Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:230109575:3377 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:230109575:3377?format=raw |
LEADER: 03377cam a2200649Ii 4500
001 15124988
005 20210607112235.0
006 m o d
007 cr cnu---unuuu
008 170710s2016 enk ob 001 0 eng d
035 $a(OCoLC)ocn999615693
035 $a(NNC)15124988
040 $aNLE$beng$erda$epn$cNLE$dIDEBK$dN$T$dTYFRS$dOCLCQ$dOCLCF$dOCLCQ$dOCLCA$dUKMGB$dOCLCQ
015 $aGBB7E7852$2bnb
016 7 $a018425707$2Uk
019 $a993647639$a1071486624
020 $a9781351575805$q(electronic bk.)
020 $a1351575805$q(electronic bk.)
020 $a9781315097008
020 $a1315097001
020 $z9780754627081
035 $a(OCoLC)999615693$z(OCoLC)993647639$z(OCoLC)1071486624
037 $a9781351575805$bIngram Content Group
041 0 $aeng$bita
043 $ae-it---$ae-fr---
050 4 $aML240.2$b.A781 2016
072 7 $aMUS$x006000$2bisacsh
072 7 $aMUS$x033000$2bisacsh
082 04 $a780.94509022$223
049 $aZCUA
245 00 $aArs nova :$bFrench and Italian music in the fourteenth century /$cedited by John L. Nádas and Michael Scott Cuthbert.
264 1 $aLondon :$bRoutledge,$c2016.
300 $a1 online resource (594 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aMusic in medieval Europe
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed August 11, 2017)
504 $aIncludes bibliographical references and index.
520 $a"In the early fourteenth century, musicians in France and later Italy established new traditions of secular and sacred polyphony. This ars nova, or "new art," popularized by theorists such as Philippe de Vitry and Johannes de Muris was the among the first of many later movements to establish the music of the present as a clean break from the past. The rich music of this period, by composers such as Guillaume de Machaut and Francesco Landini, is not only beautiful, but also rewards deep study and analysis. Yet contradictions and gaps abound in the ars nova of the fourteenth and early fifteenth centuries-how do we read this music? how do we perform this music? what was the cultural context of these performances? These problems are well met by the ingenuity of approaches and solutions found by scholars in this volume. The twenty-seven articles brought together reflect the broad methodological and chronological range of scholarly inquiry on the ars nova."--Provided by publisher.
546 $aOne chapter in Italian.
650 0 $aMusic$zItaly$y500-1400$xHistory and criticism.
650 0 $aMusic$zFrance$y500-1400$xHistory and criticism.
650 7 $aMUSIC$xGenres & Styles$xClassical.$2bisacsh
650 7 $aMUSIC$xReference.$2bisacsh
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
648 7 $a500-1400$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aNádas, John Louis.
700 1 $aCuthbert, Michael Scott.
776 08 $iPrint version:$z9780754627081
830 0 $aMusic in medieval Europe.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15124988$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS