MARC Record from marc_columbia

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001 15124142
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035 $a(NNC)15124142
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020 $a9781351544542$q(electronic bk.)
020 $a1351544543$q(electronic bk.)
020 $a0754605477
020 $a9780754605478
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035 $a(OCoLC)994205916$z(OCoLC)993586508$z(OCoLC)1063581234
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050 4 $aML285.4$b.F54 2016
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049 $aZCUA
245 04 $aThe figure of music in nineteenth-century British poetry /$cedited by Phyllis Weliver.
264 1 $aAbingdon, Oxon :$bRoutledge,$c2016.
300 $a1 online resource :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aMusic in 19th-century Britain
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed August 14, 2017).
500 $aOriginally published 2005 by Ashgate Publishing.
504 $aIncludes bibliographical references and index.
505 0 $aChapter Introduction -- chapter 1 Scotch Drink & Irish Harps: Mediations of the National Air -- chapter 2 -- chapter 3 On Music Framed: The Eolian Harp in Romantic Writing -- chapter 4 Music and Inspiration in Blake's Poetry -- chapter 5 -- chapter 6 Musical Reactions to Tennyson: Reformulating Musical Imagery in -- chapter 7 -- chapter 8 The -- chapter 9 -- chapter 10 Sappho Recomposed: A Song Cycle by Granville and Helen Bantock.
520 $a"How was music depicted in and mediated through Romantic and Victorian poetry' This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson."--Provided by publisher
650 0 $aMusic$zGreat Britain$y19th century$xHistory and criticism.
650 0 $aPoetry, Modern$y19th century$xHistory and criticism.
650 0 $aMusic in literature.
650 6 $aMusique$zGrande-Bretagne$y19e siècle$xHistoire et critique.
650 6 $aMusique dans la littérature.
650 7 $aPOETRY$xEnglish, Irish, Scottish, Welsh.$2bisacsh
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
650 7 $aMusic in literature.$2fast$0(OCoLC)fst01030552
650 7 $aPoetry, Modern.$2fast$0(OCoLC)fst01067769
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
648 7 $a1800-1899$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aWeliver, Phyllis,$eeditor.
776 08 $iPrint version:$tFigure of music in nineteenth-century British poetry.$dAbingdon, Oxon : Routledge, 2016$z0754605477$z9780754605478$w(DLC) 2004010339$w(OCoLC)55105159
830 0 $aMusic in nineteenth-century Britain.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15124142$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS