MARC Record from marc_columbia

LEADER: 04286cam a2200685 i 4500
001 15133514
005 20220326232725.0
006 m o d
007 cr cnu|||unuuu
008 180716s2018 xx ob 001 0 eng d
035 $a(OCoLC)on1044733724
035 $a(NNC)15133514
040 $aN$T$beng$erda$epn$cN$T$dN$T$dYDX$dEBLCP$dOCLCF$dNLE$dUKMGB$dWYU$dOTZ$dTYFRS$dAU@$dUKAHL$dOCLCQ$dZCU$dOCLCA$dOCLCQ$dOCLCO
015 $aGBB8B3425$2bnb
016 7 $a018916027$2Uk
020 $a9781351033046$q(electronic bk.)
020 $a1351033042$q(electronic bk.)
020 $a9781351033053
020 $a1351033050
020 $a9781351033039
020 $a1351033034
020 $a9781351033060
020 $a1351033069
020 $z9781138491441
020 $z9780815367482
024 7 $a10.4324/9781351033060$2doi
035 $a(OCoLC)1044733724
037 $a9781351033046$bIngram Content Group
050 4 $aTK7881.4
072 7 $aTEC$x009070$2bisacsh
072 7 $aUYU$2bicscc
082 04 $a621.3893$223
049 $aZCUA
100 1 $aSlaton, Shannon,$eauthor.
245 10 $aMixing a Musical :$bBroadway Theatrical Sound Techniques /$cShannon Slaton.
250 $aSecond edition.
264 1 $a[Place of publication not identified] :$bRoutledge,$c2018.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed July 17, 2018).
505 0 $aCover; Title; Copyright; Dedication; Contents; Introduction-Why the Bleep Am I Writing This?; Foreword; Preface; Part I The Career Path; Chapter 1 What Does It Mean to be a Theatrical Mixer?; Chapter 2 History of Theatrical Sound; Chapter 3 Different Positions in Theatrical Sound; Chapter 4 Different Levels of Theatrical Sound; Part II The Prep; Chapter 5 Design Team's Job; Chapter 6 Mixer's Job; Chapter 7 The Shop; Chapter 8 Build Schedule; Chapter 9 Build Techniques; Part III The Take-In or Load-In; Chapter 10 Design Team's Job; Chapter 11 Mixer's Job; Chapter 12 Unions
505 8 $aChapter 13 The SchedulePart IV Tech; Chapter 14 Tony Meola on Mixing; Chapter 15 Design Team's Job; Chapter 16 Mixer's Job; Chapter 17 A2's Job (Mic'ing Techniques); Chapter 18 Troubleshooting; Chapter 19 Mixing the Musical; Chapter 20 My Advice to Mixers; Chapter 21 Tips from the Pros; Chapter 22 Suggested Projects for Mixers; Epilogue; Index
504 $aIncludes bibliographical references and index.
520 3 $aMixing a Musical: Broadway Theatrical Sound Techniques, Second Edition pulls the curtain back on one of the least understood careers in live theatre: the role and responsibilities of the sound technician. This comprehensive book encompasses every position from shop crew labor to assistant designer to sound board operator and everything in between. Written in a clear and easy to read style, and illustrated with real-world examples of personal experience and professional interviews, Slaton shows you how to mix live theatre shows from the basics of equipment andset ups, using sound levels to creating atmosphere, emotion and tension to ensure a first rate performance every time. This new edition gives special attention to mixing techniques and practices. And, special features of the book include interviews with some of today's most successful mixers and designers.
650 0 $aTheaters$xElectronic sound control.
650 0 $aAuditoriums$xElectronic sound control.
650 0 $aSound$xRecording and reproducing.
650 6 $aThéâtres$xCommande électronique du son.
650 6 $aSalles publiques$xCommande électronique du son.
650 6 $aSon$xEnregistrement et reproduction.
650 7 $aTECHNOLOGY & ENGINEERING$xMechanical.$2bisacsh
650 7 $aAuditoriums$xElectronic sound control.$2fast$0(OCoLC)fst00821239
650 7 $aSound$xRecording and reproducing.$2fast$0(OCoLC)fst01126957
650 7 $aTheaters$xElectronic sound control.$2fast$0(OCoLC)fst01149379
655 4 $aElectronic books.
776 08 $iPrint version :$z9780815367482
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15133514$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS