MARC Record from marc_columbia

LEADER: 04047cam a2200601Ii 4500
001 15124180
005 20210607143104.0
006 m o d
007 cr cnu|||unuuu
008 170721s2016 enk ob 001 0 eng d
035 $a(OCoLC)ocn994220810
035 $a(NNC)15124180
040 $aN$T$beng$erda$epn$cN$T$dIDEBK$dN$T$dOCLCQ$dOCLCF$dYDX$dNLE$dOCLCA$dAU@$dUWO$dTYFRS
019 $a993593231$a1058510770
020 $a9781351555791$q(electronic bk.)
020 $a1351555790$q(electronic bk.)
020 $z9780754628989
020 $z0754628981
020 $a9781315090337
020 $a1315090333
020 $a9781351555777
020 $a1351555774
035 $a(OCoLC)994220810$z(OCoLC)993593231$z(OCoLC)1058510770
043 $ae------
050 4 $aML1720$b.O64 2017eb
072 7 $aMUS$x028000$2bisacsh
072 7 $aMUS$x020000$2bisacsh
082 04 $a782.109409041$223
049 $aZCUA
245 00 $aOpera after 1900 /$cedited by Margaret Notley, University of North Texas, USA.
264 1 $aLondon :$bRoutledge, Taylor & Francis Group,$c2016.
300 $a1 online resource.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aAshgate library of essays in opera studies
588 0 $aOnline resource ; title from PDF title page (EBSCO, viewed August 15, 2017).
500 $a"First published 2010 by Ashgate Publishing"--Title page verso.
504 $aIncludes bibliographical references and index.
505 0 $aPart PART I OPERAS BY VIENNESE COMPOSERS, CA. 1910{u2013}1935 -- chapter 1 Expressive Principle and Orchestral Polyphony in Schoenberg{u2019}s Erwartung -- chapter 2 Die Frauenfrage? in Erwartung: Schoenberg{u2019}s Collaboration with Marie Pappenheim -- chapter 3 A Florentine Tragedy, or Woman as Mirror -- chapter 4 Schoenberg as Moses and Aron -- chapter 5 Berg{u2019}s Propaganda Pieces: The ?Platonic Idea? of Lulu -- part PART II OPERAS FROM OTHER EUROPEAN CONTEXTS -- chapter 6 The Verbunkos and Bartók{u2019}s Modem Style: The Case of Duke Bluebeard{u2019}s Castle -- chapter 7 Hans Pfitzner{u2019}s Palestrina and the Impotence of Early Lateness -- chapter 8 Ariadne, Daphne and the Problem of Verwandlung -- chapter 9 The Concept of Epic Opera: Theoretical Anomalies in the Brecht-Weill Partnership -- chapter 10 French Identity in Flux: The Triumph of Honegger{u2019}s Antigone -- chapter 11 Back to the Future: Shostakovich{u2019}s Revision of Leskov{u2019}s ?Lady Macbeth of Mtsensk District -- part PART III OPERAS BY BRITTEN AND BIRTWISTLE -- chapter 12 Peter Grimes: The Growth of the Libretto -- chapter 13 Twisted Relations?: Method and Meaning in Britten{u2019}s Billy Budd -- chapter 14 Why Does Miles Die? A Study of Britten{u2019}s The Turn of the Screw -- chapter 15 The Shadow of Opera: Dramatic Narrative and Musical Discourse in Gawain -- part PART IV OPERAS COMPOSED IN THE UNITED STATES -- chapter 16 Porgy and Bess, ?An American Wozzeck -- chapter 17 Kurt Weill, Modernism, and Popular Culture: Offentlichkeit als Sti -- chapter 18 The Best of All Possible Worlds: The Eldorado Episode in Leonard Bernstein{u2019}s Candide -- chapter 19 The Great American Opera: Klinghoffer, Streetcar, and the Exception -- chapter 20 Instrumental Dramaturgy as Humane Comedy: What Next? by Elliott Carter and Paul Griffiths.
650 0 $aOpera$zEurope$y20th century.
650 7 $aMUSIC / Genres & Styles / Opera$2bisacsh
650 7 $aMUSIC / History & Criticism$2bisacsh
650 7 $aOpera.$2fast$0(OCoLC)fst01046145
651 7 $aEurope.$2fast$0(OCoLC)fst01245064
648 7 $a1900-1999$2fast
655 4 $aElectronic books.
655 0 $aElectronic books.
700 1 $aNotley, Margaret Anne,$eeditor.
776 08 $cOriginal$z9780754628989$z0754628981$w(OCoLC)646397246
830 0 $aAshgate library of essays in opera studies.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15124180$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS