MARC Record from marc_columbia

LEADER: 08922cam a2200997 i 4500
001 15138337
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035 $a(OCoLC)on1083674150
035 $a(NNC)15138337
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020 $a9780429450457$q(electronic book)
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020 $a9780429833748$q(electronic publication)
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020 $a9780429833755$q(electronic book)
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020 $a9781003011262$q(electronic bk.)
020 $a1003011268$q(electronic bk.)
020 $a9781000766394$q(electronic bk. ;$qMobipocket)
020 $a100076639X$q(electronic bk. ;$qMobipocket)
020 $a9781000766554$q(electronic bk. ;$qEPUB)
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020 $a1000766233$q(electronic bk. ;$qPDF)
020 $z9780367444556$q(hardcover$qalkaline paper)
020 $z9781138325333 (hardback : alk. paper)
024 7 $a10.4324/9780429450457$2doi
035 $a(OCoLC)1083674150
037 $a9780429833748$bIngram Content Group
037 $a9781003011262$bTaylor & Francis
042 $apcc
043 $aa------$ap------
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049 $aZCUA
245 00 $aAsia-Pacific film co-productions :$btheory, industry and aesthetics /$cedited by Dal Yong Jin and Wendy Su.
264 1 $aNew York, NY :$bRoutledge,$c2019.
264 4 $c©2019
300 $a1 online resource (xv, 322 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge studies in media and cultural industries ;$v3
520 $a"This book examines cross-regional film collaboration within and beyond the Asia-Pacific region. Through a mixed methods approach of political economy and industry, market and textual analysis, the book contributes to the understanding of the global fusion of cultural products and the reconfiguration of geographic, political, economic, and cultural relations. Issues covered include: cultural globalization and Asian regionalization; identity, regionalism, and industry practices and inter-Asian and trans-Pacific co-production practices among the U.S., China, South Korea, Japan, India, Hong Kong, Argentina, Australia, Taiwan, and New Zealand"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aCultural globalization through film co-productions in the Asia-Pacific region / Dal Yong Jin -- Fast boats from Hollywood to China-vice versa-or ships passing in the night? The PRC meets the NICL / Toby Miller -- Sleeping with the intimate "enemy"? Dynamics and precarities of Chinese co-productions in the case of the "Korea ban" / Lisa Leung -- Post-2014 Chinese-Korean film co-production: nation branding via online film publicity / Elian Chung -- Hindi Chini bhai bhai: examining India-China co-production deals in globalized media markets / Ruhi Khan -- International film co-productions as a new harbour of nationalistic communication amid regional "imagined communities": the case of China and Korea / Mi Sook Park -- Is the China party over?: global integration, state intervention, and changing China-Hollywood relations: 2014-2018 / Wendy Su -- Seeking a global audience: transnational narrative strategies of the Netflix original movie, Okja / Dong-Hoo Lee -- Influential factors for producing film co-productions between Korea and New Zealand / JuHee Kim -- Co-producing with the other side of the world: Argentine-Korean films and international film festivals / Lucía Rud -- Connecting with China, Hollywood and film festivals: the collaboration and co-production of Taiwanese filmmakers in the era of neo-liberal globalization / Jocelyn Yi-Hsuan Lai -- Beyond Japan-Taiwan coproduction: intertextuality and elliptical figures in Hou Hsiao-hsien's Café lumière / Michelle Bloom and Satoko Kakihara -- Seoul-Hong Kong-Macau: Love with an alien (1957) and postwar Korea-Hong Kong coproduction / Sangjoon Lee -- Docu-reality and empathy in Bloodless (2017): a manifesto for transnational virtual reality cinema / Luke Buckmaster and Brian Yecies -- Final recipe as a Pan-Asian co-production film: interview with director Gina Kim / Dal Yong Jin.
545 0 $aDal Yong Jin finished his Ph. D. at the Institute of Communications Research at the University of Illinois, Urbana-Champaign, in 2005. He has taught in three countries: the U.S., Canada, and Korea. Jin's major research and teaching interests are globalization and media, Korean cinema, Asian media studies, transnational cultural studies, new media and digital gaming, and the political economy of media and culture. He is the author of several books, including Smartland Korea: Mobile Communication, Culture and Society (University of Michigan Press, 2017), New Korean Wave: Transnational Cultural Power in the Age of Social Media (University of Illinois Press, 2016), Digital Platforms, Imperialism and Political Culture (Routledge, 2015), De-convergence of Global Media Industries (Routledge, 2013), and Korea's Online Gaming Empire (MIT Press, 2010). He has also edited several volumes, including Mobile Gaming in Asia: Politics, Culture and Emerging Technologies (Springer, 2016), The Political Economies of Media: The Transformation of the Global Media Industries (Bloomsbury, 2011), and Global Media Convergence and Cultural Transformation: Emerging Social Patterns and Characteristics (IGI Global, 2011). In addition, he has contributed numerous journal articles and book chapters. Wendy Su is Associate Professor of the Department of Media and Cultural Studies at University of California Riverside. She is the author of China's Encounter with Global Hollywood: Cultural Policy and the Film Industry, 1994-2013 (University Press of Kentucky, 2016). She has also published in a number of high-ranking academic journals including Pacific Affairs, International Journal of Cultural Policy, Critical Studies in Media Communication, Global Media and Communication, Journal of International Communication, and Asian Journal of Communication. She was a winner of the 2014 William L. Holland Prize for the best article granted by Pacific Affairs. Her research areas are global communication, Chinese media studies and cultural studies, transnational film studies, audience research, and Asian modernity.
588 0 $aOnline resource; title from digital title page (viewed on May 30, 2019).
650 0 $aCoproduction (Motion pictures, television, etc.)$zAsia.
650 0 $aCoproduction (Motion pictures, television, etc.)$zPacific Area.
650 0 $aMotion pictures$xProduction and direction$zAsia.
650 0 $aMotion pictures$xProduction and direction$zPacific Area.
650 6 $aCoproduction$zAsie.
650 6 $aCoproduction$zPacifique, Région du.
650 6 $aCinéma$xProduction et réalisation$zAsie.
650 6 $aCinéma$xProduction et réalisation$zPacifique, Région du.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aSOCIAL SCIENCE$xMedia Studies.$2bisacsh
650 7 $aBUSINESS & ECONOMICS$xIndustries$xMedia & Communications Industries.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xDirection & Production.$2bisacsh
650 7 $aBUSINESS & ECONOMICS / Industries / Media & Communications Industries$2bisacsh
650 7 $aPERFORMING ARTS / Film & Video / Direction & Production$2bisacsh
650 7 $aCoproduction (Motion pictures, television, etc.)$2fast$0(OCoLC)fst00878606
650 7 $aMotion pictures$xProduction and direction.$2fast$0(OCoLC)fst01027357
651 7 $aAsia.$2fast$0(OCoLC)fst01240495
651 7 $aPacific Area.$2fast$0(OCoLC)fst01243504
655 4 $aElectronic books.
700 1 $aJin, Dal Yong,$d1964-$eeditor.
700 1 $aSu, Wendy,$eeditor.
776 08 $iPrint version:$tAsia-Pacific film co-productions.$dNew York : Routledge, 2019$z9781138325333$w(DLC) 2018059436
830 0 $aRoutledge studies in media and cultural industries ;$v3.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15138337$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS