Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:226879193:3789 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:226879193:3789?format=raw |
LEADER: 03789cam a2200649Ii 4500
001 15124136
005 20220709231231.0
006 m o d
007 cr cnu|||unuuu
008 170720r20162006enk ob 001 0 eng d
035 $a(OCoLC)ocn994205906
035 $a(NNC)15124136
040 $aN$T$beng$erda$epn$cN$T$dIDEBK$dN$T$dOCLCQ$dTYFRS$dOCLCF$dOCLCQ$dK6U$dOCLCO
019 $a993653884
020 $a9781351538961$q(electronic bk.)
020 $a1351538969$q(electronic bk.)
020 $a9781315084725
020 $a1315084724
020 $z9780754641506
035 $a(OCoLC)994205906$z(OCoLC)993653884
043 $ae-uk-en
050 4 $aML3131.2
072 7 $aMUS$x041000$2bisacsh
082 04 $a781.7130094209032$223
049 $aZCUA
100 1 $aHerissone, Rebecca,$eauthor.
245 10 $a'To fill, forbear, or adorne' :$bthe organ accompaniment of restoration sacred music /$cRebecca Herissone.
264 1 $aMilton Park, Abingdon, Oxon ;$aNew York, NY :$bRoutledge, Taylor & Francis Group,$c2016.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoyal Musical Association monographs ;$vno. 14
500 $aOriginally published 2006 by Ashgate Publishing.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- The comments of Roger North -- Organ books associated with London sacred institutions -- A note about anthems with strings -- The principal characteristics of Restoration organ books -- Doubling the inner parts -- Figuring -- Number of voices played -- Alteration and addition of material -- Adaptation of double vocal lines -- Independent material added to vocal sections -- Distinctions between different genres and sections -- Service settings, full anthems and verse anthems -- Choruses, ensemble verses and solos -- Ritornelli -- Incomplete right-hand parts and figured-bass parts -- The unusual case of Matthew Locke -- 'How doth the city sit solitary' -- Locke's style of accompaniment in context -- Conclusions.
520 $aThis is the first study to provide a systematic and thorough investigation of continuo realization styles appropriate to Restoration sacred music, an area of performance practice that has never previously been properly assessed. Rebecca Herissone undertakes detailed analysis of group or organ books closely associated with the major Restoration composers Purcell, Blow and Humfrey, and the London institutions where they spent their professional lives.
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed August 15, 2017).
650 0 $aChurch music$zEngland$y17th century.
650 0 $aMusical accompaniment$zEngland$y17th century.
650 0 $aOrgan music, Arranged$y17th century$xHistory and criticism.
650 6 $aMusique d'église$zAngleterre$y17e siècle.
650 6 $aAccompagnement (Musique)$zAngleterre$y17e siècle.
650 6 $aOrgue, Musique d', arr.$y17e siècle$xHistoire et critique.
650 7 $aMUSIC$xInstruction & Study$xTheory.$2bisacsh
650 7 $aChurch music.$2fast$0(OCoLC)fst00860809
650 7 $aMusical accompaniment.$2fast$0(OCoLC)fst01030695
650 7 $aOrgan music, Arranged.$2fast$0(OCoLC)fst01047612
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
648 7 $a1600-1699$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$z9780754641506
830 0 $aRoyal Musical Association monographs ;$vno. 14.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15124136$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS