MARC Record from marc_columbia

LEADER: 05992cam a2200625 i 4500
001 15141982
005 20220703234459.0
006 m o d
007 cr |n|||||||||
008 200717s2020 nyua ob 011 0 eng d
035 $a(OCoLC)on1165386674
035 $a(NNC)15141982
040 $aYDX$beng$erda$epn$cYDX$dOCLCO$dTYFRS$dYDX$dOCLCQ$dOCLCO$dUKAHL$dN$T$dOCLCO
020 $a9780429781896$q(electronic bk.)
020 $a042978189X$q(electronic bk.)
020 $a9780429433405$q(electronic bk.)
020 $a0429433409$q(electronic bk.)
020 $a9780429781889$q(electronic bk. ;$qEPUB)
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020 $a9780429781872$q(electronic bk. ;$qMobipocket)
020 $a0429781873$q(electronic bk. ;$qMobipocket)
020 $z9781138359925
020 $z1138359920
035 $a(OCoLC)1165386674
037 $a9780429433405$bTaylor & Francis
050 4 $aML55
072 7 $aMUS$x000000$2bisacsh
072 7 $aAVGC6$2bicssc
082 04 $a780.72$223
049 $aZCUA
245 00 $aRemixing music studies :$bessays in honour of Nicholas Cook /$cedited by Ananay Aguilar, Ross Cole, Matthew Pritchard, Eric Clarke.
264 1 $aNew York :$bRoutledge,$c2020.
300 $a1 online resource :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $aFestschrift.
504 $aIncludes bibliographical references and index.
520 $aWhere is the academic study of music today, and what paths should it take into the future? Should we be looking at how music relates to society and constructs meaning through it, rather than how it transcends the social? Can we remix' our discipline and attempt to address all musics on an equal basis, without splitting ourselves in advance into subgroups of musicologists', theorists', and ethnomusicologists'? These are some of the crucial issues that Nicholas Cook has raised since he emerged in the 1990s as one of the UK's leading and most widely read voices in critical musicology. In this book, collaborators and former students of Cook pursue these questions and others raised by his work--from notation, historiography, and performance to the place of music in multimedia forms such as virtual reality and video games, analysing both how it can bring people together and the ways in which it has failed to do so.
545 0 $aAnanay Aguilar is Policy Advisor at Cambridge Enterprise and Affiliated Researcher at the Centre for Intellectual Property and Information Law (CIPIL) at the University of Cambridge. She previously held a Leverhulme Early Career Fellowship, also at the University of Cambridge, focusing on music copyright and policy. Ross Cole is a Junior Research Fellow at the University of Cambridge. His research interests extend from the late nineteenth century up to the present, with a particular focus on popular culture and experimentalism. His first book, The Folk: Music, Modernity, and the Political Imagination, is forthcoming with University of California Press. Matthew Pritchard is Lecturer in Musical Aesthetics at the University of Leeds. He has published on aspects of music aesthetics from c. 1750-1930 in Germany, and is working on a book examining the aesthetics of this period through the lens of the 'history of emotions'. He also writes on and translates the songs and musical essays of Rabindranath Tagore. Eric Clarke is Heather Professor of Music at the University of Oxford, and a professorial fellow of Wadham College. He has published on topics in the psychology of music and related areas. His books include Empirical Musicology (2004), Ways of Listening (2005), Music and Mind in Everyday Life (2010), Music and Consciousness (2011), and Distributed Creativity (2017).
505 0 $aIntroduction. A Hedgehog in Fox's Clothing / Matthew Pritchard, Ross Cole, & Ananay Aguilar -- PART I: MEDIA, NOTATION, PERFORMANCE. Transforming Musical (Multi)media : Virtual Reality and the Goals of Music Research in the 21st-Century Humanities ; Nicola Dibben ; Playing Along to What? Video Game Music and the Metaphor Model / Michiel Kamp ; 'A Repertoire of Means for Imagining Music': Notation Cultures and the Musical Imagination / Floris Schuiling ; Rethinking Classical Sound Recordings : Creativities Beyond the Score / Georgia Volioti ; Between Practice and Theory : Performance Studies and/as Artistic Research / John Rink / Moral Judgement in Response to Performances of Western Art Music / Daniel Leech-Wilkinson -- MEANINGS & VALUES IN HISTORY. Vocality, Orality, and Disciplinarity : A Case Study of Gendered Categorizations in the Ancient Near East / Anija Dokter ; 'All This Requires but a Moment of Open Revelation'! Johann Gottfried Herder, Robert Lachmann, and the Global Musicological Moment / Philip V. Bohlman ; Duetting with Bartók and Others : Iva Bittová's Post-Revival 'Personal Folk Music' / Julie Brown ; Writing on Living Composers and the Problem of Advocacy : Failure and the Experimental Work of Mauricio Kagel / Björn Heile ; Music and Epistemological Humility: Looking Back to (and Forward with) Paul Bekker / Matthew Pritchard ; Towards an Ecological History of Music / Ross Cole -- Afterword. Knowing Nick / Eric Clarke.
650 0 $aMusicology.
650 6 $aMusicologie.
650 7 $amusicology.$2aat
650 7 $aMUSIC$xGeneral.$2bisacsh
650 7 $aMusicology.$2fast$0(OCoLC)fst01030893
655 4 $aElectronic books.
700 1 $aAguilar, Ananay,$eeditor.
700 1 $aCole, Ross,$eeditor.
700 1 $aPritchard, Matthew$c(Musicologist),$eeditor.
700 1 $aClarke, Eric F.,$eeditor.
700 1 $aCook, Nicholas,$d1950-$ehonouree.
776 08 $iPrint version:$z9781138359925$z1138359920$w(DLC) 2020004546$w(OCoLC)1139013420
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15141982$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS