MARC Record from marc_columbia

LEADER: 03784cam a2200709 i 4500
001 15135060
005 20220326232949.0
006 m o d
007 cr cnu---unuuu
008 181008s2019 nyu ob 001 0 eng d
035 $a(OCoLC)on1056109800
035 $a(NNC)15135060
040 $aN$T$beng$erda$epn$cN$T$dN$T$dSTF$dYDX$dUKMGB$dOCLCQ$dVLB$dOCLCQ$dK6U$dOCLCO$dSFB$dOCLCQ$dOCLCO
016 7 $a018189472$2Uk
019 $a1056195904
020 $a9781317480051$q(electronic bk.)
020 $a1317480058$q(electronic bk.)
020 $a9781315707501$q(ebook)
020 $a9781317480044
020 $a131748004X
020 $a1315707500
020 $a9781317480037
020 $a1317480031
020 $z9781138900066
020 $z1138900060
020 $z9781138900059
020 $z1138900052
024 7 $a10.4324/9781315707501$2doi
035 $a(OCoLC)1056109800$z(OCoLC)1056195904
037 $a9781317480044$bIngram Content Group
050 4 $aML3790$b.A9 2019eb
072 7 $aMUS$x041000$2bisacsh
082 04 $a781.49$223
049 $aZCUA
245 00 $aAudio mastering :$bthe artists discussions from pre-production to mastering /$cedited by Russ Hepworth-Sawyer and Jay Hodgson.
264 1 $aNew York, NY :$bRoutledge,$c2019.
264 4 $c©2019
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aPerspectives on music production series
504 $aIncludes bibliographical references and index.
505 0 $aNorth America. Gateway mastering : Bob Ludwig & Adam Ayan ; Ellen Fitton ; Randy Merrill ; Bob Katz ; Kevin Gray ; Jonathan Wyner ; Dave Hill ; Bryan Martin ; Alex Krotz ; Alastair Sims -- Europe. Ray Staff ; Denis Blackham ; John Dent ; Barry Grint ; Mandy Parnell ; Darcy Proper ; Nick Watson ; JP Braddock ; Matt Colton ; Nick Cooke ; Paul Baily ; Dr. Phil Harding ; Bruno Fazenda.
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed October 8, 2018).
520 $a"Audio Mastering: The Artists collects more than twenty interviews, drawn from more than 60 hours of discussions, with many of the world's leading mastering engineers. In these exclusive and often intimate interviews, engineers consider the audio mastering process as they, themselves, experience and shape it as the leading artists in their field. Each interview covers how engineers got started in the recording industry, what prompted them to pursue mastering, how they learned about the process, which tools and techniques they routinely use when they work, and a host of other particulars of their crafts. We also spoke with mix engineers, and craftsmen responsible for some of the more iconic mastering tools now on the market, to gain a broader perspective on their work."--Publisher's description
650 0 $aMastering (Sound recordings)
650 0 $aSound engineers$vInterviews.
650 6 $aMatriçage (Enregistrements sonores)
650 6 $aIngénieurs du son$vEntretiens.
650 7 $amastering.$2aat
650 7 $aMUSIC$xInstruction & Study$xTheory.$2bisacsh
650 7 $aMastering (Sound recordings)$2fast$0(OCoLC)fst01894521
650 7 $aSound engineers.$2fast$0(OCoLC)fst01127002
655 4 $aElectronic books.
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
700 1 $aHepworth-Sawyer, Russ,$eeditor.
700 1 $aHodgson, Jay,$eeditor.
776 08 $iPrint version:$tAudio mastering.$dNew York, NY : Routledge, 2019$z1138900052$z9781138900059$w(OCoLC)953426361
830 0 $aPerspectives on music production series.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15135060$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS