MARC Record from marc_columbia

LEADER: 03746cam a2200625 i 4500
001 15127831
005 20220528233318.0
006 m o d
007 cr cnu|||unuuu
008 171205s2017 enka ob 001 0 eng d
035 $a(OCoLC)on1013927629
035 $a(NNC)15127831
040 $aN$T$beng$erda$epn$cN$T$dN$T$dNLE$dOCLCF$dORU$dIDEBK$dOCLCQ$dOCLCO$dUKMGB$dUKAHL$dK6U$dOCLCO$dOCLCQ$dOCLCO
015 $aGBB7O4056$2bnb
016 7 $a018642650$2Uk
020 $a9781351194815$q(electronic bk.)
020 $a135119481X$q(electronic bk.)
020 $a9781351194822$q(electronic bk.)
020 $a1351194828$q(electronic bk.)
020 $z9781905981892$q(hbk.)
035 $a(OCoLC)1013927629
037 $a9781351194815$bIngram Content Group
043 $ae-uk---
050 4 $aNA2599.8.S86
072 7 $aART$x060000$2bisacsh
072 7 $aART$x025000$2bisacsh
082 04 $a700.92$222
049 $aZCUA
100 1 $aKite, Stephen,$eauthor.
245 10 $aAdrian Stokes :$ban architectonic eye : critical writings on art and architecture /$cStephen Kite.
264 1 $aMilton Park, Abingdon, Oxon :$bLegenda, imprint of Modern Humanities Research Association and Routledge,$c[2009]
300 $a1 online resource (xiii, 235 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"Adrian Stokes (1902-72) - aesthete, critic, painter and poet - is among the most original and creative writers on art of the twentieth century. He was the author of over twenty critical books and numerous papers: for example, the remarkable series of books published in the 1930s; The Quattro Cento (1932), Stones of Rimini (1934), and Colour and Form (1937) that embraced Mediterranean culture and modernity. His criticism extends the evocative English aesthetic tradition of Walter Pater and John Ruskin into the present, endowed by a stern sensibility to the consolations offered by art and architecture, and the insights that psychoanalysis affords. Indeed, for Stokes architecture provides the entree into art, and this book is the first study to comprehensively examine Stokess theory of art from a specifically architectonic perspective. The volume explores the crucial experiences through which this architectonic awareness evolved; traces the influence upon Stokes of places, texts and personalities, and examines how his theory of art developed and matured. The argument is supported by appropriate illustrations to confirm the evidence that Stokes's claim for architecture as mother of the arts carries the deepest experiential and psychological import."--Provided by publisher
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed December 11, 2017).
600 10 $aStokes, Adrian,$d1902-1972.
600 17 $aStokes, Adrian,$d1902-1972.$2fast$0(OCoLC)fst01733311
650 0 $aArchitectural criticism$zGreat Britain.
650 0 $aArt critics$zGreat Britain.
650 0 $aArt and architecture.
650 6 $aCritique d'architecture$zGrande-Bretagne.
650 6 $aCritiques d'art$zGrande-Bretagne.
650 6 $aArt et architecture.
650 7 $aART$xPerformance.$2bisacsh
650 7 $aART$xReference.$2bisacsh
650 7 $aArchitectural criticism.$2fast$0(OCoLC)fst00813179
650 7 $aArt and architecture.$2fast$0(OCoLC)fst01738998
650 7 $aArt critics.$2fast$0(OCoLC)fst00815508
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
655 4 $aElectronic books.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15127831$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS