MARC Record from marc_columbia

LEADER: 07416cam a2201333Ma 4500
001 15135219
005 20210607144803.0
006 m o d
007 cr cn|||||||||
008 980616s1999 enka ob 001 0 eng d
035 $a(OCoLC)on1057986505
035 $a(NNC)15135219
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020 $a0415066999
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020 $a9781135084400$q(electronic bk.)
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020 $a9780203397190$q(e-book ;$qPDF)
020 $a0203397193
020 $a9781135084479$q(e-book ;$qePub)
020 $a1135084475
020 $a9781135084547$q(e-book ;$qMobi)
020 $a1135084548
024 3 $a9780415067003
024 7 $a10.4324/9780203397190$2doi
035 $a(OCoLC)1057986505$z(OCoLC)842262336$z(OCoLC)862046860$z(OCoLC)957616540$z(OCoLC)1082172943$z(OCoLC)1102559727$z(OCoLC)1113411102$z(OCoLC)1117485425$z(OCoLC)1139887235$z(OCoLC)1140431536$z(OCoLC)1153452291$z(OCoLC)1154467381
041 0 $aeng$alis
050 4 $aN72.F45$bP63 1999
055 8 $aN72 .F45P63 1999$bNEWC
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082 04 $a704.042$223
084 $a20.03$2bcl
084 $aLH 61020$2rvk
084 $aLH 61050$2rvk
049 $aZCUA
100 1 $aPollock, Griselda,$eauthor.
245 10 $aDifferencing the canon :$bfeminist desire and the writing of art's histories /$cGriselda Pollock.
264 1 $aLondon :$bRoutledge,$c1999.
264 1 $aLondon ;$aNew York :$bRoutledge,$c1999.
300 $a1 online resource (xviii, 345 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRe visions.
500 $aIncludes sections on Mary Cassatt, Artemesia Gentileschi, Lubaina Himid.
504 $aIncludes bibliographical references (pages 318-327) and index.
505 0 $aAbout canons and culture wars -- Differencing: feminism's encounter with the canon -- The ambivalence of the maternal body: re/drawing Van Gogh -- Fathers of modern art: mothers of invention: cocking a leg at Toulouse-Lautrec -- The female hero and the making of a feminist canon: Artemisia Gentileschi's representations of Susanna and Judith -- Feminist mythologies and missing mothers: Virginia Woolf, Charlotte Bronte, Artemisia Gentileschi and Cleopatra -- Revenge: Lubaina Himid and the making of new narratives for new histories -- Some letters on feminism, politics and modern art: when Edgar Degas shared a space with Mary Cassatt at the suffrage benefit exhibition, New York 1915 -- A tale of three women: seeing in the dark, seeing double, at least, with Manet.
520 $aIn this book, art historian Griselda Pollock makes a compelling intervention into a debate at the very centre of feminist art history: should the traditional canon of the 'Old Masters' be rejected, replaced or reformed? What 'difference' can feminist 'interventions in art's histories' make? Should we simply reject the all-male succession of 'great artists' in favour of an all-woman litany of artistic heroines? Or should we displace present gender demarcations and allow the ambiguities and complexities of desire to shape our readings of art?
520 8 $aDifferencing the Canon moves between feminist re-readings of the canonical modern masters - Van Gogh, Toulouse-Lautrec and Manet - and the 'canonical' artists of feminist art history, Artemisia Gentileschi and Mary Cassatt. Pollock avoids both an unnuanced critique of masculine canons and an unquestioning celebration of women artists. She draws on psychoanalysis and deconstruction to examine the project of reading for 'inscriptions in the feminine', and asks what the signs of difference might be in art made by an artist who is 'a woman'.
588 0 $aPrint version record.
600 10 $aGogh, Vincent van,$d1853-1890.
600 10 $aManet, Édouard,$d1832-1883.
600 10 $aCassatt, Mary,$d1844-1926.
600 10 $aGentileschi, Artemisia,$dapproximately 1597-approximately 1651.
600 10 $aToulouse-Lautrec, Henri de,$d1864-1901.
600 10 $aGentileschi, Artemisia,$d1593-1652 or 1653.
600 17 $aToulouse-Lautrec, Henri de,$d1864-1901$2fast$0(OCoLC)fst00034495
600 17 $aManet, Édouard,$d1832-1883$2fast$0(OCoLC)fst00034056
600 17 $aGogh, Vincent van,$d1853-1890$2fast$0(OCoLC)fst00032032
600 17 $aGentileschi, Artemisia,$d1593-1652 or 1653$2fast$0(OCoLC)fst01820189
600 17 $aCassatt, Mary,$d1844-1926$2fast$0(OCoLC)fst00029326
600 07 $aJudit.$2gnd
600 07 $aKleopatra$bVII.$cÄgypten, Königin$dv69-v30$2gnd
600 07 $aSusanna$cBiblische Person$2gnd
600 17 $aCassatt, Mary$d1844-1926$2gnd
600 17 $aDegas, Edgar$d1834-1917$2gnd
600 17 $aGentileschi, Artemisia$d1593-1653$2gnd
600 17 $aGentileschi, Artemisia,$dapproximately 1593-1652/53.$tJudith tötet Holofernes.$2gnd
600 17 $aGentileschi, Artemisia,$dapproximately 1593-1652/53.$tLucretia.$2gnd
600 17 $aGentileschi, Artemisia,$dapproximately 1593-1652/53.$tSusanna und die Alten.$2gnd
600 17 $aGogh, Vincent van$d1853-1890$2gnd
600 17 $aManet, Edouard$d1832-1883$2gnd
600 17 $aMorisot, Berthe$d1841-1895$2gnd
600 17 $aToulouse-Lautrec, Henri de$d1864-1901$2gnd
600 17 $aHimid, Lubaina$d1954-$2gnd
600 07 $aKleopatra,$cVII.,$dv69-v30.$2gnd
600 17 $aGentileschi, Artemisia$d1593-1653$tJudith tötet Holofernes$2gnd
600 17 $aGentileschi, Artemisia$d1593-1653$tLucretia$2gnd
600 17 $aGentileschi, Artemisia$d1593-1653$tSusanna und die Alten$2gnd
600 07 $aJudit$cBiblische Person$2gnd
650 0 $aFeminism and art.
650 0 $aWomen art historians$xPsychology.
650 0 $aPsychoanalysis and feminism.
650 6 $aPsychanalyse et féminisme.
650 6 $aChefs-d'œuvre (Art)
650 6 $aFéminisme et art.
650 6 $aHistoriennes d'art$xPsychologie.
650 7 $aART$xSubjects & Themes$xGeneral.$2bisacsh
650 7 $aFeminism and art.$2fast$0(OCoLC)fst00922727
650 7 $aPsychoanalysis and feminism.$2fast$0(OCoLC)fst01081268
650 7 $aWomen art historians$xPsychology.$2fast$0(OCoLC)fst01177150
650 7 $aFeminismus$2gnd
650 7 $aKanon$2gnd
650 7 $aKunst$2gnd
650 7 $aKunstgeschichte.$2gnd
650 7 $aBildnis$2gnd
650 7 $aKunstgeschichte$gFach$2gnd
650 17 $aKunstgeschiedenis (wetenschap)$2gtt
650 17 $aWetenschappelijke technieken.$2gtt
650 17 $aSekseverschillen.$2gtt
650 17 $aFeminisme.$2gtt
655 0 $aElectronic books.
655 4 $aElectronic books.
655 4 $aAufsatzsammlung.
776 1 $z0415066999$z0415067006
830 0 $aRe visions (London, England)
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15135219$zTaylor & Francis eBooks
891 $a.o1197624x
852 8 $blweb$hEBOOKS