MARC Record from marc_columbia

LEADER: 06546cam a2200469Ii 4500
001 15118567
005 20210607142418.0
006 m o d
007 cr unu||||||||
008 170309s2017 nyua ob 001 0 eng d
035 $a(OCoLC)ocn974929876
035 $a(NNC)15118567
040 $aUMI$beng$erda$epn$cUMI$dOCLCF$dTOH$dC6I$dCEF$dKSU$dDEBBG$dUAB$dUWO
020 $z9781138945111
020 $a9781317370536
020 $a1317370538
035 $a(OCoLC)974929876
037 $aCL0500000837$bSafari Books Online
050 4 $aPN1996
082 04 $a808.23$223
049 $aZCUA
245 00 $aWriting for the screen /$cedited by Anna Weinstein.
246 1 $iAt head of title:$aPerform : succeeding as a creative professional
264 1 $aNew York, NY :$bRoutledge,$c2017.
300 $a1 online resource (1 volume) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 $aDescription based on print version record.
504 $aIncludes bibliographical references and index.
505 00 $tACKNOWLEDGMENTS --$tINTRODUCTION --$t--$tCHAPTER 1: GETTING STARTED --$t-- EXIT STRATEGIES --$tPreparing to Leave School and Begin Your Screenwriting Career --$tBy Gabrielle Kelly --$t-- TEN ACTIONS YOU CAN TAKE --$tTo Be an Active Hero in Your Career --$tBy Jen Grisanti --$t-- IMPRESSING THE DEVELOPMENT EXECUTIVE --$tBy Trai Cartwright --$t-- WRITING FOR TELEVISION --$tWhat It Takes --$tAn Interview With Fern Field Brooks --$t-- WHERE DO YOU BEGIN? --$tNotes From the Screenwriting Guru --$tAn Interview With Erik Bork --$t-- FROM WRITERS ASSISTANT TO SHOWRUNNER --$tInterning, Knocking on Doors, and Making Connections --$tAn Interview With Stacy A. Littlejohn --$t--$tCHAPTER 2: STICKING IT OUT --$t-- THE SCREENWRITERS JOURNEY --$tBy Pat Verducci --$t-- WHAT IS A PITCH? --$tAnd Why and How Do You Do It? --$tBy Joshua Malkin --$t-- BUILDING A SCREENWRITING CAREER --$tAdvice From the Entertainment Career Coach --$tAn Interview With Carole Kirschner --$t-- A SCRIPT READERS PERSPECTIVE --$tHow to Love What You Do When You Cant Do What You Love --$tBy James Napoli --$t-- THE ART OF DISCIPLINE AND PERSISTENCE --$tMoving Toward Creative Success --$tAn Interview With Anne Fontaine --$t-- A VETERAN PRODUCERS TAKE ON SCREENWRITING --$tAn Interview With Bruce Gilbert --$tBy Chuck Erven --$t-- NEGATIVE FEEDBACK --$tHow to Find the Positive --$tBy Hugo Van Laere --$t--$tCHAPTER 3: FINDING SUCCESS --$t-- BUILDING YOUR TEAM --$tInsights From the Screenwriting Consultant --$tAn Interview With Linda Seger --$t-- INDEPENDENT FILMMAKING --$tWorking With an Independent Film Producer --$tAn Interview With Mary Jane Skalski --$t-- DECIDING WHAT TO WRITE --$tBy Kira-Anne Pelican --$t-- A WORKING SCREENWRITERS JOURNEY IN AUSTRALIA --$tBy Susan Macgillicuddy --$t-- THE PATH TO WRITING AN ICONIC FILM --$tNavigating the Business of Hollywood --$tAn Interview With Barry Morrow --$t--$tCHAPTER 4: GETTING AHEAD --$t-- A BOLD MOVE --$tRunning With an Unexpected Story --$tAn Interview With Mary Harron --$t-- SURVIVING AND THRIVING IN HOLLYWOOD --$tEight Principles to Empower Your Writing and Your Life --$tBy Jim Jennewein --$t-- FROM CREATIVITY TO CRAFT IN SCREENWRITING --$tBy Mark Readman --$t-- WRITING FROM PERSONAL EXPERIENCE --$tA Strategy of Forward Motion --$tAn Interview With Claudia Llosa --$t-- RISKS AND REWARDS --$tFollowing a Passion --$tAn Interview With Jay Paul Deratany --$t-- SCREENWRITING AND MENTAL FITNESS --$tThoughts From a Mental Health Professional --$tAn Interview With David Silverman --$t--$tCHAPTER 5: STARTING AGAIN --$t-- REINVENTION --$tWriting the Next Great Script --$tBy William Rabkin --$t-- ART VS. COMMERCE --$tThe Cage Match in My Brain Continues --$tBy Shalom Auslander --$t-- EVERYTHING I NEED TO KNOW ABOUT A CAREER IN HOLLYWOOD --$tI Learned From Writing Scripts --$tBy Rosanne Welch --$t-- STARTING OVER IN AMERICA --$tFrom Writing to Directing and Back Again --$tAn Interview With Kirsten Sheridan --$t-- LIFE LESSONS IN WRITING FOR YOUNG AUDIENCES --$tWisdom From the Head Writer for Sesame Street --$tAn Interview With Lou Berger --$t-- --$tINDEX.
520 3 $aWriting for the Screen is a collection of essays and interviews exploring the business of screenwriting. This highly accessible guide to working in film and television includes perspectives from industry insiders on topics such as breaking in; pitching; developing and nurturing business relationships; juggling multiple projects; and more. Writing for the Screen is an ideal companion to screenwriting and filmmaking classes, demystifying the industry and the role of the screenwriter with real-world narratives and little-known truths about the business. With insight from working professionals, you'll be armed with the information you need to pursue your career as a screenwriter. Contains essays by and interviews with screenwriting consultants, television writers, feature writers, writer-directors of independent film, producers, and professors. Offers expert opinions on how to get started, including preparing your elevator pitch, finding mentors, landing an internship, and moving from an internship to the next step in your career. Reveals details about taking meetings, what development executives are looking for in a screenwriter, how and when to approach a producer, and how to pitch. Explores strategies for doing creative work under pressure, finding your voice, choosing what to write, sticking with a project over the long haul, overcoming discrimination, and reinventing yourself as a writer. Illuminates the business of screenwriting in the United States (New York and Los Angeles) as compared to other countries around the globe, including England, Ireland, Peru, France, Australia, and Belgium.
650 0 $aMotion picture authorship.
650 0 $aMotion picture authorship$xVocational guidance.
650 7 $aPERFORMING ARTS / Television / Screenwriting.$2bisacsh
650 7 $aMotion picture authorship.$2fast$0(OCoLC)fst01027122
650 7 $aMotion picture authorship$xVocational guidance.$2fast$0(OCoLC)fst01027127
655 4 $aElectronic books.
700 1 $aWeinstein, Anna,$d1972-$eeditor.
776 08 $iPrint version:$tWriting for the screen.$dNew York : Routledge/ Taylor and Francis Group, 2017$z9781138945111$w(DLC) 2016033786$w(OCoLC)908376121
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15118567$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS