MARC Record from marc_columbia

LEADER: 04067cam a2200721Ii 4500
001 15119477
005 20220703233706.0
006 m o d
007 cr |n|||||||||
008 170517t20172017enk ob 001 0 eng d
035 $a(OCoLC)ocn987359536
035 $a(NNC)15119477
040 $aYDX$beng$epn$cYDX$dN$T$dIDEBK$dMERUC$dYDX$dCRCPR$dOCLCQ$dTYFRS$dOTZ$dOCL$dU3W$dCUS$dAU@$dOCLCQ$dUKAHL$dOCLCQ$dOCLCA$dUKMGB$dK6U$dOCLCO$dSFB$dOCLCO
015 $aGBB778411$2bnb
016 7 $a018333438$2Uk
019 $a995579008$a1058381918$a1097128271$a1260358277
020 $a9781351804950$q(electronic bk.)
020 $a1351804952$q(electronic bk.)
020 $a9781315208879
020 $a1315208873
020 $a9781351804967
020 $a1351804960
020 $a9781351804943
020 $a1351804944
020 $z9781138694422
020 $z1138694428
020 $z9781472479389
020 $z1472479386
035 $a(OCoLC)987359536$z(OCoLC)995579008$z(OCoLC)1058381918$z(OCoLC)1097128271$z(OCoLC)1260358277
037 $a9781351804950$bIngram Content Group
050 4 $aML3877
072 7 $aMUS$x041000$2bisacsh
082 04 $a781.5/3$223
049 $aZCUA
100 1 $aBuck, David N.,$eauthor.
245 12 $aA musicology for landscape /$cDavid Nicholas Buck.
264 1 $aLondon :$bRoutledge,$c2017.
264 4 $c©2017
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aDesign research in architecture
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed May 24, 2017).
505 0 $a1. In an open field -- 2. A parallel history of time in music and landscape -- 3. Horizons -- 4. Clouds -- 5. Meadows -- 6. Busoni's garden.
504 $aIncludes bibliographical references and index.
520 8 $a"Drawing conceptually and directly on music notation, this book investigates landscape architecture's inherent temporality. It argues that the rich history of notating time in music provides a critical model for this under-researched and under-theorised aspect of landscape architecture, while also ennobling sound in the sensory appreciation of landscape. It makes available to a wider landscape architecture and urban design audience the works of three influential composers - Morton Feldman, Gyorgy Ligeti and Michael Finnissy - presenting a critical evaluation of their work within music, as well as a means in which it might be used in design research. Each of the musical scores is juxtaposed with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, before the author examines four landscape spaces through the development of new landscape architectural notations. In doing so, this work offers valuable insights into the methods used by landscape architects for the benefit of musicians, and by bringing together musical composition and landscape architecture through notation, it affords a focused and sensitive exploration of temporality and sound in both fields."--$cProvided by publisher.
650 0 $aMusic$y20th century$xPhilosophy and aesthetics.
650 0 $aLandscape architecture.
650 6 $aMusique$y20e siècle$xPhilosophie et esthétique.
650 6 $aArchitecture du paysage.
650 7 $aMUSIC$xInstruction & Study$xTheory.$2bisacsh
650 7 $aLandscape architecture.$2fast$0(OCoLC)fst00991814
650 7 $aMusic$xPhilosophy and aesthetics.$2fast$0(OCoLC)fst01030408
650 7 $aLandschaftsarchitektur$2gnd
650 7 $aMusik$2gnd
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aBuck, David N.$tMusicology for landscape.$dLondon ; New York : Routledge, Taylor & Francis Group, 2017$z9781138694422$w(DLC) 2016049110$w(OCoLC)962409787
830 0 $aDesign research in architecture.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15119477$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS