MARC Record from marc_columbia

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035 $a(NNC)15131951
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019 $a1023836899$a1032705183$a1035433635$a1042397091$a1048763693$a1097108801
020 $a9781317426561$q(electronic book)
020 $a1317426568$q(electronic book)
020 $a9781315690254$q(electronic book)
020 $a131569025X$q(electronic book)
020 $a9781317426554$q(electronic book)
020 $a131742655X$q(electronic book)
020 $a9781317426547$q(electronic book)
020 $a1317426541$q(electronic book)
020 $z9781138915404$q(hardcover)
020 $z1138915408$q(hardcover)
035 $a(OCoLC)1032674639$z(OCoLC)1023836899$z(OCoLC)1032705183$z(OCoLC)1035433635$z(OCoLC)1042397091$z(OCoLC)1048763693$z(OCoLC)1097108801
037 $a9781317426554$bIngram Content Group
050 4 $aPN171.A33$bR68 2018eb
072 7 $aBIO$x007000$2bisacsh
082 04 $a809$223
049 $aZCUA
245 04 $aThe Routledge companion to adaptation /$cedited by Dennis Cutchins, Katja Krebs and Eckart Voigts.
250 $a1st edition.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge, Taylor & Francis Group,$c2018.
264 4 $c©2018
300 $a1 online resource (xvi, 406 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge companions
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction to the Companion /$rDennis Cutchins --$tPart I: Mapping the field /$rKatja Krebs --$tPause, rewind, replay: adaptation, intertextuality and (re)defining adaptation studies /$rSarah Cardwell --$tThe theory of BADaptation /$rKamilla Elliott --$tAdaptation and the concept of the original /$rRainer Emig --$tAn evolutionary view of cultural adaptation: some considerations /$rPatrick Cattrysse --$tPart II: Historiography /$rKatja Krebs --$tTowards a historical turn?: adaptation studies and the challenges of history /$rGregory Semenza --$tNot just the facts: adaptation, illustration, and history /$rThomas Leitch --$tDialogism's radical texts, and the death of the radical vanguard critic /$rRobert Geal --$tAdaptations and the media /$rKyle Meikle --$tLiterary biopics: adaptation as historiographic metafiction /$rElaine Indrusiak and Ana Iris Ramgrab --$tNotoriously bad: early film-to-video game adaptations (1982-1994) /$rRiccardo Fassone --$tRosas: appropriation as afterlife /$rJohan Callens --$tAdaptations, culture-texts and the literary canon: on the making of nineteenth-century 'classics' /$rLissette Lopez Szwydky --$tPart III: Identity /$rEckart Voigts --$tQueer adaptation /$rPamela Demory --$tFidelity, medium specificity, (in)determinacy: identities that matter /$rShannon Brownlee --$tThe critic-as-adapter /$rJosh Sabey and Keith Lawrence --$tAdaptation's originality problem: "grappling with the thorny questions of what constitutes originality" /$rGlenn Jellenik --$tMigration, symbolic geography, and contrapuntal identities: when death comes to Pemberley /$rCarol Poole and Ruxandra Trandafoiu --$tAdapting identities: performing the self /$rKatja Krebs --$tAdaptations down under: reading national identity through the lens of adaptation studies /$rClaire McCarthy --$tAdaptation and the Australian film revival /$rBrian McFarlane --$tPart IV: Reception /$rDennis Cutchins --$tEmbodying change: adaptation, the senses, and media revolution /$rAmanda Ruud --$tGreat voices speak alike: Orson Welles's radio adaptation of Victor Hugo's Les Misérables /$rBradley Stephens --$tLux presents Hollywood: films on the radio during the 'golden age' of broadcasting /$rSuzanne Speidel --$tReconfiguring the Nordic Noir brand: Nordic Noir TV crime drama as remake /$rYvonne Griggs --$tTweeting from the grave: Shakespeare, adaptation, and social media /$rAnna Blackwell --$tAdaptation, fidelity and reception /$rDennis Cutchins and Kathryn Meeks --$tPart V: Technology /$rEckart Voigts --$tAdaptation from the temporal to the spatial: materializing Dickens's imaginings /$rJoyce Goggin --$tAn art of borrowing: the inter medial sources of adaptation /$rAndré Gaudreault and Philippe Marion --$tBlurring the lines: adaptiality, intermediality and screened performance /$rBernadette Cochrane --$tSidewalk stories: re-sounding silent film /$rJulie Grossman --$tAdaptation as a function of technology and its role in the definition of medium specificity /$rMalcolm Cook and Max Sexton --$tSound stories: audio drama and adaptation /$rRichard J. Hand --$tAdaptation and new media: establishing the video game as an adaptive medium /$rDawn Stobbart --$tMemes, GIFs, and remix culture: compact appropriation in everyday digital life /$rEckart Voigts.
520 $a"The Routledge Companion to Adaptation offers a broad range of scholarship from this growing, interdisciplinary field. With a basis in source-oriented studies, such as novel-to-stage and stage-to-film adaptations, this volume also seeks to highlight the new and innovative aspects of adaptation studies, ranging from theatre and dance to radio, television and new media."--Provided by publisher.
588 0 $aOnline resource; title from digital title page (viewed September 9, 2019).
650 0 $aLiterature$xAdaptations$xHistory and criticism.
650 0 $aFilm adaptations$xHistory and criticism.
650 7 $aBIOGRAPHY & AUTOBIOGRAPHY$xLiterary.$2bisacsh
650 7 $aFilm adaptations.$2fast$0(OCoLC)fst00924250
650 7 $aLiterature$xAdaptations.$2fast$0(OCoLC)fst00999955
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 4 $aElectronic books.
700 1 $aCutchins, Dennis R.$q(Dennis Ray),$d1963-$eeditor.
700 1 $aKrebs, Katja,$eeditor.
700 1 $aVoigts-Virchow, Eckart,$eeditor.
776 08 $iPrint version:$tRoutledge companion to adaptation.$dAbingdon, Oxon ; New York, NY : Routledge, 2018$z9781138915404$w(DLC) 2017050768$w(OCoLC)964378970
830 0 $aRoutledge companions.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15131951$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS