MARC Record from marc_columbia

LEADER: 03697cam a2200613 i 4500
001 15119174
005 20220611232511.0
006 m o d
007 cr |||||||||||
008 170425s2017 nyu o 000 0deng
010 $a 2017019458
035 $a(OCoLC)ocn984512169
035 $a(NNC)15119174
040 $aDLC$beng$erda$cDLC$dN$T$dYDX$dIDEBK$dCNCGM$dCRCPR$dU3W$dOCLCF$dTYFRS$dDLC$dOCLCO$dK6U$dSFB$dOCLCO
019 $a1260365923
020 $a9781351782166$q(epub)
020 $a1351782169
020 $a9781315201498$q(ebook)
020 $a1315201496
020 $z9781138707160 (hardback)
020 $z1138707163
035 $a(OCoLC)984512169$z(OCoLC)1260365923
042 $apcc
050 00 $aML410.T148
072 7 $aMUS$x042000$2bisacsh
072 7 $aMUS$x052000$2bisacsh
072 7 $aMUS$x037110$2bisacsh
082 00 $a782.42168092$223
049 $aZCUA
100 1 $aLeonard, Kendra Preston,$eauthor.
245 14 $aThe art songs of Louise Talma /$cKendra Preston Leonard.
264 1 $aNew York, NY :$bRoutledge,$c2017.
300 $a1 online resource
336 $atext$2rdacontent
337 $acomputer$2rdamedia
338 $aonline resource$2rdacarrier
504 $aIncludes bibliographical references and index.
588 $aDescription based on print version record and CIP data provided by publisher.
505 0 $a1. Reading Talma's songs -- 2. Songs of mourning and love -- 3. Farewell to youth -- 4. A haunted psyche -- 5. Metaphors in music.
520 $aThe Art Songs of Louise Talma presents some of Talma's finest compositions and those most frequently performed during her life. It includes pieces appropriate for beginning, intermediate, and advanced singers and collaborative pianists. The songs include text settings of American, English, and French poets and writers, including Native American poems, works by W.H. Auden, Elizabeth Barrett Browning, Emily Dickinson, e. e. cummings, John Donne, Gerald Manley Hopkins, William Shakespeare, and Wallace Stevens, as well as poems from medieval France and religious texts. Because of the popularity of Talma's choral works and the fact that her works for voice and piano were performed often, this sourcebook will be useful to singers at all stages of their careers, as well as scholars of twentieth-century music as a whole. The diversity of compositional approaches Talma used provides a snapshot of American trends in composition during the twentieth century; during the course of her career, Talma moved from neo-classicism to serialism and finally to non-strict serial-derived atonality in her works. Inclusion of performance and reception histories of the songs helps trace changing public taste in American art song and the repertoire of performers, particularly those interested in contemporary music --$c[Publisher description].
600 10 $aTalma, Louise,$d1906-1996.$tSongs.
650 0 $aSongs$y20th century$xHistory and criticism.
650 6 $aChansons$y20e siècle$xHistoire et critique.
650 7 $aMUSIC$xInstruction & Study$xVoice.$2bisacsh
650 7 $aMUSIC$xLyrics.$2bisacsh
650 7 $aMUSIC$xPrinted Music$xVocal.$2bisacsh
650 7 $aSongs.$2fast$0(OCoLC)fst01126120
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aLeonard, Kendra Preston, author.$tArt songs of Louise Talma$dNew York, NY : Routledge, 2017$z9781138707160$w(DLC) 2017017642
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15119174$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS