MARC Record from marc_columbia

LEADER: 04103cam a2200673 i 4500
001 15140325
005 20210607145458.0
006 m o d
007 cr |||||||||||
008 191107s2020 enk ob 001 0 eng
010 $a 2019051571
035 $a(OCoLC)on1127069729
035 $a(NNC)15140325
040 $aDLC$beng$erda$epn$cDLC$dOCLCF$dOCLCO$dYDX$dEBLCP$dTYFRS$dYDX$dOCLCQ$dYUS$dOCLCQ
020 $a9781315466170$q(electronic book)
020 $a1315466171$q(electronic book)
020 $a9781315466149$q(electronic book$qMobipocket)
020 $a1315466147$q(electronic book$qMobipocket)
020 $a9781315466156$q(electronic book$qEPUB)
020 $a1315466155$q(electronic book$qEPUB)
020 $a9781315466163$q(electronic book$qelectronic book)
020 $a1315466163$q(electronic book$qelectronic book)
020 $z9781138205833$q(hardcover)
024 8 $a16702241
035 $a(OCoLC)1127069729
037 $a9781315466170$bTaylor & Francis
042 $apcc
050 00 $aND2728$b.H35 2020
072 7 $aART$x000000$2bisacsh
072 7 $aART$x020000$2bisacsh
072 7 $aART$x015030$2bisacsh
072 7 $aAC$2bicssc
082 00 $a751.7/3094109032$223
049 $aZCUA
100 1 $aHamlett, Lydia,$eauthor.
245 10 $aMural painting in Britain 1630-1730 :$bexperiencing histories /$cLydia Hamlett.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2020.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bn$2rdamedia
338 $aonline resource$bnc$2rdacarrier
490 1 $aRoutledge research in art history
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : Re-experiencing British murals -- Animating histories -- Triumph and return : bringing the gods onto man's stage -- Murals and metamorphoses -- Poetry, painting and politics : the early 1700s -- The frenzied age of mural painting -- Conclusion : Defining mural painting as a genre.
520 $a"This book illuminates the original meanings of seventeenth and early eighteenth-century mural paintings in Britain. At the time, these were called 'histories'. Throughout the eighteenth century, though, the term became directly associated with easel painting and, as 'history painting' achieved the status of a sublime genre, any link with painted architectural interiors was lost. Whilst both genres contained historical figures and narratives, it was the ways of viewing them that differed. Lydia Hamlett emphasises the way that mural paintings were experienced by spectators within their architectural settings. New iconographical interpretations and theories of effect and affect are considered an important part of their wider historical, cultural and social contexts. This book is intended to be read primarily by specialists, graduate and undergraduate students with an interest in new approaches to British art of the seventeenth and eighteenth centuries"--$cProvided by publisher.
588 0 $aOnline resource; title from PDF title page (viewed April 9, 2020).
545 0 $aLydia Hamlett is Academic Director in History of Art at the Institute of Continuing Education, University of Cambridge, and a Fellow of Murray Edwards College. She is a co-founder of the British Murals Network (britishmurals.org).
650 0 $aMural painting and decoration, British$y17th century.
650 0 $aMural painting and decoration, British$y18th century.
650 7 $aART$xGeneral.$2bisacsh
650 7 $aART$xTechniques$xPainting.$2bisacsh
650 7 $aART$xEuropean.$2bisacsh
650 7 $aMural painting and decoration, British.$2fast$0(OCoLC)fst01029593
648 7 $a1600-1799$2fast
655 4 $aElectronic books.
776 08 $iPrint version:$aHamlett, Lydia.$tMural painting in Britain 1630-1730.$dNew York, NY : Routledge, 2020$z9781138205833$w(DLC) 2019051570
830 0 $aRoutledge research in art history.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15140325$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS