MARC Record from marc_columbia

LEADER: 02120cam a2200349Ii 4500
001 15139729
005 20201026150330.0
008 200306s2020 gw a bc 000 0dger d
035 $a(OCoLC)on1142888095
040 $aYDX$beng$erda$cYDX$dOCLCQ$dOHX$dJPG$dOCLCF$dERASA
020 $a3775747478
020 $a9783775747479
035 $a(OCoLC)1142888095
041 0 $ager$aeng
050 4 $aN6888.F74$bA4 2020
082 04 $a700.411
100 1 $aFreiwald, Tim,$d1986-
245 10 $aTim Freiwald :$bkeeping things whole /$cHerausgeber, Thomas Trümper.
246 30 $aKeeping things whole
260 $aBerlin :$bHatje Cantz,$cc2020.
300 $a159 pages :$billustrations (chiefly color) ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aCatalog of an exhibition held at Kunsthalle Bremerhaven, January 19-March 8, 2020.
504 $aIncludes bibliographical references.
546 $aTexts in German and English.
520 8 $aDeconstructivism is understood to encompass a specific form of thought and a specific way of dealing with materials. Freiwald?s art is distinguished by its impressive manner of bringing together both sides. First, he comes to grips with the material foundation of painting, by singeing, cutting, or sawing the picture support. The remaining space is pure pictorial space and is entirely subject to the expressive quality of the planes of color filling it. His works are thus always new ways of presenting an intriguing dialectic. They alternate between material and effect, inquiring into the relationships between the object and the phenomenal expressive force of art. The exhibition catalogue captures this lively philosophy in a sublimely aesthetic form. It shows how thought and vision overlap in Freiwald?s work to become truly visionary.00Exhibition: Kunsthalle Bremerhaven, Germany (19.01. - 08.03.2020).
600 10 $aFreiwald, Tim,$d1986-$vExhibitions.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aTrümper, Thomas.
710 2 $aKunsthalle Bremerhaven.
852 00 $bfaxlc$hN6888.F735$iA4 2020g