Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:234578685:6603 |
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LEADER: 06603cam a2200913 i 4500
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035 $a(OCoLC)on1004564483
035 $a(NNC)15126220
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019 $a1004765363$a1048287834$a1058345351
020 $a9781351613200$q(electronic bk.)
020 $a1351613200$q(electronic bk.)
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020 $a9781351613217
020 $a1351613219
020 $a9781351613194
020 $a1351613197
020 $z9781472484796
020 $z1472484797
035 $a(OCoLC)1004564483$z(OCoLC)1004765363$z(OCoLC)1048287834$z(OCoLC)1058345351
043 $ae-it---
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072 7 $aART$x015000$2bisacsh
082 04 $a759.9493$223
049 $aZCUA
100 1 $aNoyes, Ruth S.,$eauthor.
245 10 $aPeter Paul Rubens and the Counter-Reformation crisis of the Beati moderni /$cRuth S. Noyes.
264 1 $aAbingdon, Oxon :$bRoutledge,$c[2018]
300 $a1 online resource (320 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aSanctity in global perspective
504 $aIncludes bibliographical references and index.
520 8 $aThis volume takes up the question of the issues involved in the formation of recent saints - or Beati moderni (modern Blesseds) as they were called - by the Jesuits and Oratorians in the new environment of increased strictures and censorship that developed after the Council of Trent with respect to legal canonization procedures and cultic devotion to the saints. Ruth Noyes focuses particularly on how the new regulations pertained to the creation of emerging cults of those not yet canonized, the so-called Beati moderni, such as Jesuit founders Francis Xavier and Ignatius Loyola, and Filippo Neri, founder of the Oratorians. Centrally involved in the book is the question of the fate and meaning of the two altarpiece paintings commissioned by the Oratorians from Peter Paul Rubens. The Congregation rejected his first altarpiece because it too specifically identified Filippo Neri as a cult figure to be venerated (before his actual canonization) and thus was caught up in the politics of cult formation and the papacy's desire to control such pre-canonization cults. The book demonstrates that Rubens' second altarpiece, although less overtly depicting Neri as a saint, was if anything more radical in the claims it made for him. It offers the first comparative study of Jesuit and Oratorian images of their respective would-be saints, and the controversy they ignited across Church hierarchies. It is also the first work to examine provocative Philippine imagery and demonstrate how its bold promotion specifically triggered the first wave of curial censure in 1602.
588 0 $aPrint version record.
505 8 $a7576; 77; 78; 79; 80; 81; 82; 83; 84; 85; 86; 87; 88; 89; 90; 91; 92; 93; 94; 95; 96; 97; 98; 99; 100; 101; 102; 103; 104; 105; 106; 107; 108; 109; 110; 111; 112; 113; 114; 115; 116; 117; 118; 119; 120; 121; 122; 123; 124; 125; 126; 127; 128; 129; 130; 131; 132; 133; 134; 135; 136; 137; 138; 139; 140; 141; 142; 143; 144; 145; 146; 147; 148; 149; 150; 151; 152; 153; 154; 155; 156; 157; 158; 159; 160; 161; 162; 163; 164; 165; 166; 167; 168; 169; 170; 171; 172; 173; 174; 175; 176; 177; 178; 179; 180; 181; 182; 183; 184; 185; 186; 187; 188; 189; 190; 191; 192; 193; 194; 195; 196; 197; 198; 199.
505 8 $a200201; 202; 203; 204; 205; 206; 207; 208; 209; 210; 211; 212; 213; 214; 215; 216; 217; 218; 219; 220; 221; 222; 223; 224; 225; 226; 227; 228; 229; 230; 231; 232; 233; 234; 235; 236; 237; 238; 239; 240; 241; 242; 243; 244; 245; 246; 247; 248; 249; 250; 251; 252; 253; 254; 255; 256; 257; 258; 259; 260; 261; 262; 263; 264; 265; 266; 267; 268; 269; 270; 271; 272; 273; 274; 275; 276; 277; 278; 279; 280; 281; 282; 283; 284; 285; 286; 287; 288; 289; 290; 291; 292; 293; 294; 295; 296; 297; 298; 299; 301; 302; 303; 304; 305; 306; 307; 308; 309; 310; 311; 312; 313; 314; 315; 316; 317; 318; 319; 320.
505 8 $a321322; 323; 324; 325; 326; 327; 328; 329; 330; 331; 332; 333; 334; 335; 336; 337; 338; 339; 340; 341; 342; 343; 344; 345; 346; 347; 348.
600 10 $aRubens, Peter Paul,$d1577-1640$xCriticism and interpretation.
610 20 $aCatholic Church$xHistory$y17th century.
610 20 $aOratorians.
610 20 $aSanta Maria in Vallicella (Church : Rome, Italy)
600 10 $aNeri, Filippo,$cSaint,$d1515-1595$xCult.
600 17 $aNeri, Filippo,$cSaint,$d1515-1595.$2fast$0(OCoLC)fst00019651
600 17 $aRubens, Peter Paul,$d1577-1640.$2fast$0(OCoLC)fst01759948
610 27 $aCatholic Church.$2fast$0(OCoLC)fst00531720
610 27 $aOratorians.$2fast$0(OCoLC)fst00589370
610 27 $aSanta Maria in Vallicella (Church : Rome, Italy)$2fast$0(OCoLC)fst00610397
650 0 $aCounter-Reformation and art.
650 0 $aChristian art and symbolism.
650 0 $aAltarpieces$zItaly$zRome.
650 0 $aCounter-Reformation.
650 0 $aSaints$xCult$y17th century.
650 7 $aRELIGION$xChristian Theology$xSystematic.$2bisacsh
650 7 $aRELIGION$xChristianity$xGeneral.$2bisacsh
650 7 $aART$xHistory$xGeneral.$2bisacsh
650 7 $aAltarpieces.$2fast$0(OCoLC)fst00806047
650 7 $aChristian art and symbolism.$2fast$0(OCoLC)fst00858904
650 7 $aCounter-Reformation.$2fast$0(OCoLC)fst00881307
650 7 $aCounter-Reformation and art.$2fast$0(OCoLC)fst01938331
650 7 $aCults.$2fast$0(OCoLC)fst00884980
650 7 $aSaints$xCult.$2fast$0(OCoLC)fst01103663
651 7 $aItaly$zRome.$2fast$0(OCoLC)fst01204500
648 7 $a1600-1699$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aNoyes, Ruth S.$tPeter Paul Rubens and the Counter-Reformation crisis of the Beati Moderni.$dBasingstoke : Taylor & Francis Ltd 2017$z9781472484796$w(OCoLC)972057252
830 0 $aSanctity in global perspective.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15126220$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS