| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:237896891:4132 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:237896891:4132?format=raw |
LEADER: 04132cam a2200685Mi 4500
001 15127141
005 20220326232321.0
006 m o d
007 cr |n|||||||||
008 170404t20182018nyug ob 001 0deng d
035 $a(OCoLC)on1007846401
035 $a(NNC)15127141
040 $aIDEBK$beng$erda$epn$cIDEBK$dOCLCF$dOCLCO$dOCLCQ$dOCLCO$dOCLCA$dU3W$dTYFRS$dAU@$dOCLCQ$dOCLCO$dZCU$dVHC$dOCLCO
019 $a1303506104
020 $a1351984160$q(ebk)
020 $a9781351984164
020 $z1138281476
020 $z1351984144
020 $z1351984152
020 $z1315271133
020 $a9781315271132
020 $a1315271133
020 $a9781351984157
020 $a1351984152
024 7 $a10.4324/9781315271132$2doi
035 $a(OCoLC)1007846401$z(OCoLC)1303506104
037 $a1028014$bMIL
043 $ae-uk---$ae-ie---
050 4 $aPR5057$b.T48 2018eb
082 04 $a821/.709145$223
049 $aZCUA
100 1 $aMcCleave, Sarah Yuill,$d1963-
245 10 $aThomas Moore and Romantic Inspiration /$cedited by Sarah McCleave and Brian G. Caraher.
264 1 $aNew York :$bRoutledge, Taylor & Francis Group,$c2018.
264 4 $cß2018
300 $a1 online resource (x, 279 pages) :$bmusic
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aPoetry and song in the age of revolution ;$v7
504 $aIncludes bibliographical references (pages 253-170) and index.
588 0 $aPrint version record.
505 00 $tChapter Introduction: Thomas Moore and Romantic Inspiration Reassessed: Enlightened Tolerance and Interdisciplinary Poetics BR IANG. CARAH ER AND SA RAH McCL E AV E --$tpart PART I Moore's Literary and Musical Inspirations --$tchapter 1 The Imagined Unities of Thomas Moore /$rHAR RY WHITE --$tchapter 2 Amongst Women: Thomas Moore and Classical Inspiration JA N E MOOR E --$tchapter 3 Moore's Romantic Neoclassicism E DWA RDLARR ISSY --$tchapter 4 Moore, Stevenson, Bishop, and the Powers: A Series of Complex Relationships /$rU NA HUNT --$tpart PART II Moore's Melodies, Airs, and Songs in Performative Contexts --$tchapter 5 2Give them life by singing them about3: Moore's Musical Performances in the English Drawing Room JOA NNE BU R NS --$tchapter 6 Problematizing Primitivism: Contesting Antiquarianism in Moore's Irish Melodies /$rSH EILA ROON EY --$tchapter 7 2All her lovely companions are faded and gone3: How 2The Last Rose of Summer3 Became Europe's /$rFavourite Irish Melody --$tchapter 8 2Those half creatures of Plato3: The Musical Inspiration behind Moore's Sacred Songs and National Airs M A RY LOU ISE O'DON N ELL --$tpart PART III Moore's Political Inspirations and Moore's Poetry in Political Contexts --$tchapter 9 Anacreon Moore and the Prince of Pleasure: George IV as Satiric Inspiration --$tchapter 10 Moore's Oriental Artifice: Mughal History, Irish Antiquarianism, and Romance in Lalla Rookh --$tchapter 11 The 2dull lapse of hopeless slavery3: European and Irish Politics in Moore's Fables for the Holy Alliance, Rhymes on the Road, &c. & c --$tchapter 12 Grief Mingled with Execrations: Thomas Moore and the Death of Richard Brinsley Sheridan /$rROBERT W. JON E S.
600 10 $aMoore, Thomas,$d1779-1852$xCriticism and interpretation.
600 17 $aMoore, Thomas,$d1779-1852.$2fast$0(OCoLC)fst00035614
650 0 $aRomanticism$zGreat Britain.
650 0 $aRomanticism$zIreland.
650 6 $aRomantisme$zGrande-Bretagne.
650 6 $aRomantisme$zIrlande.
650 7 $aRomanticism.$2fast$0(OCoLC)fst01100133
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
651 7 $aIreland.$2fast$0(OCoLC)fst01205427
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aCaraher, Brian.
776 08 $iPrint version:$z9781351984164
830 0 $aPoetry and song in the age of revolution ;$v7.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15127141$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS