MARC Record from marc_columbia

LEADER: 05551cam a2200817 i 4500
001 15120684
005 20221008231111.0
006 m o d
007 cr |||||||||||
008 170711s2018 enk ob 001 0 eng
010 $a 2017032934
035 $a(OCoLC)ocn993624020
035 $a(NNC)15120684
040 $aDLC$beng$erda$epn$cDLC$dYDX$dUAB$dN$T$dZCU$dDLC$dOCLCQ$dOCLCF$dVT2$dU3W$dOCLCQ$dWYU$dTYFRS$dAU@$dOCLCO
020 $a9781351610483$q(ePub)
020 $a1351610481
020 $a9781315108582$q(Master)
020 $a1315108585
020 $a9781351610490$q(Web PDF)
020 $a135161049X
020 $a9781351610476$q(Mobi/Kindle)
020 $a1351610473
020 $z9781138090538$q(hardback ;$qalkaline paper)
020 $z1138090530
035 $a(OCoLC)993624020
042 $apcc
043 $aev-----
050 00 $aGN825
072 7 $aART$x015000$2bisacsh
082 00 $a709.01/13$223
049 $aZCUA
100 1 $aFuglestvedt, Ingrid,$eauthor.
245 10 $aRock art and the wild mind :$bvisual imagery in Mesolithic Northern Europe /$cIngrid Fuglestvedt.
264 1 $aMilton Park, Abingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2018.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bn$2rdamedia
338 $aonline resource$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aArchaic meetings : a prologue -- Object and objectives -- The setting -- Part 1. The structure of Mesolithic hunters' rock art -- Northern European hunters' rock art : products of the "wild mind" in action -- The "key moteme" and its transformations : visual paths of a late Mesolithic analogical logic -- Mediating nature and culture, or, Body design in the eastern Norwegian group of hunters' rock art -- Design patterns as an autonomous system of references -- Part 2. Mesolithic hunters' rock art as animism and totemism -- Approaching rock art through animism and totemism -- "Measuring" the totemic impact -- The mapping of design patterns, or, Fragments of a totemic geography -- The late Mesolithic "lines of contact" -- Part 3. Rock art, sexe and the symbolic gift -- Late Mesolithic sexe in rock art -- Animism and totemism through time, and the introduction of the symbolic gift.
588 0 $aPrint version record and CIP data provided by publisher.
520 $a"Rock Art and the Wild Mind presents a study of Mesolithic rock art on the Scandinavian peninsula, including the large rock art sites in Alta, Neamforsen and Vingen. Hunters' rock art of this area, despite local styles, bears a strong commonality in what it depicts, most often terrestrial big game in diverse confrontations with the human realm. The various types of compositions are defined as visual thematizations of the enigmatic relationship between humans and big game animals. These thematizations, here defined as motemes, are explained as being products of the Mesolithic mind 'in action', observed through repetitions, variations and transformations of a number of defined motemes. Through a transformational logic, the transition from 'animic' to 'totemic' rock art is observed. Totemic rock art reaches a peak during the final stages of the Late Mesolithic, and it is suggested that this can be interpreted as representing an increasing focus on human society towards the end of this era. The move from animism to totemism is explained as being part of the overall social development on the Scandinavian peninsula. This book will be of interest to students of rock art generally and scholars working on the historical developments of prehistoric hunter-gatherers in northern Europe. It will also appeal to students and academics in the fields of art history and aesthetics and to those interested in the work of Levi-Strauss."--Provided by publisher.
650 0 $aPetroglyphs$zScandinavia.
650 0 $aRock paintings$zScandinavia.
650 0 $aMesolithic period$zScandinavia.
650 0 $aHunting, Prehistoric$xSocial aspects$zScandinavia.
650 0 $aHunting and gathering societies$zScandinavia$xHistory$yTo 1500.
650 0 $aVisual communication$zScandinavia$xHistory$yTo 1500.
651 0 $aScandinavia$xAntiquities.
650 0 $aSocial archaeology$zScandinavia.
650 6 $aPétroglyphes$zScandinavie.
650 6 $aMésolithique$zScandinavie.
650 6 $aChasse préhistorique$xAspect social$zScandinavie.
651 6 $aScandinavie$xAntiquités.
650 6 $aArchéologie sociale$zScandinavie.
650 7 $aART$xHistory$xGeneral.$2bisacsh
650 7 $aAntiquities.$2fast$0(OCoLC)fst00810745
650 7 $aHunting and gathering societies.$2fast$0(OCoLC)fst00964206
650 7 $aMesolithic period.$2fast$0(OCoLC)fst01017335
650 7 $aPetroglyphs.$2fast$0(OCoLC)fst01059252
650 7 $aRock paintings.$2fast$0(OCoLC)fst01099256
650 7 $aSocial archaeology.$2fast$0(OCoLC)fst01122274
650 7 $aVisual communication.$2fast$0(OCoLC)fst01167997
651 7 $aScandinavia.$2fast$0(OCoLC)fst01242804
648 7 $aTo 1500$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aFuglestvedt, Ingrid.$tRock art and the wild mind.$dMilton Park, Abingdon, Oxon ; New York, NY : Routledge, 2018$z9781138090538$w(DLC) 2017029217
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15120684$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS