| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:204014822:4155 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:204014822:4155?format=raw |
LEADER: 04155cam a2200697 i 4500
001 15115513
005 20220326231926.0
006 m o d
007 cr cnu---unuuu
008 161109s2017 nyu ob 001 0 eng d
035 $a(OCoLC)ocn962305654
035 $a(NNC)15115513
040 $aN$T$beng$erda$epn$cN$T$dOCLCO$dIDEBK$dYDX$dTYFRS$dMERUC$dCCO$dOCLCQ$dU3W$dOCLCO$dOCLCA$dAU@$dOCLCO$dOCLCA$dOCLCQ$dVLB$dOCLCA$dK6U$dOCLCO$dSFB$dOCLCA$dOCLCO$dOCLCQ$dOCLCO
019 $a964529053$a964931280
020 $a9781315451282$q(electronic bk.)
020 $a131545128X$q(electronic bk.)
020 $a9781315451299$q(ebook)
020 $a1315451298$q(ebook)
020 $z9781472472076
020 $z1472472071
035 $a(OCoLC)962305654$z(OCoLC)964529053$z(OCoLC)964931280
043 $ae-uk-en
050 4 $aML3001$b.P67 2017eb
072 7 $aMUS$x041000$2bisacsh
082 04 $a781.71$223
049 $aZCUA
100 1 $aPorter, Mark James,$d1985-$eauthor.
245 10 $aContemporary worship music and everyday musical lives /$cMark Porter.
264 1 $aNew York, NY ;$aAbingdon, Oxon :$bRoutledge,$c2017.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 0 $aAshgate congregational music studies series
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 0 $a1. Setting the scene -- 2. Music, attachment, ethics and community -- 3. Bridging worlds through common modes of being in music -- 4. Boundaries : communal and private, spiritual and secular -- 5. At the edges : value transfer, judgements, discontent -- 6. Alternative musical spaces.
520 8 $aWhile Contemporary Worship Music arose out of a desire to relate the music of the church to the music of everyday life, this function can quickly be called into question by the diversity of musical lives present in contemporary society. Mark Porter examines the relationship between individuals' musical lives away from a Contemporary Worship Music environment and their diverse experiences of music within it, presenting important insights into the complex and sometimes contradictory relationships between congregants' musical lives within and outside of religious worship. Through detailed ethnographic investigation Porter challenges common evangelical ideals of musical neutrality, suggesting the importance of considering musical tastes and preferences through an ethical lens. He employs cosmopolitanism as an interpretative framework for understanding the dynamics of diverse musical communities, positioning it as a stronger alternative to common assimilationist and multiculturalist models [Publisher description].
600 17 $aChrist, ...$2gnd
650 0 $aMusic in churches$zEngland.
650 0 $aContemporary Christian music$zEngland$xHistory and criticism.
650 0 $aMusic$xSocial aspects$zEngland.
650 6 $aMusique dans les églises$zAngleterre.
650 6 $aMusique populaire chrétienne$zAngleterre$xHistoire et critique.
650 6 $aMusique$xAspect social$zAngleterre.
650 7 $aMUSIC$xInstruction & Study$xTheory.$2bisacsh
650 7 $aContemporary Christian music.$2fast$0(OCoLC)fst00876620
650 7 $aMusic in churches.$2fast$0(OCoLC)fst01030546
650 7 $aMusic$xSocial aspects.$2fast$0(OCoLC)fst01030444
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
650 7 $aKirchenmusik$2gnd
650 7 $aGeistliche Musik$2gnd
650 7 $aLebensführung$2gnd
650 7 $aReligiöse Identität$2gnd
651 7 $aGroßbritannien$2gnd
651 7 $aEngland$2gnd
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aPorter, Mark James, 1985-$tContemporary worship music and everyday musical lives.$dNew York, NY ; Abingdon, Oxon : Routledge, 2017$z9781472472076$w(DLC) 2016018099$w(OCoLC)950004097
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15115513$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS