MARC Record from marc_columbia

LEADER: 06576cam a2200685 i 4500
001 15135012
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008 181004s2019 enk ob 001 0 eng d
035 $a(OCoLC)on1055656494
035 $a(NNC)15135012
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020 $a9781315694832$q(electronic bk.)
020 $a1315694832$q(electronic bk.)
020 $a9781317440765
020 $a1317440765
020 $a9781317440772
020 $a1317440773
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020 $z9781138907959$q(paperback$qalkaline paper)
020 $z1138907952$q(paperback$qalkaline paper)
020 $z9781138907942$q(hardcover$qalkaline paper)
020 $z1138907944$q(hardcover$qalkaline paper)
035 $a(OCoLC)1055656494
037 $a9781317440765$bIngram Content Group
050 4 $aPN1995.2$b.M37 2019eb
072 7 $aPER$x009000$2bisacsh
082 04 $a791.43/658$223
049 $aZCUA
100 1 $aMartin-Jones, David,$eauthor.
245 10 $aCinema against doublethink :$bethical encounters with the lost pasts of world history /$cDavid Martin-Jones.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2019.
300 $a1 online resource (xvi, 242 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRemapping world cinema: regional tensions and global transformations
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 0 $aCover; Half Title; Series Page; Title Page; Copyright Page; Dedication Page; Table of Contents; List of Figures; Acknowledgements; Preface; Introduction: One or many pasts?; Encountering lost pasts; The non-fascist life: Introduction to, or conclusion of?; Denying the denial of coevalness; Encountering other worlds; Cinematic ethics, ecology, colonial modernity; A world of cinemas and the Global South; A meeting of worlds; Notes; Part I: Decolonising entrances to the past; Chapter 1: History/Ethics: Interpreting stories from world history (Enrique Dussel); History on film
505 8 $aWorld systems for a world of cinemasDussel, world systems, colonial modernity; Transmodern ethics; A Dusselian ethics for film-philosophy; Distant viewing history on film with Dussel; History on film as liberation philosophy; A cinematic ethics for the Anthropocene; Notes; Chapter 2: Ethics/History: Hesitating in encountering lost pasts (Gilles Deleuze); The time-image and history I: The crystal history of world memory; The time-image and history II: Hesitation; The time-image and history III: Deleuze's ethics; The time-image and history IV: Taxonomies; Notes
505 8 $aPart II: Encounters with the past that is/is not preservedChapter 3: 4.54 (to 13.7) billion years: Planetary history, the natural contract, encountering earthly pasts; Time-images: Planetary pasts; Transnational history: Planetary -- intertwined human/nonhuman; Encountering the Earth: The natural contract; Darkness: Seeking a (nonhuman) natural contract; Light: Revealing the archived world memory to the Universe; Notes; Chapter 4: 500 years: The North Atlantic trade circuit, the racial contract, encountering others' pasts; Time-images: Others' pasts
505 8 $aTransnational history: The North Atlantic trade circuitEncountering the other: The racial contract; Opsign, off the colonial map; Face to face with Sebiopepe; Crystal, Sixteenth Century colonial/Twenty-First Century neoliberal; Face to face with an anonymous taxi driver; Notes; Part III: Encounters with the present that passes; Chapter 5: 70 years: The Cold War, the social contract, encountering political pasts; Time-images: Political pasts; Transnational history: The Cold War; Encountering the (eradicated) political past: The (suspended) social contract
505 8 $aCrystalline carnival: Encountering the state of exceptionCrystalline Montevideo: Encountering a glimpse of a lost political past; Notes; Chapter 6: 45 years: Neoliberal globalisation, the personal contract, encountering bodily pasts; Time-images: Bodily pasts; Transnational history: Neoliberalism; Encountering embodied pasts: The individual contract (in the control society); The hospital is everywhere/everywhere is the hospital; Exhausted everyday bodies; Everywhere is prison or school/prison and school are everywhere; Community-oriented ceremonial body; Notes
520 3 $aWhen is it OK to lie about the past? If history is a story, then everyone knows that the 'official story' is told by the winners. No matter what we may know about how the past really happened, history is as it is recorded: this is what George Orwell called doublethink. But what happens to all the lost, forgotten, censored, and disappeared pasts of world history? Cinema Against Doublethink uncovers how a world of cinemas acts as a giant archive of these lost pasts, a vast virtual store of the world's memories. The most enchanting and disturbing films of recent years - Uncle Boonmee Who Can Recall his Past Lives, Nostalgia for the Light, Even the Rain, The Act of Killing, Carancho, Lady Vengeance - create ethical encounters with these lost pasts, covering vast swathes of the planet andcrossing huge eras of time. Analysed using the philosophies of Gilles Deleuze (the time-image) and Enrique Dussel (transmodern ethics), the multitudinous cinemas of the world are shown to speak out against doublethink, countering this biggest lie of all with their myriad 'false' versions of world history. Cinema, acting against doublethink, remains a powerful agent for reclaiming the truth of history for the 'post-truth' era.
650 0 $aMotion pictures and history.
650 0 $aMotion pictures$xPhilosophy.
650 6 $aCinéma et histoire.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aMotion pictures and history.$2fast$0(OCoLC)fst01027408
650 7 $aMotion pictures$xPhilosophy.$2fast$0(OCoLC)fst01027348
655 4 $aElectronic books.
776 08 $iPrint version:$aMartin-Jones, David.$tCinema against doublethink.$dNew York : Routledge, 2019$z9781138907942$w(DLC) 2018018292$w(OCoLC)1037284959
830 0 $aRemapping world cinema (Routledge (Firm))
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15135012$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS