Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:281668517:3335 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:281668517:3335?format=raw |
LEADER: 03335cam a2200577Mi 4500
001 15140456
005 20220827230412.0
006 m o d
007 cr |n||||||||a
008 190911t20052000nyua ob 001 0 eng d
035 $a(OCoLC)on1130718281
035 $a(NNC)15140456
040 $aALSTP$beng$erda$epn$cALSTP$dOCLCO$dOCLCF$dTYFRS$dOCLCQ$dOCLCO$dOCL$dOCLCO$dOCLCA
020 $a0203493052
020 $a9780203493052
020 $z0815323824
020 $z0415967694
035 $a(OCoLC)1130718281
037 $a9781315805344$bTaylor & Francis
043 $af------
050 4 $aML3760.1
082 04 $a780.8996$221
049 $aZCUA
245 04 $aThe African diaspora :$ba musical perspective /$cedited by Ingrid Monson.
264 1 $aNew York :$bRoutledge (Publisher),$c2005.
264 4 $c©2000
300 $a1 online resource (viii, 360 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aCritical and Cultural Musicology ;$vVolume 3
500 $aTitle from resource description page (viewed September 11, 2019).
500 $aOriginally published in 2000.
504 $aIncludes bibliographical references and index.
505 0 $aCHAPTER 1 Introduction -- CHAPTER 2 Jazz Performance as Ritual: The Blues Aesthetic and the African Diaspora -- CHAPTER 3 Communities of Style: Musical Figures of Black Diasporic Identity -- CHAPTER 4 Jazz on the Global Stage -- CHAPTER 5 Women, Music, and the 'Mystique' of Hunters in Mali -- CHAPTER 6 Mamaya: Renewal and Tradition in Maninnka Music of Kankan, Guinea -- CHAPTER 7 Concepts of Neo-African Music as Manifested in the Yoruba Folk Opera -- CHAPTER 8 They Just Need Money: Goods and Gods, Power and Truth in a West African Village -- CHAPTER 9 Militarism in Haitian Music -- CHAPTER 10 Musical Revivals and Social Movements in Contemporary Martinique: Ideology, Identity, Ambivalence -- CHAPTER 11 Art Blakey's African Diaspora.
520 $aThe African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, North America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music. Featured here are jazz, wassoulou music, and popular and traditional musics of the Caribbean and Africa, framed with attention to the reciprocal relationships of the local and the global.
546 $aIn English.
650 0 $aBlack people$xMusic$xHistory and criticism.
650 0 $aMusic$zAfrica$xHistory and criticism.
650 6 $aPersonnes noires$xMusique$xHistoire et critique.
650 6 $aMusique$zAfrique$xHistoire et critique.
650 7 $aBlack people$xMusic.$2fast$0(OCoLC)fst00833971
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
651 7 $aAfrica.$2fast$0(OCoLC)fst01239509
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aMonson, Ingrid T.$q(Ingrid Tolia),$eeditor.
776 08 $iPrint version:$z0815323824$z0415967694
830 0 $aCritical and cultural musicology ;$vv. 3.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15140456$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS