MARC Record from marc_columbia

LEADER: 05220cam a2200721 i 4500
001 15119264
005 20220402235911.0
006 m o d
007 cr cnu---unuuu
008 170501s2017 enk ob 001 0 eng d
035 $a(OCoLC)ocn984993347
035 $a(NNC)15119264
040 $aN$T$beng$erda$epn$cN$T$dYDX$dEBLCP$dTYFRS$dOCLCO$dCNCGM$dOCLCQ$dU3W$dINT$dOCLCQ$dAU@$dBRX$dUKAHL$dOCLCQ$dOCLCF$dUKMGB$dOCLCQ$dK6U$dOCLCO$dOCLCQ$dOCLCO
015 $aGBB720325$2bnb
016 7 $a018217254$2Uk
019 $a1097129244$a1125100492$a1155880302
020 $a9781317508861$q(electronic bk.)
020 $a1317508866$q(electronic bk.)
020 $a9781317508878$q(PDF ebook)
020 $a1317508874
020 $a1317508858
020 $a9781317508854
020 $a9781315717067$q(ebook)
020 $a1315717069
020 $z9781138859630
020 $z113885963X
020 $z9781138859647
020 $z1138859648
020 $z9781317508854$q(mobipocket/kindle)
035 $a(OCoLC)984993347$z(OCoLC)1097129244$z(OCoLC)1125100492$z(OCoLC)1155880302
037 $a9781317508861$bIngram Content Group
050 4 $aBH301.S7$bS53 2017eb
072 7 $aPHI$x013000$2bisacsh
082 04 $a111/.85$223
049 $aZCUA
100 1 $aShaw, Philip A.,$eauthor.
245 14 $aThe sublime /$cPhilip Shaw.
250 $aSecond edition.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge, an imprint of the Taylor & Francis Group,$c2017.
300 $a1 online resource (ix, 237 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aThe new critical idiom
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 0 $aCover; Title; Copyright; Dedication; Contents; Series editor's preface; Acknowledgements; Introduction; What is the Sublime?; The Sublime Has a History; The Sublime is Now; Note on Texts and Approaches; 1 Before (and After) Longinus; Ecstasy and Instruction; Rhetoric and Nobility; God, Nature, and the Sublime; Rhetoric and Revelation; Gender and Excess; Sublime Conflict; Conclusions; 2 Early Modern Sublimity; Spenser, Marlowe, and Shakespeare: Sublime Authorities; Milton: The Republican Sublime; Burnet and Dennis: Nature and Religion; Addison: On Description; Shaftesbury: Embracing the Ideal.
505 8 $aAkenside: Descanting the SublimeBaillie: Doing Things With Words; Conclusions; 3 Burke: A Philosophical Enquiry; Words, Things, and Feelings; Pleasure and Pain; Engendering the Sublime and the Beautiful; Reflections on the Revolution in France; Conclusions; 4 Kant: The 'Analytic of the Sublime'; The Critiques of Pure and Practical Reason; The Critique of Aesthetic Judgement; The 'Analytic of the Sublime'; The Ethics of the Sublime; The Politics of the Sublime; The Art of the Sublime; Conclusions; 5 The Romantic Sublime; German Idealism; Coleridge After Kant; Wordsworth: Staging the Sublime.
505 8 $aFeminine DifferenceConclusions; 6 Beyond Romanticism; Late Sublimity; Schopenhauer and Eliot: Voiding the Subject; Marx and Gissing: Capitalising the Sublime; Nietzsche and Lawrence: Sublime Malice; Freud and Woolf: Moments of Being; Conclusions; 7 The Sublime is Now: Derrida, Deleuze, Lyotard; Return to Kant; Derrida: The Truth in Painting; Deleuze: Exceeding Kant; Newman and Lyotard: The Postmodern Sublime; 'The Sign of History'; The Return of Terror; Conclusions; 8 From the Sublime to the Ridiculous: Lacan and Žižek; Lacan: Sublimity and Sublimation; Žižek: The Sublime Object of Ideology.
505 8 $aThe Art of the Ridiculous SublimeTowards the Fragile Absolute; Conclusions; Afterword; Return to Beauty; Glossary; Bibliography; Index.
520 $a"Offering historical overviews and explanations, Philip Shaw looks at the history of the sublime from the earliest, classical theories, through those of the Romantic era, to post-modern and avant-garde conceptions of sublimity; the major theorists of the sublime such as Burke, Kant, Lyotard, Derrida, Lacan and Žižek, offering critical introductions to each; the significance of the concept through a range of literary readings including the Old and New Testaments, Homer, Milton and writing from the Romantic era; and how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch's neo-noir."--Publisher description.
650 0 $aSublime, The$xHistory.
650 6 $aSublime$xHistoire.
650 7 $aPHILOSOPHY$xMetaphysics.$2bisacsh
650 7 $aSublime, The.$2fast$0(OCoLC)fst01136594
650 7 $aDas Erhabene$2gnd
650 7 $aLiteraturtheorie$2gnd
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aShaw, Philip A.$tSublime.$bSecond edition.$dAbingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2017$z9781138859630$w(DLC) 2016036100$w(OCoLC)956633948
830 0 $aNew critical idiom.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15119264$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS