MARC Record from marc_columbia

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001 15110734
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006 m o d
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008 160428t20162016nyua ob 001 0 eng d
035 $a(OCoLC)ocn948171335
035 $a(NNC)15110734
040 $aN$T$beng$erda$epn$cN$T$dYDXCP$dN$T$dOSU$dUAB$dYDX$dU3W$dOCLCQ$dNLE$dINT$dAU@$dOCLCQ$dUKMGB$dTYFRS$dUKAHL$dOCLCQ$dNLW$dOCLCO
015 $aGBB6F5854$2bnb
016 7 $a017819062$2Uk
020 $a9781317564799$q(electronic bk.)
020 $a1317564790$q(electronic bk.)
020 $a9781315735719$q(electronic bk.)
020 $a1315735717$q(electronic bk.)
020 $z9781138832879$q(alk. paper)
020 $z1138832871$q(alk. paper)
020 $a9781317564805
020 $a1317564804
035 $a(OCoLC)948171335
037 $a4513466$bProquest Ebook Central
050 4 $aPN1575$b.G89 2016
072 7 $aPER$x009000$2bisacsh
082 04 $a791$223
049 $aZCUA
100 1 $aGuy, Georgina,$eauthor.
245 10 $aTheatre, exhibition, and curation :$bdisplayed and performed /$cby Georgina Guy.
264 1 $aNew York ;$aLondon :$bRoutledge,$c2016.
264 4 $c©2016
300 $a1 online resource (xiv, 211 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge advances in theatre and performance studies ;$v46
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: displaying performance -- Performer & exhibit: theatrical conditions -- Theatre & gallery: turning away from performance -- Visitor & performer: the return of the relational -- Gesture & object: digital display and arrested attention -- Conclusion: final movement.
588 0 $aPrint version record.
520 8 $aExamining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art. Moving beyond the exhibition of immaterial art and its documents, as well as re-enactment in gallery contexts, Guy's book articulates an emerging field of arts practice distinct from but related to increasing curatorial provision for 'live'performance. Drawing on a recent proliferation of object-centric events of display that interconnect with theatre, the book approaches artworks in terms of their curation together and re-theorizes the exhibition as a dynamic context in which established traditions of display and performance interact. By examining the current traffic of ideas and aesthetics moving between theatricality and curatorial practice, the study reveals how the reception of a specific form is often mediated via the ontological expectations of another. It asks how contemporary visual arts and exhibition practices display performance and what it means to generalize the 'theatrical'as the optic or directive of a curatorial concept. Proposing a symbiotic relation between theatricality and display, Guy presents cases from international arts institutions which are both displayed and performed, including the Tate Modern and the Guggenheim, and assesses their significance to the enduring relation between theatre and the visual arts. The book progresses from the conventional alignment of theatricality and ephemerality within performance research and teases out a new temporality for performance with which contemporary exhibitions implicitly experiment, thereby identifying supplementary modes of performance which other discourses exclude. This important study joins the fields of Theatre and Performance Studies with exciting new directions in curation, aesthetics, sociology of the arts, visual arts, the creative industries, the digital humanities, cultural heritage, and reception and audience theories.
650 0 $aPerforming arts$vExhibitions.
650 0 $aArtists and theater$xHistory$y21st century.
650 0 $aArts, Modern$y21st century.
650 0 $aArts, Modern.
650 6 $aArts du spectacle$vExpositions.
650 6 $aArtistes et théâtre$xHistoire$y21e siècle.
650 6 $aArts$y21e siècle.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aArtists and theater.$2fast$0(OCoLC)fst01429809
650 7 $aArts, Modern.$2fast$0(OCoLC)fst00818137
650 7 $aPerforming arts.$2fast$0(OCoLC)fst01057887
648 7 $a2000-2099$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aGuy, Georgina.$tTheatre, exhibition, and curation.$dNew York ; London : Routledge, 2016$z9781138832879$w(DLC) 2016004398$w(OCoLC)920453083
830 0 $aRoutledge advances in theatre and performance studies ;$v46.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15110734$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS