MARC Record from marc_columbia

LEADER: 03513cam a2200517Ia 4500
001 15120620
005 20210607142840.0
006 m o d
007 cr cnu---unuuu
008 170713s2016 enk ob 001 0 eng d
035 $a(OCoLC)ocn993586794
035 $a(NNC)15120620
040 $aYDX$beng$epn$cYDX$dIDEBK$dOCLCO$dTYFRS$dOCLCF$dN$T$dOCLCQ$dYDX$dOCLCQ$dUWO$dOCLCA$dOCLCQ$dUKAHL$dOCLCQ
019 $a1124465077
020 $a9781351577960$q(electronic bk.)
020 $a1351577964$q(electronic bk.)
020 $z9780754650164
020 $z0754650162
020 $a9781351577953$q(e-book)
020 $a1351577956
020 $z9781138264700
035 $a(OCoLC)993586794$z(OCoLC)1124465077
050 4 $aMT130.S4$bF35 2016
072 7 $aMUS$x023000$2bisacsh
072 7 $aMUS$x037020$2bisacsh
082 04 $a784.2/184$223
049 $aZCUA
100 1 $aFairclough, Pauline,$d1970-
245 12 $aA Soviet credo :$bShostakovich's fourth symphony /$cPauline Fairclough.
260 $aLondon :$bRoutledge,$c2016.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed August 11, 2017).
504 $aIncludes bibliographical references and index.
520 $a"Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonation's. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context."--Provided by publisher.
600 10 $aShostakovich, Dmitriĭ Dmitrievich,$d1906-1975.$tSymphonies,$nno. 4, op. 43,$rC minor.
630 07 $aSymphonies (Shostakovich, Dmitriĭ Dmitrievich)$2fast$0(OCoLC)fst01358333
650 0 $aSymphonies$xAnalysis, appreciation.
650 7 $aMUSIC$xMusical Instruments$xGeneral.$2bisacsh
650 7 $aMUSIC$xPrinted Music$xBand & Orchestra.$2bisacsh
650 7 $aSymphonies$xAnalysis, appreciation.$2fast$0(OCoLC)fst01140874
655 4 $aElectronic books.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15120620$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS