Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:233314421:7305 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:233314421:7305?format=raw |
LEADER: 07305cam a2201261 i 4500
001 15125867
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006 m o d
007 cr |n|||||||||
008 170303t20172017enkacf ob 001 0 eng d
035 $a(OCoLC)on1003952796
035 $a(NNC)15125867
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020 $a1351819844$q(electronic bk.)
020 $a9781351819848$q(electronic bk.)
020 $a9781351819831$q(electronic bk.)
020 $a1351819836$q(electronic bk.)
020 $a9781315213859$q(electronic bk.)
020 $a1315213850$q(electronic bk.)
020 $z9781472445865$q(hardback)
020 $z1472445864$q(hardback)
035 $a(OCoLC)1003952796$z(OCoLC)980304504$z(OCoLC)980498887$z(OCoLC)980676749$z(OCoLC)980739632$z(OCoLC)980755767$z(OCoLC)981198989$z(OCoLC)981199524$z(OCoLC)981606682$z(OCoLC)981685793$z(OCoLC)981875702$z(OCoLC)981895717$z(OCoLC)988754244$z(OCoLC)991298614$z(OCoLC)993683829$z(OCoLC)999651516$z(OCoLC)1001979369$z(OCoLC)1005475749$z(OCoLC)1014004670$z(OCoLC)1038404179$z(OCoLC)1055681889$z(OCoLC)1091765605$z(OCoLC)1100215979
037 $a1002989$bMIL
043 $ae-fr---
050 4 $aNX650.I58$bB35 2017eb
050 4 $aN72.S6$bB336 2017eb
072 7 $aPOL$x038000$2bisacsh
072 7 $aSOC$x002010$2bisacsh
072 7 $aSOC$x022000$2bisacsh
082 04 $a700/.455$223
049 $aZCUA
100 1 $aBalducci, Temma,$eauthor.
245 10 $aGender, space, and the gaze in post-Haussmann visual culture :$bbeyond the flâneur /$cTemma Balducci.
264 1 $aLondon ;$aNew York :$bRoutledge, Taylor & Francis Group,$c2017.
264 4 $c©2017
300 $a1 online resource (xiii, 228 pages, 8 unnumbered pages of plates) :$billustrations (some color)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $a"An Ashgate book"--Cover
504 $aIncludes bibliographical references (pages 203-222) and index.
588 0 $aPrint version record.
520 8 $aCharles Baudelaire's flaneur, as described in his 1863 essay "The Painter of Modern Life," remains central to understandings of gender, space, and the gaze in late nineteenth-century Paris, despite misgivings by some scholars. Baudelaire's privileged and leisurely figure, at home on the boulevards, underlies theorizations of bourgeois masculinity and, by implication, bourgeois femininity, whereby men gaze and roam urban spaces unreservedly while women, lacking the freedom to either gaze or roam, are wedded to domesticity. In challenging this tired paradigm and offering fresh ways to consider how gender, space, and the gaze were constructed, this book attends to several neglected elements of visual and written culture: the ubiquitous male beggar as the true denizen of the boulevard, the abundant depictions of well-to-do women looking (sometimes at men), the popularity of windows and balconies as viewing perches, and the overwhelming emphasis given by both male and female artists to domestic scenes. The book's premise that gender, space, and the gaze have been too narrowly conceived by a scholarly embrace of Baudelaire's flaneur is supported across the cultural spectrum by period sources that include art criticism, high and low visual culture, newspapers, novels, prescriptive and travel literature, architectural practices, interior design trends, and fashion journals
505 0 $aMaking up the boulevard -- Gazing women -- Windows and balconies -- Men, domesticity, and family.
630 07 $aEuropa$2gnd
600 07 $aRaum$2gnd
650 0 $aMan-woman relationships in art.
650 0 $aMan-woman relationships in literature.
650 0 $aGaze in art.
650 0 $aGaze in literature.
650 0 $aArts, French$y19th century$xThemes, motives.
650 0 $aArts and society$zFrance$xHistory$y19th century.
650 0 $aHome in art.
650 0 $aHome in literature.
650 0 $aPublic spaces in art.
650 0 $aPublic spaces in literature.
650 0 $aFlaneurs in art.
650 0 $aFlaneurs in literature.
650 0 $aVisual communication.
650 0 $aArt and society.
650 6 $aRelations entre hommes et femmes dans l'art.
650 6 $aRelations entre hommes et femmes dans la littérature.
650 6 $aRegard dans l'art.
650 6 $aRegard dans la littérature.
650 6 $aArts français$y19e siècle$xThèmes, motifs.
650 6 $aArts et société$zFrance$xHistoire$y19e siècle.
650 6 $aFoyer dans l'art.
650 6 $aFoyer dans la littérature.
650 6 $aEspaces publics dans l'art.
650 6 $aEspaces publics dans la littérature.
650 6 $aCommunication visuelle.
650 6 $aArt et société.
650 7 $aSOCIAL SCIENCE$xDiscrimination & Race Relations.$2bisacsh
650 7 $aSOCIAL SCIENCE$xMinority Studies.$2bisacsh
650 7 $aPOLITICAL SCIENCE$xPublic Policy$xCultural Policy.$2bisacsh
650 7 $aSOCIAL SCIENCE$xAnthropology$xCultural.$2bisacsh
650 7 $aSOCIAL SCIENCE$xPopular Culture.$2bisacsh
650 7 $aMan-woman relationships in literature.$2fast$0(OCoLC)fst01007097
650 7 $aMan-woman relationships in art.$2fast$0(OCoLC)fst01007096
650 7 $aArts and society.$2fast$0(OCoLC)fst00817856
650 7 $aArt and society.$2fast$0(OCoLC)fst00815432
650 7 $aArts, French.$2fast$0(OCoLC)fst00818019
650 7 $aArts, French$xThemes, motives.$2fast$0(OCoLC)fst00818030
650 7 $aFlaneurs in art.$2fast$0(OCoLC)fst00927026
650 7 $aFlaneurs in literature.$2fast$0(OCoLC)fst00927027
650 7 $aGaze in art.$2fast$0(OCoLC)fst00939346
650 7 $aGaze in literature.$2fast$0(OCoLC)fst00939347
650 7 $aHome in art.$2fast$0(OCoLC)fst00959306
650 7 $aHome in literature.$2fast$0(OCoLC)fst00959307
650 7 $aMen in art.$2fast$0(OCoLC)fst01016048
650 7 $aMen in literature.$2fast$0(OCoLC)fst01016054
650 7 $aPublic spaces in art.$2fast$0(OCoLC)fst01904382
650 7 $aPublic spaces in literature.$2fast$0(OCoLC)fst01083063
650 7 $aVisual communication.$2fast$0(OCoLC)fst01167997
650 7 $aWomen in art.$2fast$0(OCoLC)fst01177826
650 7 $aWomen in literature.$2fast$0(OCoLC)fst01177912
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
651 7 $aFrance$zParis.$2fast$0(OCoLC)fst01205283
650 7 $aFlaneur$2gnd
650 7 $aGeschlechterrolle$2gnd
650 7 $aVisuelle Wahrnehmung$2gnd
648 7 $a1800-1899$2fast
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$z9781351819848
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15125867$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS