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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:220648560:3482
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:220648560:3482?format=raw

LEADER: 03482cam a2200817Mi 4500
001 15120141
005 20220618232652.0
006 m o d
007 cr cn|||||||||
008 131226r20141994enka ob 001 0 eng d
035 $a(OCoLC)ocn988411536
035 $a(NNC)15120141
040 $aMOR$beng$erda$epn$cMOR$dTYFRS$dOCLCF$dOCLCQ$dOCLCA$dAU@$dLEAUB$dUKMGB$dOCLCQ$dOCL$dLUN$dOCLCQ$dK6U$dOCLCO
015 $aGBB935888$2bnb
016 7 $a019257654$2Uk
019 $a1000441478$a1058433938$a1086553394$a1088918978$a1168241271
020 $a9781315855660$q(e-book)
020 $a1315855666
020 $a9781317928379
020 $a1317928377
020 $a9781317928355
020 $a1317928350
020 $a9781317928362
020 $a1317928369
020 $a0415726549
020 $a9780415726542
020 $a9781138968097
020 $a1138968099
020 $z9780415726542
024 7 $a10.4324/9781315855660$2doi
035 $a(OCoLC)988411536$z(OCoLC)1000441478$z(OCoLC)1058433938$z(OCoLC)1086553394$z(OCoLC)1088918978$z(OCoLC)1168241271
037 $a9781317928362$bIngram Content Group
041 1 $aeng$hrus
043 $ae-ru---
050 4 $aPN1993.5.R9$bT7513 2014eb
072 7 $aPER$x004040$2bisacsh
072 7 $aLIT$x012000$2bisacsh
082 04 $a298$223
049 $aZCUA
100 1 $aTsivian, Yuri.
240 10 $aIstoricheskaiŁa retŁseptŁsiiŁa kino.$lEnglish
245 10 $aEarly cinema in Russia and its cultural reception /$cYuri Tsivian ; translated by Alan Bodger ; edited by Richard Taylor.
264 1 $aLondon :$bRoutledge,$c2014.
264 4 $c©1994
300 $a1 online resource (298 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge library editions : Cinema ;$vv. 37
500 $aOriginally published in English in 1994.
504 $aIncludes bibliographical references and index.
588 0 $aOnline resource; title from PDF title page (ebrary, viewed December 26, 2013).
505 0 $apt. 1: 1. Early cinema architecture and the evolution of the social composition of cinema ; 2. Projection technique as a factor in aesthetic perception ; 3. The acoustics of cinema performance ; 4. The reception of interference -- pt. 2: 5. Shifting textual boundaries ; 6. The reception of the moving image ; 7. The reception of narrative categories ; 8. The reception of narrative devices.
650 0 $aMotion pictures$zRussia (Federation)$xHistory.
650 0 $aMotion picture audiences$zRussia (Federation)$xHistory.
650 0 $aMotion pictures$xAppreciation$zRussia (Federation)
650 6 $aCinéma$xPublics$zRussie$xHistoire.
650 6 $aCinéma$xAppréciation$zRussie.
650 7 $aMotion picture audiences.$2fast$0(OCoLC)fst01027116
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures$xAppreciation.$2fast$0(OCoLC)fst01027290
651 7 $aRussia (Federation)$2fast$0(OCoLC)fst01262050
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aBodger, Alan.
700 1 $aTaylor, Richard.
776 1 $z9780415726542$z9780415838658
830 0 $aRoutledge library editions.$pCinema ;$vv. 37.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15120141$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS