MARC Record from marc_columbia

LEADER: 04449cam a2200541 i 4500
001 15120670
005 20220611232533.0
006 m o d
007 cr cnu---unuuu
008 170713t20162006enkag ob 001 0 eng d
035 $a(OCoLC)ocn993597457
035 $a(NNC)15120670
040 $aYDX$beng$erda$epn$cYDX$dIDEBK$dOCLCO$dTYFRS$dOCLCF$dN$T$dOCLCQ$dYDX$dOCLCA$dUWO$dOCLCQ$dOCL$dJHP$dK6U$dOCLCO
020 $a9781351568609$q(electronic bk.)
020 $a1351568604$q(electronic bk.)
020 $z9780754634669
035 $a(OCoLC)993597457
043 $ae-ur---
050 4 $aML300.3$b.R58 2016
072 7 $aMUS$x006000$2bisacsh
072 7 $aMUS$x033000$2bisacsh
082 04 $a780/.947/09033$223
049 $aZCUA
100 1 $aRyt︠s︡areva, M.$q(Marina)
245 10 $aEighteenth-century Russian music /$cMarina Ritzarev.
246 3 $a18th-century Russian music
264 1 $aLondon :$bRoutledge,$c2016.
264 4 $c©2006
300 $a1 online resource :$billustrations, music
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed August 10, 2017).
504 $aIncludes bibliographical references (pages 349-364) and index.
505 00 $g1$tRethinking eighteenth-century Russian music --$g2$tPre-Petrine legacy --$g3$tToward the new Russian idiom : between Germans and Italians; between Italians and Russians --$g4$tAt the court of Grand Duke Peter Fedorovich --$g5$tThe 'thaw' of the 1760s --$g6$tLessons of the 1770s : Berezovsky and Bortniansky in Italy --$g7$tThe city in the 1770s --$g8$tBortniansky and the 1780s --$g9$tThe late eighteenth-century Russian salon --$g10$tSarti in Russia --$g11$t1790s : muses and cannons --$g12$tMaster and serf --$g13$tThe choral concerto in the 1790s --$g14$tBortniansky in the nineteenth century.
520 $a"Little is known outside of Russia about the nation's musical heritage prior to the nineteenth century. Western scholarship has tended to view the history of Russian music as not beginning until the end of the eighteenth century. Marina Ritzarev's work shows this interpretation to be misguided. Starting from an examination of the rich legacy of Russian music up to 1700, she explores the development of music over the course of the eighteenth century, a period of especially intense Westernization and secularization. The book focuses on what is characteristic and crucial to Russian music during this period, rather than seeking to provide a comprehensive survey. The musical culture of the time is discussed against the rich background of social, political and cultural life, tying together many of the phenomena that used to be viewed separately. The book highlights the importance of previously marginalized sectors - serf culture, choral sacred culture, the contribution of foreign musicians, the significant influence of Freemasonry, the role of Ukrainian and West-European cultures and so on - as well as casting new light on the well-researched topic of Russian opera. Much new archival material is introduced, and revised biographies of the two leading eighteenth-century Russian composers, Maxim Berezovsky and Dmitry Bortniansky, are provided, as well as those of the serf composer Stepan Degtyarev and the Italian Giuseppe Sarti. The book places eighteenth-century Russian music on the European map, and will be of particular importance for the study of European musical cultures remote from such centres as Italy, Germany-Austria and France. Eighteenth-century Russian music is organically linked with its past and future and its contributory role in forming the Russian national identity and developing the Russian idiom is clarified."--Provided by publisher.
650 0 $aMusic$zRussia$y18th century$xHistory and criticism.
650 6 $aMusique$zRussie$y18e siècle$xHistoire et critique.
650 7 $aMUSIC$xGenres & Styles$xClassical.$2bisacsh
650 7 $aMUSIC$xReference.$2bisacsh
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
651 7 $aRussia.$2fast$0(OCoLC)fst01207312
648 7 $a1700-1799$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15120670$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS