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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:192058825:5808
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:192058825:5808?format=raw

LEADER: 05808cam a2200721 i 4500
001 15111750
005 20220528232805.0
006 m o d
007 cr |||||||||||
008 160519t20172017nyua obk 001 0 eng
010 $a 2016023479
035 $a(OCoLC)ocn950084407
035 $a(NNC)15111750
040 $aDLC$beng$erda$epn$cDLC$dOCLCO$dOCLCF$dN$T$dIDEBK$dYDX$dYDX$dOCLCO$dNRC$dTYFRS$dOCLCQ$dIUL$dNAM$dSSC$dU3W$dOCLCQ$dCUS$dINT$dOCLCQ$dAU@$dOCLCQ$dK6U$dOCLCO$dSFB$dOCLCO
019 $a961931497$a961938226$a962787167$a964358461$a965345553$a1260362054
020 $a9781315472089$q(electronic book)
020 $a1315472082$q(electronic book)
020 $a9781315472072$q(electronic book)
020 $a1315472074$q(electronic book)
020 $a9781315472096$q(electronic book)
020 $a1315472090$q(electronic book)
020 $z9780415881821$q(hardcover)
020 $z041588182X$q(hardcover)
020 $z9780415881838$q(paperback)
020 $z0415881838$q(paperback)
035 $a(OCoLC)950084407$z(OCoLC)961931497$z(OCoLC)961938226$z(OCoLC)962787167$z(OCoLC)964358461$z(OCoLC)965345553$z(OCoLC)1260362054
037 $a966194$bMIL
042 $apcc
043 $an-us---
050 14 $aML3556$b.I87 2017
072 7 $aMUS$x006000$2bisacsh
072 7 $aMUS$x033000$2bisacsh
082 00 $a780.89/96073$223
084 $aLS 48050$2rvk
049 $aZCUA
245 00 $aIssues in African American music :$bpower, gender, race, representation /$cedited by Portia K. Maultsby and Mellonee V. Burnim.
264 1 $aNew York, NY ;$aAbingdon, Oxon :$bRoutledge,$c2017.
264 4 $c©2017
300 $a1 online resource (xiv, 418 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references, discographies, and index.
505 0 $aThe blues in transcultural contexts / Susan Oehler -- New bottle, old wine : whither jazz studies? / Travis Jackson -- Race erasure and the origin narrative in black popular music / Portia K. Maultsby -- African Americans engage the western art music tradition / Olly Wilson -- Crossing musical borders : agency and process in the gospel music industry / Mellonee V. Burnim -- Industrializing African American popular music / Reebee Garafolo -- The Motown legacy : homegrown sound, mass appeal / Charles Sykes -- Stax Records and the impulse toward integration / Robert Bowman -- Uptown sound, downtown bound : the Philadelphia International Records story / John A. Jackson -- "And the beat goes on" : SOLAR, the Sound Of Los Angeles Records / Scot Brown -- Tyscot Records : a merger of business and ministry / Tyron Cooper -- Voices of women in gospel : resisting representations / Mellonee V. Burnim -- Are all the choir directors gay? : the policing of black men's sexuality and identity in gendered gospel performance / Alisha Lola Jones -- Women in blues : transgressing boundaries / Daphne Harrison -- Jazz history remix : black women from "enter" to "center" / Sherrie Tucker -- The reception of blackness in "women's music" / Eileen M. Hayes -- African American women and the dynamics of gender, race, and genre in rock 'n' roll / Maureen Mahon -- "Ain't nuthin' but a she thing" : women in hip hop / Cheryl Keyes -- The Antebellum period : communal coherence and individual expression / Lawrence Levine -- The Civil Rights Movement : the musical foundation of movement culture / Bernice Johnson Reagon -- The post-civil rights period : the political dynamics of black life and culture / Mark Anthony Neal.
588 0 $aOnline resource; title from digital title page (viewed on March 10, 2017).
520 $aIssues in African American Music: Power, Gender, Race, Representation is a collection of twenty-one essays by leading scholars, surveying vital themes in the history of African American music. Bringing together the viewpoints of ethnomusicologists, historians, and performers, these essays cover topics including the music industry, women and gender, and music as resistance, and explore the stories of music creators and their communities. Revised and expanded to reflect the latest scholarship, with six all-new essays, this book both complements the previously published volume African American Music: An Introduction and stands on its own. Each chapter features a discography of recommended listening for further study. From the antebellum period to the present, and from classical music to hip hop, this wide-ranging volume provides a nuanced introduction for students and anyone seeking to understand the history, social context, and cultural impact of African American music. --Amazon.com.
650 0 $aAfrican Americans$xMusic$xHistory and criticism.
650 0 $aAfrican American musicians.
650 0 $aMusic$xAfrican American influences.
650 6 $aMusiciens noirs américains.
650 7 $aMUSIC$xGenres & Styles$xClassical.$2bisacsh
650 7 $aMUSIC$xReference.$2bisacsh
650 7 $aAfrican American musicians.$2fast$0(OCoLC)fst00799273
650 7 $aAfrican Americans$xMusic.$2fast$0(OCoLC)fst00799648
650 7 $aMusic$xAfrican American influences.$2fast$0(OCoLC)fst01030276
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aMaultsby, Portia K.,$eeditor.
700 1 $aBurnim, Mellonee V.$q(Mellonee Victoria),$d1950-$eeditor.
776 08 $iPrint version:$tIssues in African American music.$dNew York, NY ; Abingdon, Oxon : Routledge, 2017$z9780415881821$w(DLC) 2016015215$w(OCoLC)706022745
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15111750$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS