MARC Record from marc_columbia

LEADER: 04569cam a2200793Mi 4500
001 15120747
005 20220604234029.0
006 m o d
007 cr cn|||||||||
008 170728s2014 enk ob 001 0deng d
035 $a(OCoLC)ocn993639524
035 $a(NNC)15120747
040 $aTYFRS$beng$erda$epn$cTYFRS$dYDX$dOCLCO$dIDEBK$dOCLCQ$dOCLCF$dUKMGB$dTYFRS$dAU@$dUKAHL$dOCLCQ$dK6U$dOCLCO
015 $aGBB7C5729$2bnb
016 7 $a018425108$2Uk
019 $a993592528
020 $a9781315094717$q(e-book)
020 $a1315094711
020 $a9781351568937
020 $a1351568930
020 $z9781907975509$q(hardback)
020 $z1907975500$q(hardback)
035 $a(OCoLC)993639524$z(OCoLC)993592528
037 $a9781351568937$bIngram Content Group
043 $ae-fr---
050 4 $aPQ558$b.N66 2014
082 14 $a842.914099287$bN817
049 $aZCUA
100 1 $aNoonan, Mary,$eauthor.
245 10 $aEcho's voice :$bthe theatres of Sarraute, Duras, Cixous and Renaude /$cMary Noonan.
246 30 $aTheatres of Sarraute, Duras, Cixous and Renaude
264 1 $aLeeds :$bLegenda, Modern Humanities Research Association and Maney Publishing,$c2014.
300 $a1 online resource (165 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aResearch monographs in French studies ;$v36
504 $aIncludes bibliographical references (pages 155-162) and index.
505 0 $aVoice and the auditory : connecting theory and theatre -- Desire in language : Nathalie Sarraute's theatre of interpellation -- 'A sound-mirror or audio-phonic skin' : voice and listening in the theatre of Marguerite Duras -- Song of the forbidden body : the theatre of Héléne Cixous -- Un corps vivant de symboles : Noëlle Renaude's staging of the writing self.
520 $a"Helene Cixous (1937- ), distinguished not least as a playwright herself, told Le Monde in 1977 that she no longer went to the theatre: it presented women only as reflections of men, used for their visual effect. The theatre she wanted would stress the auditory, giving voice to ways of being that had previously been silenced. She was by no means alone in this. Cixous's plays, along with those of Nathalie Sarraute (1900-99), Marguerite Duras (1914-96), and Noelle Renaude (1949- ), among others, have proved potent in drawing participants into a dynamic 'space of the voice'. If, as psychoanalysis suggests, voice represents a transitional condition between body and language, such plays may draw their audiences in to understandings previously never spoken. In this ground-breaking study, Noonan explores the rich possibilities of this new audio-vocal form of theatre, and what it can reveal of the auditory self."--Provided by publisher.
600 10 $aCixous, Hélène,$d1937-$xCriticism and interpretation.
600 10 $aSarraute, Nathalie$xCriticism and interpretation.
600 10 $aDuras, Marguerite$xCriticism and interpretation.
600 10 $aRenaude, Noélle$xCriticism and interpretation.
600 17 $aCixous, Hélène,$d1937-$2fast$0(OCoLC)fst00014357
600 17 $aDuras, Marguerite.$2fast$0(OCoLC)fst00040798
600 17 $aRenaude, Noëlle.$2fast$0(OCoLC)fst01988178
600 17 $aSarraute, Nathalie.$2fast$0(OCoLC)fst00004867
650 0 $aVoice in literature.
650 0 $aWomen in the performing arts$zFrance$xHistory$y20th century.
650 0 $aWomen in the theater$zFrance$xHistory$y20th century.
650 0 $aFrench drama$xWomen authors.
650 6 $aVoix dans la littérature.
650 6 $aFemmes dans les arts du spectacle$zFrance$xHistoire$y20e siècle.
650 6 $aFemmes au théâtre$zFrance$xHistoire$y20e siècle.
650 7 $aFrench drama$xWomen authors.$2fast$0(OCoLC)fst00934281
650 7 $aVoice in literature.$2fast$0(OCoLC)fst01168771
650 7 $aWomen in the performing arts.$2fast$0(OCoLC)fst01178042
650 7 $aWomen in the theater.$2fast$0(OCoLC)fst01178050
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$z9781907975509
830 0 $aResearch monographs in French studies ;$v36.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15120747$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS