MARC Record from marc_columbia

LEADER: 04200cam a2200697 i 4500
001 15127885
005 20220703233948.0
006 m o d
007 cr cnu|||unuuu
008 171205s2007 enka ob 001 0 eng d
035 $a(OCoLC)on1013927857
035 $a(NNC)15127885
040 $aN$T$beng$erda$epn$cN$T$dN$T$dNLE$dYDX$dOCLCF$dIDEBK$dOCLCQ$dOCLCO$dOCLCQ$dOCLCO$dUKAHL$dK6U$dOCLCQ$dSFB$dOCLCQ$dOCLCO
019 $a1013935639$a1260356032
020 $a9781351195454$q(electronic bk.)
020 $a135119545X$q(electronic bk.)
020 $a9781351195461
020 $a1351195468
020 $a9781351195478$q(electronic bk.)
020 $a1351195476$q(electronic bk.)
020 $z9781905981069
020 $z1905981066
035 $a(OCoLC)1013927857$z(OCoLC)1013935639$z(OCoLC)1260356032
037 $a9781351195454$bIngram Content Group
050 4 $aPQ2184.A7
072 7 $aLIT$x004150$2bisacsh
082 04 $a843.7$223
084 $aIG 5305$2rvk
049 $aZCUA
100 1 $aKnight, Diana,$eauthor.
245 10 $aBalzac and the model of painting :$bartist stories in "La Comédie humaine" /$cDiana Knight.
264 1 $aAbingdon, Oxon :$bLegenda,$c2007.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aResearch monographs in French studies ;$v24
504 $aIncludes bibliographical references and index.
588 0 $aVendor-supplied metadata.
505 00 $gpt. I.$tFrom Sculpture to Painting --$g1.$tS/Z, Sarrasine and Le Chef-d'oeuvre inconnu --$gpt. II.$tFrom Painting to Marriage --$g2.$tLa Bourse --$g3.$tLa Vendetta --$g4.$tMa Maison du chat-qui-pelote --$gpt. III.$tFrom Model to Artist --$g5.$tLa Robouilleuse --$g6.$tThe Joseph Bridau Cycle.
520 1 $a"Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Commedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism. In a series of close readings, Diana Knight explores Barthes's 'model of painting' - the metaphorical code of painting and sculpture that underpins realist discourse - in the context of Balzac's fictional representations of the relation between artists, their models and their works of art. Whereas critics have tended to denounce Balzac's realist aesthetic as complicit with the misogyny of the society he portrays, Balzac and the Model of Painting takes the artist-model relationship, variously gendered in these stories, as the focus of the author's powerful realist critique of the sexual politics of prostitution and marriage in nineteenth-century France."--Jacket
600 10 $aBalzac, Honoré de,$d1799-1850.$tComédie humaine.
600 10 $aBalzac, Honoré de,$d1799-1850$xCriticism and interpretation.
600 17 $aBalzac, Honoré de,$d1799-1850.$2fast$0(OCoLC)fst00038270
630 07 $aComédie humaine (Balzac, Honoré de)$2fast$0(OCoLC)fst01356421
650 0 $aPainting in literature.
650 0 $aArt in literature.
650 0 $aMan-woman relationships in literature.
650 6 $aPeinture dans la littérature.
650 6 $aArt dans la littérature.
650 6 $aRelations entre hommes et femmes dans la littérature.
650 7 $aLITERARY CRITICISM$xEuropean$xFrench.$2bisacsh
650 7 $aArt in literature.$2fast$0(OCoLC)fst00815566
650 7 $aMan-woman relationships in literature.$2fast$0(OCoLC)fst01007097
650 7 $aPainting in literature.$2fast$0(OCoLC)fst01050636
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aKnight, Diana.$tBalzac and the model of painting.$dAbingdon, Oxon : Legenda, 2007$z9781905981069$z1905981066$w(DLC) 2008411202$w(OCoLC)86168415
830 0 $aResearch monographs in French studies ;$v24.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15127885$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS