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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:240593438:3292
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:240593438:3292?format=raw

LEADER: 03292cam a2200565 i 4500
001 15127896
005 20220212231533.0
006 m o d
007 cr cnu|||unuuu
008 171205s2017 enk ob 001 0 eng d
035 $a(OCoLC)on1013927876
035 $a(NNC)15127896
040 $aN$T$beng$erda$epn$cN$T$dN$T$dNLE$dOCLCQ$dOCLCO$dUKMGB$dK6U$dOCLCO$dOCLCQ
015 $aGBB7O4025$2bnb
016 7 $a018642617$2Uk
020 $a9781351193498$q(electronic bk.)
020 $a135119349X$q(electronic bk.)
020 $z9781906540814
035 $a(OCoLC)1013927876
037 $a9781351193498$bIngram Content Group
050 4 $aPN865$b.B76 2017eb
072 7 $aBIO$x007000$2bisacsh
082 04 $a809.3$223
049 $aZCUA
100 1 $aBrown, Catherine$c(Lecturer),$eauthor.
245 14 $aThe art of comparison :$bhow novels and critics compare /$cCatherine Brown.
264 1 $a[Abingdon, Oxon] :$b[Routledge],$c[2017]
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aStudies in comparative literature ;$v23
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed December 12, 2017).
500 $aOriginally published in 2011 by Legenda.
504 $aIncludes bibliographical references and index.
520 $aComparison underlies all reading. Readers compare words to words, and books to all the other books which they have read. Some books, however, demand a particular comparative effort - for example, novels which contain parallel plot lines. In this ambitious and important study Catherine Brown compares Daniel Deronda with Anna Karenina and Women in Love in order to answer the following questions: why does one protagonist in each novel fail whilst another succeeds? Can their failure and success be understood on the same terms? How do the novels' uses of comparison compare to each other? How relevant is George Eliot's influence on Lev Tolstoi, and Tolstoi's on D.H. Lawrence? Does Tolstoi being a Russian make this a 'comparative' literary study? And what does the 'comparative' in 'comparative literature' actually mean? Criticism is combined with metacriticism, to explore how novels and critics compare.
505 0 $a1. Introduction: what is comparative literature? -- 2. Daniel Deronda -- 3. Anna Karenina -- 4. Women in love -- 5. Conclusion: how literature was compared.
600 10 $aEliot, George,$d1819-1880.$tDaniel Deronda.
600 10 $aTolstoy, Leo,$cgraf,$d1828-1910.$tAnna Karenina.
600 10 $aLawrence, D. H.$q(David Herbert),$d1885-1930.$tWomen in love.
630 07 $aAnna Karenina (Tolstoy, Leo, graf)$2fast$0(OCoLC)fst01360093
630 07 $aDaniel Deronda (Eliot, George)$2fast$0(OCoLC)fst01356596
630 07 $aWomen in love (Lawrence, D.H.)$2fast$0(OCoLC)fst01356375
650 0 $aComparative literature.
650 7 $aBIOGRAPHY & AUTOBIOGRAPHY$xLiterary.$2bisacsh
650 7 $aComparative literature.$2fast$0(OCoLC)fst01734553
655 4 $aElectronic books.
830 0 $aStudies in comparative literature (Oxford, England) ;$v23.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15127896$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS