MARC Record from marc_columbia

LEADER: 03924cam a2200745Mi 4500
001 15141946
005 20221112232845.0
006 m o d
007 cr |n|||||||||
008 200625s2020 nyu ob 001 0 eng
035 $a(OCoLC)on1162607201
035 $a(NNC)15141946
040 $aAU@$beng$erda$cAU@$dTYFRS$dOCLCO$dTYFRS$dOCLCF$dOCLCO$dK6U$dWAU
020 $a9781003081364 (electronic bk)
020 $a1003081363 (electronic bk)
020 $a9781000163438$q(electronic bk. : EPUB)
020 $a1000163431$q(electronic bk. : EPUB)
020 $a9781000163391$q(electronic bk. : Mobipocket)
020 $a1000163393$q(electronic bk. : Mobipocket)
020 $a9781000163353$q(electronic bk. : PDF)
020 $a1000163350$q(electronic bk. : PDF)
020 $z9780367533151
020 $z0367533154
035 $a(OCoLC)1162607201
037 $a9781003081364$bTaylor & Francis
043 $aa-is---$ama-----
050 4 $aPN6714$b.V55 2020
072 7 $aLIT$x024000$2bisacsh
072 7 $aLIT$x025010$2bisacsh
072 7 $aLIT$x017000$2bisacsh
072 7 $aDS$2bicssc
082 04 $a070.1$223
049 $aZCUA
100 1 $aViljoen, Jeanne-Marie,$eauthor.
245 10 $aWar comics :$ba postcolonial perspective /$cJeanne-Marie Viljoen.
264 1 $aNew York :$bRoutledge,$c2020.
300 $a1 online resource (pages cm.).
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge interdisciplinary perspectives on literature
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: towards a postcolonial understanding of violence -- Graphic narratives, bringing the ineffable into the frame -- 'Dark' writing the Khan Younis massacre -- 'Dark' writing the Sabra and Shatila massacre -- 'Dark' writing violent experiences in new aesthetic forms -- Summary -- Why this book matters.
520 $a"This book focuses on non-fictional, visual narratives (including comics; graphic narratives; animated documentaries and online, interactive documentaries) that attempt to represent violent experiences, primarily in the Levant"--
588 $aDescription based on print version record
545 0 $aJeanne-Marie Viljoen is an academic in the field of Cultural & Literary Studies at the University of South Australia. Her abiding interest in exploring how communication about difficult experiences can occur through art in contexts where language cannot capture all we want to say, has lead her to focus primarily on non-fictional, visual narratives. Living and working in contested states with violent histories such as Apartheid South Africa, North Cyprus & Australia throughout her life drives her engagement with the postcolonial world.
650 0 $aDocumentary comic books, strips, etc.$xHistory and criticism.
650 0 $aDocumentary films$xHistory and criticism.
650 0 $aAnimated films$xHistory and criticism.
650 0 $aWar in comics.
650 0 $aViolence in comics.
650 0 $aPsychic trauma in comics.
650 0 $aArab-Israeli conflict$xComics and the conflict.
650 7 $aAnimated films.$2fast$0(OCoLC)fst00809611
650 7 $aDocumentary comic books, strips, etc.$2fast$0(OCoLC)fst01746192
650 7 $aDocumentary films.$2fast$0(OCoLC)fst00896079
650 7 $aWar in comics.$2fast$0(OCoLC)fst02040697
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aFilm criticism.$2fast$0(OCoLC)fst02025859
655 7 $aFilm criticism.$2lcgft
655 7 $aComics criticism.$2lcgft
776 08 $iPrint version:$z9780367533151$z0367533154$w(DLC) 2020013082
830 0 $aRoutledge interdisciplinary perspectives on literature.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15141946$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS