MARC Record from marc_columbia

LEADER: 03757cam a2200649 i 4500
001 15127218
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006 m o d
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008 171102t20182018enkaf ob 001 0 eng d
035 $a(OCoLC)on1008963045
035 $a(NNC)15127218
040 $aN$T$beng$erda$epn$cN$T$dOCLCF$dCRU$dIDEBK$dCNCGM$dOCLCQ$dOSU$dUAB$dK6U$dOCLCO$dOCLCQ
019 $a1009069442$a1029888618$a1031927300$a1035446332$a1243341741$a1246718007$a1252640931
020 $a9781315317489$q(electronic bk.)
020 $a9781315317496$q(electronic bk.)
020 $a9781315317502$q(electronic bk.)
020 $a1315317508$q(electronic bk.)
020 $a1315317486$q(electronic bk.)
020 $a1315317494$q(electronic bk.)
020 $z9781138230668$q(hardcover)
020 $z1138230669$q(hardcover)
020 $z9781315317472$q(paperback)
020 $z1315317478$q(paperback)
020 $z1315317508$q(print)
035 $a(OCoLC)1008963045$z(OCoLC)1009069442$z(OCoLC)1029888618$z(OCoLC)1031927300$z(OCoLC)1035446332$z(OCoLC)1243341741$z(OCoLC)1246718007$z(OCoLC)1252640931
037 $a1044871$bMIL
050 4 $aPN1995$b.B7185 2018
072 7 $aART$x060000$2bisacsh
072 7 $aART$x025000$2bisacsh
082 04 $a700$222
049 $aZCUA
100 1 $aBranigan, Edward,$d1945-$eauthor.
245 10 $aTracking color in cinema and art :$bphilosophy and aesthetics /$cEdward Branigan.
264 1 $aNew York :$bRoutledge, Taylor & Francis Group,$c2018.
264 4 $c©2018
300 $a1 online resource (xxxi, 343 pages, 16 unnumbered pages of plates) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and indexes.
520 8 $aColor is one of cinema's most alluring formal systems, building on a range of artistic traditions that orchestrate visual cues to tell stories, stage ideas, and elicit feelings. But what if color is not-or not only-a formal system, but instead a linguistic effect, emerging from the slipstream of our talk and embodiment in a world? This book develops a compelling framework from which to understand the mobility of color in art and mind, where color impressions are seen through, and even governed by, patterns of ordinary language use, schemata, memories, and narrative. Edward Branigan draws on the work of Ludwig Wittgenstein and other philosophers who struggle valiantly with problems of color aesthetics, contemporary theories of film and narrative, and art-historical models of analysis. Examples of a variety of media, from American pop art to contemporary European cinema, illustrate a theory based on a spectator's present-time tracking of temporal patterns that are firmly entwined with language use and social intelligence.
588 0 $aPrint version record.
650 0 $aMotion pictures$xPhilosophy.
650 0 $aMotion pictures$xAesthetics.
650 0 $aColors in motion pictures.
650 0 $aColor in art.
650 7 $aART$xPerformance.$2bisacsh
650 7 $aART$xReference.$2bisacsh
650 7 $aColor in art.$2fast$0(OCoLC)fst00868563
650 7 $aColors in motion pictures.$2fast$0(OCoLC)fst01902853
650 7 $aMotion pictures$xAesthetics.$2fast$0(OCoLC)fst01027288
650 7 $aMotion pictures$xPhilosophy.$2fast$0(OCoLC)fst01027348
655 4 $aElectronic books.
776 08 $iPrint version:$aBranigan, Edward, 1945-$tTracking color in cinema and art.$dNew York : Routledge, Taylor & Francis Group, 2018$z9781138230668$w(OCoLC)1004738575
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15127218$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS