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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:267567343:3545
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:267567343:3545?format=raw

LEADER: 03545cam a2200685 a 4500
001 15135420
005 20221022230919.0
006 m o d
007 cr cn|||||||||
008 130213s2013 nyua ob 001 0 eng d
035 $a(OCoLC)on1058879595
035 $a(NNC)15135420
040 $aAU@$beng$epn$cAU@$dOCLCO$dOCLCF$dOCLCQ$dTYFRS$dUKAHL$dLEAUB$dLOA$dK6U$dLVT$dVLY$dELBRO$dUCW$dOCLCO$dOCLCQ
019 $a1086505727$a1135833692$a1152826663$a1162277402$a1196367665
020 $a9780203098523$q(e-book ;$qPDF)
020 $a0203098528
020 $a9781136227387$q(e-book ;$qPDF)
020 $a1136227385
020 $a9781136227332$q(e-book ;$qMobi)
020 $a1136227334
020 $a9781136227370$q(e-book ;$qePub)
020 $a1136227377
020 $a9780415807180$q(hardback)
020 $a0415807182
020 $a9781138937710$q(paperback)
020 $a1138937711
020 $a1299279597
020 $a9781299279599
035 $a(OCoLC)1058879595$z(OCoLC)1086505727$z(OCoLC)1135833692$z(OCoLC)1152826663$z(OCoLC)1162277402$z(OCoLC)1196367665
050 4 $aPN1995.9.I55$bM35 2013
082 04 $a791.43019$bM265
049 $aZCUA
100 1 $aMamula, Tijana,$d1981-
245 10 $aCinema and language loss :$bdisplacement, visuality and the filmic image /$cby Tijana Mamula.
260 $aNew York :$bRoutledge,$c2013.
300 $a1 online resource (xiv, 286 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file
490 1 $aRoutledge advances in film studies ;$v21
504 $aIncludes bibliographical references (pages 257-271) and index.
505 0 $a1. Images begin to sound : a theoretical framework -- 2. Language and reification in the "emigre" film noir -- 3. The "question of language" in postwar Italian cinema -- 4. Linguistic displacement and sound-image disjunction -- 5. Linguistic displacement and uncanny discourse.
520 $aCinema and Language Loss provides the first sustained exploration of the relationship between linguistic displacement and visuality in the filmic realm, examining in depth both its formal expressions and theoretical implications. Combining insights from psychoanalysis, philosophy and film theory, the author argues that the move from one linguistic environment to another profoundly destabilizes the subject's relation to both language and reality, resulting in the search for a substitute for language in vision itself - a reversal, as it were, of speaking into seeing. The dynam.
546 $aEnglish.
650 0 $aIntercultural communication in motion pictures.
650 0 $aLanguage and languages in motion pictures.
650 0 $aMotion pictures and language.
650 0 $aMotion pictures$xPsychological aspects.
650 6 $aCommunication interculturelle au cinéma.
650 6 $aLangage et langues au cinéma.
650 6 $aCinéma et langage.
650 7 $aIntercultural communication in motion pictures.$2fast$0(OCoLC)fst00976110
650 7 $aLanguage and languages in motion pictures.$2fast$0(OCoLC)fst00992278
650 7 $aMotion pictures and language.$2fast$0(OCoLC)fst01027409
650 7 $aMotion pictures$xPsychological aspects.$2fast$0(OCoLC)fst01027364
776 1 $z9780415807180
830 0 $aRoutledge advances in film studies ;$v21.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15135420$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS