MARC Record from marc_columbia

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001 15065814
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008 040924s2003 enk ob 001 0 eng d
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035 $a(NNC)15065814
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037 $aEBL182182$beBook Library$nhttp://www.eblib.com
043 $ad------
050 4 $aPN1993.5.D44$bR48 2003eb
055 13 $aPN1993.5.D44$bR48 2003eb
072 7 $aPER$x004040$2bisacsh
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245 00 $aRethinking Third Cinema /$cedited by Anthony R. Guneratne, Wimal Dissanayake ; [contributors, Sumita S. Chakravarty and others].
260 $aLondon ;$aNew York :$bRoutledge,$c2003.
300 $a1 online resource (xii, 240 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $gIntroduction:$trethinking Third Cinema /$rAnthony R. Guneratne --$gPART I. THIRD CINEMA THEORY AND BEYOND --$tBeyond Third Cinema: the aesthetics of hybridity /$rRobert Stam --$gPART II. CHALLENGING THIRD WORLD LEGACIES: ISSUES OF GENDER, CULTURE, AND REPRESENTATION --$tPost-third worldist culture: gender, nation, and the cinema /$rElla Shohat --$tThe erotics of history: gender and trangression in the new Asian cinemas /$rSumita S. Chakravarty --$gPART III. ALTERNATIVE CINEMA IN THE AGE OF GLOBALIZATION --$tAuthorship, globalization, and the new identity of Latin American cinema: from the Mexican "ranchera" to Argentinian "exile" /$rMarvin D'Lugo --$tVideo booms and the manifestations of "first" cinema in anglophone Africa /$rN. Frank Ukadike --$gPART IV. THE RELOCATION OF CULTURE: SOCIAL SPECIFICITY AND THE "THIRD" QUESTION --$tWhat's "oppositional" in Indonesian cinema? /$rKrishna Sen --$tThe seductions of homecoming: place, authenticity, and Chen Kaige's Temptress moon /$rRey Chow --$gPART V. RECEIVING/RETRIEVING THIRD (WORLD) CINEMA: ALTERNATIVE APPROACHES TO SPECTATOR STUDIES AND CRITICAL HISTORY --$tTheorizing "Third World" film spectatorship: the case of Iran and Iranian cinema /$rHamid Naficy --$tRethinking Indian popular cinema: towards newer frames of understanding /$rWimal Dissanayake.
588 0 $aPrint version record.
520 $aThis important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. However, despite the contemporary popularity and critical attention enjoyed by films from Asia and Latin America in particular, Third Cinema and Third Cinema theory appears to have lost its momentum. Rethinking Third Cinema seeks to bring Third Cinema and Third Cinema theory back into the critical spotlight. The contributors address the most difficult and challenging questions Third Cinema poses, suggesting new methodologies and redirections of existing ones. Crucially, they also re-examine the entire phenomenon of film-making in a fast-vanishing 'Third World', with case studies of the cinemas of India, Iran and Hong Kong, among others.
650 0 $aMotion pictures$zDeveloping countries.
650 0 $aIntercultural communication in motion pictures.
650 6 $aCommunication interculturelle au cinéma.
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aIntercultural communication in motion pictures.$2fast$0(OCoLC)fst00976110
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aDeveloping countries.$2fast$0(OCoLC)fst01242969
650 17 $aFilmkunst.$2gtt
650 17 $aFilms.$2gtt
650 17 $aOntwikkelingslanden.$2gtt
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aGuneratne, Anthony R.
700 1 $aDissanayake, Wimal.
700 1 $aChakravarty, Sumita S.
776 08 $iPrint version:$tRethinking Third Cinema.$dLondon ; New York : Routledge, 2003$z0415213533$z0415213541$w(OCoLC)51871526
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15065814$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS