MARC Record from marc_columbia

LEADER: 05702cam a2200697Ii 4500
001 15124246
005 20220618232729.0
006 m o d
007 cr cnu|||unuuu
008 170721s2016 enka ob 001 0 eng d
035 $a(OCoLC)ocn994220957
035 $a(NNC)15124246
040 $aN$T$beng$erda$epn$cN$T$dTYFRS$dN$T$dYDX$dOCLCF$dOCLCQ$dOCLCA$dNLE$dUKMGB$dUWO$dOCLCQ$dOCLCO$dNLW$dOCL$dOCLCO
015 $aGBB7H2245$2bnb
016 7 $a018473059$2Uk
019 $a993650909$a1001802217$a1001947971$a1002123582$a1002527698
020 $a9781351561976$q(electronic bk.)
020 $a1351561979$q(electronic bk.)
020 $a9781315092393
020 $a1315092395
020 $a9781351561969
020 $a1351561960
020 $z9780754657873
020 $z1138273902
020 $z9781138273900
035 $a(OCoLC)994220957$z(OCoLC)993650909$z(OCoLC)1001802217$z(OCoLC)1001947971$z(OCoLC)1002123582$z(OCoLC)1002527698
037 $a9781351561969$bIngram Content Group
043 $ae-au---
050 4 $aML417.A615
072 7 $aMUS$x023030$2bisacsh
072 7 $aMUS$x037080$2bisacsh
082 04 $a786.4092$223
049 $aZCUA
100 1 $aWatchorn, Peter,$eauthor.
245 10 $aIsolde Ahlgrimm, Vienna and the Early Music Revival /$cPeter Watchorn.
264 1 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2016.
300 $a1 online resource :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
588 0 $aVendor-supplied metadata.
520 2 $a"Isolde Ahlgrimm (1914-1995) was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. She trained as a pianist at the Musikakademie in Vienna under the instruction of Viktor Ebenstein, Emil von Sauer and Franz Schmidt. In 1934 she met the musical instrument collector, Dr Erich Fiala, whom she married in 1938. His activities opened up the world of early instruments to her. Using a 1790 fortepiano by Michael Rosenberger, Isolde Ahlgrimm began her career as a specialist on early keyboard instruments with the first in her notable series of Concerte f?r Kenner und Liebhaber, given in Vienna's Palais Palffy in February 1937. Ahlgrimm's career as a harpsichordist also began in 1937, when a new instrument was commissioned from the Ammer brothers in Eisenberg, Germany. In 1943 Ahlgrimm performed her first all-harpsichord programme, which consisted of the Goldberg Variations by J.S. Bach. From 1949 to 1956, she devoted herself to performing and recording nearly all of Bach's harpsichord music for the newly-founded Dutch label, Philips, presenting her new approach to the harpsichord to a wider audience. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Most obviously, Ahlgrimm's harpsichord performances eliminated frequent registration changes (her instrument had hand stops rather than pedals to change registers), and largely eschewed the massive ritardandi and other anachronistic performance practices that were hallmarks of Landowska's essentially Romantic style. Ahlgrimm researched and emphasized rhetorical traditions on which the music was based. This became more pronounced throughout the course of her later performing, writing and teaching career, and it was the beginning of an approach to the performance of eighteenth-century musi"--Provided by publisher.
505 00 $tChapter Introduction: Early Music, Vienna and the Missing Link --$tchapter 1 Early Education and Influences --$tchapter 2 Instrument Collecting, Erich Fiala and the Concerte fur Kenner und Liebhaber, 1934-1956 --$tchapter 3 Isolde Ahlgrimm, Philips Phongraphische Industrie and J.S. Bach: The Complete Works for Harpsichord --$tchapter 4 After the Deluge: Artistic Independence. The Years 1956-1984 --$tchapter 1 Discography --$tchapter 2 Performers in the Concerte fur Kenner und Liebhaber, 1937-1956 171 /$r3 Isolde Ahlgrimm Holland Debut: January 1957, Reviews --$tchapter 3 Isolde Ahlgrimm Holland Debut: January 1957, Reviews --$tchapter 4 Die Concerte fur Kenner und Liebhaber--Chronology --$tchapter 5 Publications by Isolde Ahlgrimm --$tchapter 6 Instruments in the Ahlgrimm-Fiala Collection --$tchapter 7 Richard Strauss: Capriccio Suite, TrV 279c --$tchapter 8 Bach: Cembalo-Konzerte/Das Amati Orchester --$tchapter 9 Current Trends in Performance of Baroque Music by Isolde Ahlgrimm --$tchapter 10 Harpsichord Lessons for the Beginner--a la /$rIsolde Ahlgrimm by Kim Kasling.
600 10 $aAhlgrimm, Isolde,$d1914-1995.
600 17 $aAhlgrimm, Isolde,$d1914-1995.$2fast$0(OCoLC)fst01471283
650 0 $aHarpsichordists$zAustria$vBiography.
650 0 $aPianists$zAustria$vBiography.
650 6 $aClavecinistes$zAutriche$vBiographies.
650 6 $aPianistes$zAutriche$vBiographies.
650 7 $aMUSIC$xMusical Instruments$xPiano & Keyboard.$2bisacsh
650 7 $aMUSIC$xPrinted Music$xPercussion.$2bisacsh
650 7 $aHarpsichordists.$2fast$0(OCoLC)fst00951713
650 7 $aPianists.$2fast$0(OCoLC)fst01063351
651 7 $aAustria.$2fast$0(OCoLC)fst01204901
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
776 08 $iPrint version:$z9780754657873$z9781138273900
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15124246$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS