MARC Record from marc_columbia

LEADER: 04063cam a2200637 i 4500
001 15128350
005 20220604234257.0
006 m o d
007 cr |n|||||||||
008 171222s2017 enk ob 001 0 eng d
035 $a(OCoLC)on1016046020
035 $a(NNC)15128350
040 $aYDX$beng$erda$epn$cYDX$dN$T$dOCLCF$dU3W$dSNM$dTYFRS$dAU@$dOCL$dOCLCQ$dOCLCO$dK6U$dOCLCO
020 $a9781315203546$q(electronic bk.)
020 $a1315203545$q(electronic bk.)
020 $z1138702757
020 $z9781138702752
035 $a(OCoLC)1016046020
043 $ae-uk-en
050 4 $aN7483$b.R8 2018
072 7 $aART$x015000$2bisacsh
082 04 $a709/.2$223
049 $aZCUA
245 00 $aRuskin's artists :$bstudies in the Victorian visual economy : papers from the Ruskin programme, Lancaster University /$cedited by Robert Hewison.
264 1 $aLondon :$bRoutledge, Taylor & Francis Group,$c[2018]
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge revivals
504 $aIncludes bibliographical references and index.
520 $a"This was first published in 2000: A study of John Ruskin's engagement with art and architecture as a critic, a patron and a teacher. It offers insights into both his writings and the visual economy of the Victorian world. Each essay examines Ruskin's relationship with an individual artist or a distinct aspect of art practice. J.M.W. Turner, D.G. Rossetti, W. Holman Hunt and E. Burne-Jones are among those artists discussed whose personal relationships with Ruskin affected his critical writing. Ruskin's attitude to women artists and his approach to the teaching of art are given special attention."--Provided by publisher
505 0 $aChapter Introduction Father and son: the Ruskin family art collection -- chapter 1 'Candid and earnest': the rise of the art critic in the early nineteenth century -- chapter 2 The 'dark clue' and the Law of Help: Ruskin, Turner, and the Liber Studiorum -- chapter 3 Ruskin and the Gothic Revival: his research on Venetian architecture -- chapter 4 Ruskin and Millais at Glenfinlas -- chapter 5 Pre-Raphaelite intimacy: Ruskin and Rossetti -- chapter 6 The Light of the World as 'true sacred art': Ruskin and William Holman Hunt -- chapter 7 'Archangel' Veronese: Ruskin as Protestant spectator -- chapter 8 'According to the requirements of his scholars': Ruskin, drawing and art education -- chapter 9 The 'woman question': Ruskin and the female artist -- chapter 10 Ruskin and the Pre-Raphaelite imagination in the 1870s: art, politics and the female body -- chapter 11 Painter and Professor: the response of Albert Goodwin to the aesthetics of John Ruskin -- chapter 12 The critic as autobiographer: Ruskin and his artists.
600 10 $aRuskin, John,$d1819-1900$xArt patronage.
600 17 $aRuskin, John,$d1819-1900.$2fast$0(OCoLC)fst00030222
650 0 $aArt patronage$zEngland$xHistory$y19th century.
650 0 $aArt critics$zEngland$vBiography.
650 0 $aArt, Victorian$zEngland.
650 6 $aMécénat$zAngleterre$xHistoire$y19e siècle.
650 6 $aCritiques d'art$zAngleterre$vBiographies.
650 6 $aArt victorien$zAngleterre.
650 7 $aART$xHistory$xGeneral.$2bisacsh
650 7 $aArt critics.$2fast$0(OCoLC)fst00815508
650 7 $aArt patronage.$2fast$0(OCoLC)fst00815756
650 7 $aArt, Victorian.$2fast$0(OCoLC)fst00817001
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
648 7 $a1800-1899$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aHewison, Robert,$d1943-$eeditor.
776 08 $iPrint version:$z1138702757$z9781138702752$w(OCoLC)962007991
830 0 $aRoutledge revivals.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15128350$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS