| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:201525426:3809 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:201525426:3809?format=raw |
LEADER: 03809cam a2200673Mi 4500
001 15114788
005 20210607141500.0
006 m o d
007 cr |n|||||||||
008 160928t20162016nyu ob 001 0 eng d
035 $a(OCoLC)ocn959535370
035 $a(NNC)15114788
040 $aYDX$beng$erda$epn$cYDX$dOCLCO$dYDXCP$dN$T$dOCLCF$dTYFRS$dU3W$dOCLCQ$dINT$dOCLCQ$dLEAUB$dOCLCQ$dAU@$dUKAHL
019 $a946162868$a959594074$a1000437386$a1053485141$a1082194956
020 $a9781315776477$q(electronic bk.)
020 $a1315776472$q(electronic bk.)
020 $a9781317690580
020 $a1317690583
020 $z9781138023420
020 $z1138023426
020 $z9781138023437
020 $z1138023434
020 $a9781317690566$q(e-book ;$qMobi)
020 $a1317690567
020 $a9781317690573$q(e-book ;$qePub)
020 $a1317690575
024 7 $a10.4324/9781315776477$2doi
035 $a(OCoLC)959535370$z(OCoLC)946162868$z(OCoLC)959594074$z(OCoLC)1000437386$z(OCoLC)1053485141$z(OCoLC)1082194956
050 4 $aPN2091.S6$bK3 2016
072 7 $aPER$x011000$2bisacsh
082 04 $a792.02/4$223
049 $aZCUA
100 1 $aKaye, Deena,$eauthor.
245 10 $aSound and music for the theatre :$bthe art and technique of design /$cDeena Kaye, James LeBrecht ; [with contributing writer David Budries].
250 $aFourth edition.
264 1 $aNew York ;$aAbingdon, Oxon :$bRoutledge, Taylor & Francis Group :$bFocal Press,$c2016.
264 4 $c©2016
300 $a1 online resource (xxx, 396 pages .)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $aIncludes index.
505 0 $aThe evolution of sound design -- The foundation of sound design -- Developing the concept and design -- Research, resources, and selection -- The sound plot, magic sheets, and other paperwork -- Working with the theatre company -- Preparing to build the cues -- Building the show -- Rehearsals -- Running the show -- Approaches and techniques.
520 $a"Covering every phase of a theatrical production, this fourth edition of Sound and Music for the Theatre traces the process of sound design from initial concept through implementation in actual performances. The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects, to negotiating a contract. It shows you how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with 'war stores' describing real-life problems with solutions that you can apply in your own work, whether you're a sound designer, composer, or sound operator."--Publisher's description.
588 0 $aPrint version record.
504 $aIncludes bibliographical references and index.
650 0 $aTheaters$xSound effects.
650 0 $aMusic in the theater.
650 7 $aPERFORMING ARTS$xTheater$xGeneral.$2bisacsh
650 7 $aMusic in the theater.$2fast$0(OCoLC)fst01721329
650 7 $aTheaters$xSound effects.$2fast$0(OCoLC)fst01149402
650 7 $aLjudeffekter.$2sao
650 7 $aSkådespelsmusik.$2sao
655 4 $aElectronic books.
700 1 $aLeBrecht, James,$eauthor.
700 1 $aBudries, David,$eauthor.
776 08 $iPrint version:$aKaye, Deena.$tSound and music for the theatre.$bFourth edition.$dNew York ; Abingdon, Oxon : Routledge, Taylor & Francis Group : Focal Press, 2016$z9781138023420$z1138023426$w(DLC) 2015012160$w(OCoLC)905970302
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15114788$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS