MARC Record from marc_columbia

LEADER: 04715cam a2200877Ia 4500
001 15065560
005 20220618230942.0
006 m o d
007 cr cnu|||unuuu
008 040827s1995 enk ob 001 0 eng d
010 $z 94007809
035 $a(OCoLC)ocm56366067
035 $a(NNC)15065560
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019 $a252892121$a259511351$a456008016$a647433444$a756851647$a1290042944
020 $a0203360095$q(electronic bk.)
020 $a9780203360095$q(electronic bk.)
020 $z0415100836$q(hbk.)
020 $z0415116740$q(pbk.)
020 $a9780415116749
020 $a0415116740
020 $a1134818203
020 $a9781134818204
024 7 $a10.4324/9780203360095$2doi
035 $a(OCoLC)56366067$z(OCoLC)252892121$z(OCoLC)259511351$z(OCoLC)456008016$z(OCoLC)647433444$z(OCoLC)756851647$z(OCoLC)1290042944
041 1 $aeng$hita
050 4 $aPN2041.A57$bB3713 1995eb
055 15 $aPN2041*
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082 04 $a792$222
084 $a24.12$2bcl
084 $acci1icc$2lacc
084 $aRd 105$2ubtkl/2
049 $aZCUA
100 1 $aBarba, Eugenio.
240 10 $aCanoa di carta.$lEnglish
245 14 $aThe paper canoe :$ba guide to theatre anthropology /$cEugenio Barba ; translated by Richard Fowler.
260 $aLondon ;$aNew York :$bRoutledge,$c1995.
300 $a1 online resource (x, 187 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 173-181) and index.
588 0 $aPrint version record.
505 0 $aChapter 1 THE GENESIS OF THEATRE ANTHROPOLOGY -- chapter 2 DEFINITION -- chapter 3 RECURRING PRINCIPLES -- chapter 4 NOTES FOR THE PERPLEXED (AND FOR MYSELF) -- chapter 5 ENERGY, OR RATHER, THE THOUGHT -- chapter 6 THE DILATED BODY: Notes on the search for meaning -- chapter 7 A THEATRE NOT MADE OF STONES AND BRICKS -- chapter 8 CANOES, BUTTERFLIES AND A HORSE.
520 1 $a"Eugenio Barba, director, theorist and founder of Odin Teatret, is today one of the major points of reference for contemporary theatre. The Paper Canoe is the first major study of theatre anthropology; it distills all the research of ISTA, the International School of Theatre Anthropology, and focuses upon the pre-expressive level of the performer's art. Barba defines this as the basic technique which creates 'presence' on stage; a dilated and effective body which can hold and guide a spectator's attention." "The Paper Canoe alternates between detached analysis and the observations of an ardent traveller who reveals the value of theatre as a discipline and a revolt. It comprises a fascinating dialogue with the masters of Asian performance and the makers of twentieth-century theatre, such as Stanislavski, Meyerhold, Craig, Copeau, Brecht, Artaud and Decroux, making their thoughts and techniques accessible and relevant to contemporary practice." "The Paper Canoe establishes beyond doubt the importance of Barba's practical and theoretical work for today's students and practitioners of performance."--Jacket.
546 $aEnglish.
650 0 $aTheater$xAnthropological aspects.
650 0 $aActing.
650 0 $aDance.
650 0 $aTheater.
650 0 $aAnthropology.
650 1 $aAnthropology.
650 2 $aExperimental theatre.
650 2 $aDancing
650 2 $aAnthropology
650 6 $aThéâtre.
650 6 $aAnthropologie.
650 6 $aArt dramatique.
650 6 $aDanse.
650 6 $aThéâtre$xAspect anthropologique.
650 7 $aacting.$2aat
650 7 $atheater (discipline)$2aat
650 7 $aanthropology.$2aat
650 7 $adances (performance events)$2aat
650 7 $adances (performing arts compositions)$2aat
650 7 $aPERFORMING ARTS$xTheater$xGeneral.$2bisacsh
650 7 $aActing.$2fast$0(OCoLC)fst00796146
650 7 $aDance.$2fast$0(OCoLC)fst00887402
650 7 $aTheater$xAnthropological aspects.$2fast$0(OCoLC)fst01149222
653 0 $aTheatre
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aBarba, Eugenio.$sCanoa di carta. English.$tPaper canoe.$dLondon ; New York : Routledge, 1995$z0415100836$z0415116740$w(DLC) 94007809$w(OCoLC)30032868
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15065560$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS