Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:215855525:4134 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:215855525:4134?format=raw |
LEADER: 04134cam a2200829Ii 4500
001 15118847
005 20220618232627.0
006 m o d
007 cr cnu---unuuu
008 170329s2017 enk ob 001 0 eng d
035 $a(OCoLC)ocn979992423
035 $a(NNC)15118847
040 $aN$T$beng$erda$epn$cN$T$dN$T$dIDEBK$dMERUC$dYDX$dOCL$dTYFRS$dOCLCQ$dUAB$dU3W$dOCLCQ$dAU@$dA7U$dUKAHL$dOCLCQ$dOCLCO$dOCLCF$dUKMGB$dOCLCO
015 $aGBB745686$2bnb
016 7 $a018264053$2Uk
019 $a988377647$a1058619202$a1097129243$a1124475779$a1124961851
020 $a9781315298160$q(electronic bk.)
020 $a1315298163$q(electronic bk.)
020 $a1315298171
020 $a9781315298177
020 $a1315298147
020 $a9781315298146
020 $a1138238074
020 $a9781138238077
020 $z9781138238084
020 $z1138238082
020 $z9781138238077$q(pbk. ;$qalk. paper)
020 $z9781315298177$q(Master)
020 $z9781315298153$q(epub)
020 $z9781315298146$q(mobipocket)
020 $a1315298155
020 $a9781315298153
024 7 $a10.4324/9781315298177$2doi
035 $a(OCoLC)979992423$z(OCoLC)988377647$z(OCoLC)1058619202$z(OCoLC)1097129243$z(OCoLC)1124475779$z(OCoLC)1124961851
037 $a9781315298153$bIngram Content Group
043 $ae-uk---
050 4 $aPR3071$b.M27 2017eb
072 7 $aDRA$x003000$2bisacsh
082 04 $a822.3/3$223
049 $aZCUA
100 1 $aMarcus, Leah S.$q(Leah Sinanoglou),$eauthor.
245 10 $aHow Shakespeare became colonial :$beditorial tradition and the British Empire /$cLeah S. Marcus.
264 1 $aLondon :$bRoutledge,$c2017.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index
505 0 $aThe construction of a colonial Shakespeare -- Race and gender in the two texts of Othello -- The shrew in colonial contexts -- Anti-conquest and As you like it -- Shylock and Empire -- Editing Shakespeare for the Raj.
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed March 29, 2017).
520 8 $aIn this fascinating book, Leah Marcus argues that the colonial context in which Shakespeare was edited and disseminated during the heyday of British empire has left a mark on Shakespeare's texts to the present day. Shakespeare was presented as exemplary of British genius and those who edited and shaped the texts were very aware of the potential political and cultural impact this could have. Marcus traces important ways in which the colonial enterprise of setting forth the best possible Shakespeare for world consumption has continued to be visible in the recent treatment of Shakespeare's texts today, despite our belief that we are global or post-colonial in approach.
600 10 $aShakespeare, William,$d1564-1616$xCriticism, Textual.
600 17 $aShakespeare, William,$d1564-1616.$2fast$0(OCoLC)fst00029048
650 0 $aTransmission of texts$zEngland$xHistory$y18th century.
650 0 $aLiterature and society$zEngland$xHistory$y18th century.
650 0 $aEnglish imprints.
650 6 $aTransmission de textes$zAngleterre$xHistoire$y18e siècle.
650 6 $aLittérature et société$zAngleterre$xHistoire$y18e siècle.
650 6 $aImprimés anglais.
650 7 $aDRAMA$xEnglish, Irish, Scottish, Welsh.$2bisacsh
650 7 $aEnglish imprints.$2fast$0(OCoLC)fst00910911
650 7 $aLiterature and society.$2fast$0(OCoLC)fst01000096
650 7 $aTransmission of texts.$2fast$0(OCoLC)fst01154863
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
648 7 $a1700-1799$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 1 $z9781138238084$z9781138238077
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15118847$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS