MARC Record from marc_columbia

LEADER: 03763cam a2200553Ii 4500
001 15154811
005 20210108115523.0
008 160922t20192019nyuc e b 000 0 eng d
024 $a99985594884
035 $a(OCoLC)ocn959036499
040 $aYDX$beng$erda$cYDX$dOCLCQ$dERASA$dBTCTA$dBDX$dGP5$dPPN$dMNN$dFNE$dCHVBK$dOCLCO$dOCLCF$dVP@$dZRS$dYDXIT$dIAO$dOCLCA$dCIA
019 $a962550034$a1101562201
020 $a9781597113373$qpaperback
020 $a1597113379$qpaperback
035 $a(OCoLC)959036499$z(OCoLC)962550034$z(OCoLC)1101562201
043 $an-us---
050 4 $aTR680$b.B485 2019
082 04 $a779.092$223
082 04 $a770
100 1 $aBey, Dawoud,$d1953-$eauthor,$ephotographer.
240 10 $aWorks.$kSelections
245 10 $aDawoud Bey on photographing people and communities /$cphotographs and text by Dawoud Bey, introduction by Brian Ulrich.
250 $aFirst edition.
264 1 $aNew York, N.Y. :$bAperture Foundation,$c2019.
264 4 $c©2019
300 $a127 pages :$bportraits (some color) ;$c26 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe photography workshop series
504 $aIncludes bibliographical references (page 125).
520 $a"In The Photography Workshop Series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography--offering the workshop experience in a book. The goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. In this book, Dawoud Bey--well-known for his striking portraits that reflect both the individual and their larger community--offers his insight on creating meaningful and beautiful portraits that capture the subject and speak to something more universal. Through images and words, he shares his own creative process and discusses a wide range of issues, from approaching strangers and establishing relationships with subjects, to sensitively representing communities."$cBack cover.
505 00 $tIntroduction /$rBrian Ulrich --$tPeople in front of the camera --$tWhat makes it worthy --$tThe long table --$tTranscending difference --$tApproaching strangers --$tTen thousand hours --$tMore to the picture --$tBehind the camera --$tOnce you get there --$tA more formal portrait --$tPhotographer and subject --$tSpace to be themselves --$tA more extended statement --$tUnmooring the subject --$tA simple setup --$tBelieving in something --$tWhere the work leads --$tWhere art is made --$tThe confidence to not know --$tTranslating across dimensions --$tWhat lies beyond --$tLeading with the pictures --$tA catalyst for conversation --$tWhat community means --$tThe world after --$tThe past in the present --$tIt could have been her --$tThe idea in front of you --$tAn act of faith.
600 10 $aBey, Dawoud,$d1953-
600 17 $aBey, Dawoud,$d1953-$2fast$0(OCoLC)fst00359008
600 17 $aBey, Dawoud$d1953-$2gnd
650 0 $aPortrait photography.
650 0 $aAfrican American photographers.
650 0 $aPhotography$xSocial aspects$zUnited States.
650 7 $aAfrican American photographers.$2fast$0(OCoLC)fst00799297
650 7 $aPhotography$xSocial aspects.$2fast$0(OCoLC)fst01061826
650 7 $aPortrait photography.$2fast$0(OCoLC)fst01072259
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aPorträtfotografie$2gnd
651 7 $aUSA$2gnd
700 1 $aUlrich, Brian,$d1971-$ewriter of introduction.
830 0 $aPhotography workshop series.
852 0 $boff,fax$hTR680$i.B485 2019g