosion of interest in film festivals, with the field growing to a position of prominence within the space of a few short years. Film Festivals: History, Theory, Method, Practice represents a major addition to the literature of the topic, offering an authoritative and comprehensive introduction to the area.
506 $aLimited Users and Download Restrictions may Apply, VLEbooks 1 User Licence. Available using University of Exeter Username and Password.$5GB-UKExU
650 0 $aFilm festivals$xHistory.
650 0 $aMotion pictures.
650 6 $aFestivals de cinéma$xHistoire.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aPerforming Arts.$2eflch
650 7 $aFilm festivals.$2fast$0(OCoLC)fst00924266
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aPerforming Arts.$2ukslc
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aMotion pictures.$2fast$0(OCoLC)fst01726252
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aMotion pictures.$2lcgft
655 7 $aFilms.$2rvmgf
700 1 $aKredell, Brendan,$eeditor.
700 1 $aLoist, Skadi,$eeditor.
700 1 $aValck, Marijke de,$eeditor.
776 08 $iPrint version:$tFilm festivals, history, theory, method, practice$z9780415712460$w(OCoLC)911799083
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15109847$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS